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Artisti
Norman Roland Eppink

NR

Stati Uniti · 1906–1985

Norman Roland Eppink

105

in catalogo

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Opere Vita Mappa

Tutte Esposte In collezione Incerte

Hand Colored Woodcut (Lost City), plate 2 from 101 Prints, Norman Roland Eppink, 1967

Hand Colored Woodcut (Lost City), plate 2 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Serigraph, Resist Method (View from Above), plate 61 from 101 Prints, Norman Roland Eppink, 1967

Serigraph, Resist Method (View from Above), plate 61 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Etching, Engraving, Acquaint, and Stencil Color on Plate (Two Figures), plate 40 from 101 Prints, Norman Roland Eppink, 1967

Etching, Engraving, Acquaint, and Stencil Color on Plate (Two Figures), plate 40 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Etching, Engraving, and Soft Ground (City Complex), plate 42 from 101 Prints, Norman Roland Eppink, 1967

Etching, Engraving, and Soft Ground (City Complex), plate 42 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Screen Print (Industrial), plate 95 from 101 Prints, Norman Roland Eppink, 1967

Screen Print (Industrial), plate 95 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Bas-relief Print (Variety in Unity), plate 73 from 101 Prints, Norman Roland Eppink, 1967

Bas-relief Print (Variety in Unity), plate 73 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Flock Print (Figure Composition), plate 15 from 101 Prints, Norman Roland Eppink, 1967

Flock Print (Figure Composition), plate 15 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Drypoint (French Street), plate 22 from 101 Prints, Norman Roland Eppink, 1967

Drypoint (French Street), plate 22 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Lift Ground (Lovers), plate 33 from 101 Prints, Norman Roland Eppink, 1967

Lift Ground (Lovers), plate 33 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Hand Colored Aquatint (Quartet), plate 29 from 101 Prints, Norman Roland Eppink, 1967

Hand Colored Aquatint (Quartet), plate 29 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Four-color Lithograph (Elliptical), plate 51 from 101 Prints, Norman Roland Eppink, 1967

Four-color Lithograph (Elliptical), plate 51 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Hand Print (Personal Data), plate 86 from 101 Prints, Norman Roland Eppink, 1967

Hand Print (Personal Data), plate 86 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Potato Print (Bugs), plate 87 from 101 Prints, Norman Roland Eppink, 1967

Potato Print (Bugs), plate 87 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Hand Colored Etching (Decay), plate 25 from 101 Prints, Norman Roland Eppink, 1967

Hand Colored Etching (Decay), plate 25 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Etching (Krieman’s Fish Heads), plate 23 from 101 Prints, Norman Roland Eppink, 1967

Etching (Krieman’s Fish Heads), plate 23 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Three-level Intaglio (Shore Partners), plate 47 from 101 Prints, Norman Roland Eppink, 1967

Three-level Intaglio (Shore Partners), plate 47 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Paper Print (Umbrellas), plate 91 from 101 Prints, Norman Roland Eppink, 1967

Paper Print (Umbrellas), plate 91 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Serigraph, Film, and Photographic Stencil (Carnival), plate 62 from 101 Prints, Norman Roland Eppink, 1967

Serigraph, Film, and Photographic Stencil (Carnival), plate 62 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Lumiprint (Graffito), plate 65 from 101 Prints, Norman Roland Eppink, 1967

Lumiprint (Graffito), plate 65 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Glue Print (Still Waiting), plate 99 from 101 Prints, Norman Roland Eppink, 1967

Glue Print (Still Waiting), plate 99 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Colored Aquatint (Plant Forms), plate 28 from 101 Prints, Norman Roland Eppink, 1967

Colored Aquatint (Plant Forms), plate 28 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Etching, Engraving, and Stencil Color on Paper (Two Figures), plate 38 from 101 Prints, Norman Roland Eppink, 1967

Etching, Engraving, and Stencil Color on Paper (Two Figures), plate 38 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Paste Print, plate printed relief (Man of the Cloth), plate 14b from 101 Prints, Norman Roland Eppink, 1967

Paste Print, plate printed relief (Man of the Cloth), plate 14b from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Photomontage, Type 1 (Green Bay), plate 70 from 101 Prints, Norman Roland Eppink, 1967

