Anthony van DyckFiandre, 1599–1641A Group a Trees
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New York, Stati Uniti
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- Verificato
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- Fonte
- Il museo
Scheda
- Numero di inventario
- 1972.118.5
Che cosa raffigura
In catalogo
Fonti
- Metropolitan Museum of Art
- Immagine: Metropolitan Museum of Art — Open Access (CC0)
Nella vita di Anthony van Dyck
Tutta la vita22 marzo 1599
Nascita
from 1617
Beginning of Work with Rubens
From 1617 Van Dyck collaborated for a long period with Peter Paul Rubens, whose pupil he became, giving up his independent workshop; Rubens spoke of him as his best pupil.
1620
First Trip to London to the Court of James I
In October 1620, at the age of twenty-one, Van Dyck moved to London to the court of King James I at the urging of the Duke of Buckingham and the Earl of Arundel; he received an annual pension of one hundred pounds sterling from the king.
20 November 1621
Departure for Italy, Arrival in Genoa
In 1621 Van Dyck decided to go to Italy; Rubens supplied him with funds and letters of introduction. On 20 November 1621 he arrived in Genoa and remained in Italy for six years, where his fame as a portraitist was consolidated.
1624
Quarantine During the Plague in Palermo
In Palermo Van Dyck found himself in quarantine during the plague of 1624, one of the most severe in Sicily's history; there he created an important series of paintings of Saint Rosalia, the city's patroness, establishing her iconography for the Italian Baroque.
5 July 1632
Principal Painter to King Charles I
On 5 July 1632 Charles I officially appointed Van Dyck principal painter to the king, guaranteeing an annual income of two hundred pounds sterling; the king gave him a large house with a garden on the banks of the Thames.