Photomontage, Type 1 (Green Bay), plate 70 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Collage Aquatint (Nude), plate 31 from 101 Prints, Norman Roland Eppink, 1967

Collage Aquatint (Nude), plate 31 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Etching, Engraving, Soft Ground, Aquatint, and Embossing (City Complex), plate 44 from 101 Prints, Norman Roland Eppink, 1967

Etching, Engraving, Soft Ground, Aquatint, and Embossing (City Complex), plate 44 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Paste Print, plate printed intaglio (Man of the Cloth), plate 14a from 101 Prints, Norman Roland Eppink, 1967

Paste Print, plate printed intaglio (Man of the Cloth), plate 14a from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Hand Colored Engraving (Pagans), plate 20 from 101 Prints, Norman Roland Eppink, 1967

Hand Colored Engraving (Pagans), plate 20 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Crayon Lithograph (Roman Cats), plate 48 from 101 Prints, Norman Roland Eppink, 1967

Crayon Lithograph (Roman Cats), plate 48 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Coast Line (Woodcut), plate 1 from 101 Prints, Norman Roland Eppink, 1967

Coast Line (Woodcut), plate 1 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Stencil, Colored Inks (Waupaca), plate 59 from 101 Prints, Norman Roland Eppink, 1967

Stencil, Colored Inks (Waupaca), plate 59 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Solarized Print (Barbed Wire), plate 72 from 101 Prints, Norman Roland Eppink, 1967

Solarized Print (Barbed Wire), plate 72 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Cellocut (Directions), plate 82 from 101 Prints, Norman Roland Eppink, 1967

Cellocut (Directions), plate 82 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Chiaroscuro Cut (Seated Figure), plate 3 from 101 Prints, Norman Roland Eppink, 1967

Chiaroscuro Cut (Seated Figure), plate 3 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Three-color Stipple Engraving (Venetian Theme), plate 36 from 101 Prints, Norman Roland Eppink, 1967

Three-color Stipple Engraving (Venetian Theme), plate 36 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Eleven-color Lithograph (Puppet Cupboard), plate 52 from 101 Prints, Norman Roland Eppink, 1967

Eleven-color Lithograph (Puppet Cupboard), plate 52 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Foil Print (Twigs and Pebbles), plate 98 from 101 Prints, Norman Roland Eppink, 1967

Foil Print (Twigs and Pebbles), plate 98 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Clay Print, Modeled (Phantom Shapes), plate 90 from 101 Prints, Norman Roland Eppink, 1967

Clay Print, Modeled (Phantom Shapes), plate 90 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Casein Cut (Fragment), plate 9 from 101 Prints, Norman Roland Eppink, 1967

Casein Cut (Fragment), plate 9 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Paraffin Print (Chatter), plate 101 from 101 Prints, Norman Roland Eppink, 1967

Paraffin Print (Chatter), plate 101 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Floatagraph (Dancers), plate 97 from 101 Prints, Norman Roland Eppink, 1967

Floatagraph (Dancers), plate 97 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Stipple Engraving (Milkweed Pods), plate 35 from 101 Prints, Norman Roland Eppink, 1967

Stipple Engraving (Milkweed Pods), plate 35 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Rubbing (Griswold), plate 93 from 101 Prints, Norman Roland Eppink, 1967

Rubbing (Griswold), plate 93 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Three-Color Linoleum Cut (Doors), plate 13 from 101 Prints, Norman Roland Eppink, 1967

Three-Color Linoleum Cut (Doors), plate 13 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Two-color Wood Engraving (Pickle Pickers), plate 10 from 101 Prints, Norman Roland Eppink, 1967

Two-color Wood Engraving (Pickle Pickers), plate 10 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Colored Etching (Dock), plate 24 from 101 Prints, Norman Roland Eppink, 1967

Colored Etching (Dock), plate 24 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Stone Rubbing (Surfer), plate 75 from 101 Prints, Norman Roland Eppink, 1967

Stone Rubbing (Surfer), plate 75 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Color Woodcut (Textures), plate 6 from 101 Prints, Norman Roland Eppink, 1967

Color Woodcut (Textures), plate 6 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Blake Technique (Madrigal), plate 17 from 101 Prints, Norman Roland Eppink, 1967

Blake Technique (Madrigal), plate 17 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Stencil, Water Color (Opposition), plate 58 from 101 Prints, Norman Roland Eppink, 1967

Stencil, Water Color (Opposition), plate 58 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Soft Ground Aquatint (The Remains), plate 32 from 101 Prints, Norman Roland Eppink, 1967

Soft Ground Aquatint (The Remains), plate 32 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Hand Colored Lithograph (Landscape), plate 53 from 101 Prints, Norman Roland Eppink, 1967

Hand Colored Lithograph (Landscape), plate 53 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Plaster Relief Print (Nets), plate 100 from 101 Prints, Norman Roland Eppink, 1967

Plaster Relief Print (Nets), plate 100 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Embossed Print (Erosion), plate 84 from 101 Prints, Norman Roland Eppink, 1967

Embossed Print (Erosion), plate 84 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Linoleum Cut (Aquatium), plate 12 from 101 Prints, Norman Roland Eppink, 1967

Linoleum Cut (Aquatium), plate 12 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Three-color Etching (Skeletal), plate 26 from 101 Prints, Norman Roland Eppink, 1967

Three-color Etching (Skeletal), plate 26 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Lithograph, Tusche Method (8 A.M.), plate 54 from 101 Prints, Norman Roland Eppink, 1967

Lithograph, Tusche Method (8 A.M.), plate 54 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Paste Print (Man of the Cloth), plate 14 from 101 Prints, Norman Roland Eppink, 1967

Paste Print (Man of the Cloth), plate 14 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Cliché-verre, Color Method (Figurative), plate 66 from 101 Prints, Norman Roland Eppink, 1967

Cliché-verre, Color Method (Figurative), plate 66 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Lithographic Engraving (Weeds), plate 57 from 101 Prints, Norman Roland Eppink, 1967

Lithographic Engraving (Weeds), plate 57 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Etching, Engraving, and Acquaint (Two Figures), plate 39 from 101 Prints, Norman Roland Eppink, 1967

Etching, Engraving, and Acquaint (Two Figures), plate 39 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Lithograph on Tint (Lakeside), plate 50 from 101 Prints, Norman Roland Eppink, 1967

Lithograph on Tint (Lakeside), plate 50 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Texture Print (Split Pea), plate 92 from 101 Prints, Norman Roland Eppink, 1967

Texture Print (Split Pea), plate 92 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Four-color Wood Engraving (Waiting), plate 11 from 101 Prints, Norman Roland Eppink, 1967

Four-color Wood Engraving (Waiting), plate 11 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Two-color Woodcut (Branches), plate 4 from 101 Prints, Norman Roland Eppink, 1967

Two-color Woodcut (Branches), plate 4 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Two-color Engraving (Grasses), plate 21 from 101 Prints, Norman Roland Eppink, 1967

Two-color Engraving (Grasses), plate 21 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Flock Print (Figure Composition), plate 15 from 101 Prints, Norman Roland Eppink, 1967

Flock Print (Figure Composition), plate 15 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Three-color Aquatint (Park), plate 30 from 101 Prints, Norman Roland Eppink, 1967

Three-color Aquatint (Park), plate 30 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Photomontage, Type 2 (What’s Your Number?), plate 71 from 101 Prints, Norman Roland Eppink, 1967

Photomontage, Type 2 (What’s Your Number?), plate 71 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Photograph Used for Solarization (Barbed Wire), plate 72a from 101 Prints, Norman Roland Eppink, 1967

Photograph Used for Solarization (Barbed Wire), plate 72a from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Serigraph, Block-Out Method (Patches), plate 60 from 101 Prints, Norman Roland Eppink, 1967

Serigraph, Block-Out Method (Patches), plate 60 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Photogram (Taken From an Onion), plate 67 from 101 Prints, Norman Roland Eppink, 1967

Photogram (Taken From an Onion), plate 67 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Etching, Engraving, and Color Aquatint (Two Figures), plate 41 from 101 Prints, Norman Roland Eppink, 1967

Etching, Engraving, and Color Aquatint (Two Figures), plate 41 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Pen and Ink Lithograph (Woods), plate 55 from 101 Prints, Norman Roland Eppink, 1967

Pen and Ink Lithograph (Woods), plate 55 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Monotype, Metal Base (Black Abstraction), plate 78 from 101 Prints, Norman Roland Eppink, 1967

Monotype, Metal Base (Black Abstraction), plate 78 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Transfer Monotype (Tools and Machines), plate 96 from 101 Prints, Norman Roland Eppink, 1967

Transfer Monotype (Tools and Machines), plate 96 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Cliché-verre, Type 1 (Erratic Wasp), plate 63 from 101 Prints, Norman Roland Eppink, 1967

Cliché-verre, Type 1 (Erratic Wasp), plate 63 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Japanese Color Technique (Fisherman 1), plate 7 from 101 Prints, Norman Roland Eppink, 1967

Japanese Color Technique (Fisherman 1), plate 7 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Etching, Engraving, and Color Offset from Linoleum (Webs), plate 46 from 101 Prints, Norman Roland Eppink, 1967

Etching, Engraving, and Color Offset from Linoleum (Webs), plate 46 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Lithotint (Whitefish Bay), plate 49 from 101 Prints, Norman Roland Eppink, 1967

Lithotint (Whitefish Bay), plate 49 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Stamped Print (Spring Downtown), plate 88 from 101 Prints, Norman Roland Eppink, 1967

Stamped Print (Spring Downtown), plate 88 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Four-Color Woodcut (Pool and Rocks), plate 5 from 101 Prints, Norman Roland Eppink, 1967

Four-Color Woodcut (Pool and Rocks), plate 5 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Etching, Engraving, Soft Ground, and Aquatint (City Complex), plate 43 from 101 Prints, Norman Roland Eppink, 1967

Etching, Engraving, Soft Ground, and Aquatint (City Complex), plate 43 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Clay Print (Garden), plate 89 from 101 Prints, Norman Roland Eppink, 1967

Clay Print (Garden), plate 89 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Line Engraving (Fish Count), plate 19 from 101 Prints, Norman Roland Eppink, 1967

Line Engraving (Fish Count), plate 19 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Color Photograph (Lichen), plate 74 from 101 Prints, Norman Roland Eppink, 1967

Color Photograph (Lichen), plate 74 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Metal Graphic (Time Dissected), plate 83 from 101 Prints, Norman Roland Eppink, 1967

Metal Graphic (Time Dissected), plate 83 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Combined Process (The Square), plate 85 from 101 Prints, Norman Roland Eppink, 1967

Combined Process (The Square), plate 85 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Japanese Color Technique, color variant (Fisherman 2), plate 7a from 101 Prints, Norman Roland Eppink, 1967

Japanese Color Technique, color variant (Fisherman 2), plate 7a from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Color Monotype, Glass Base (Red, Black, and Gray), plate 77 from 101 Prints, Norman Roland Eppink, 1967

Color Monotype, Glass Base (Red, Black, and Gray), plate 77 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Collagraph (Façade), plate 81 from 101 Prints, Norman Roland Eppink, 1967

Collagraph (Façade), plate 81 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Acquaint (Growth), plate 27 from 101 Prints, Norman Roland Eppink, 1967

Acquaint (Growth), plate 27 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Mezzotint (Artichoke and Pepper), plate 34 from 101 Prints, Norman Roland Eppink, 1967

Mezzotint (Artichoke and Pepper), plate 34 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Transfer Lithograph (Miscellany), plate 56 from 101 Prints, Norman Roland Eppink, 1967

Transfer Lithograph (Miscellany), plate 56 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Monotype, Glass Base (Pears in a Basket), plate 76 from 101 Prints, Norman Roland Eppink, 1967

Monotype, Glass Base (Pears in a Basket), plate 76 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

Stencil Print (Rotten Stump), plate 94 from 101 Prints, Norman Roland Eppink, 1967

Stencil Print (Rotten Stump), plate 94 from 101 Prints

1967 · Non esposta · Art Institute of Chicago

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Norman Roland Eppink · ART WIKI