Sandro BotticelliItalie, 1445–1510Virgin and Child with Two Angels
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Où est « Virgin and Child with Two Angels » aujourd’hui ? Art Institute of Chicago, Salle 205, Chicago. Oui, exposée actuellement. Vérifié 29 septembre 2026.
Chicago, États-Unis
Fermé· ouvre à 11:00
Présentée au public.
- Vérifié
- Dans cet état depuis
- Source
- Le musée
À propos du tableau
Vierge à l'Enfant avec deux anges est un tableau réalisé vers 1485-1495 par le peintre florentin Sandro Botticelli. Tondo de 34,4 centimètres de diamètre, l'œuvre est conservée à l'Art Institute of Chicago, à Chicago, aux États-Unis.
Selon le musée
Sandro Botticelli’s works mark the culmination of a mystical religious tradition in the art of early Renaissance Florence, from the paintings of Lorenzo Monaco and Fra Angelico through those of Fra Filippo Lippi, Botticelli’s teacher. In this lyrical late work by Botticelli, two angels draw back curtains to reveal the Virgin and Child, who are framed by slender trees in a setting suggesting a throne. The intimate presentation of the holy figures and Christ’s gesture of blessing suggest that this small painting served a private devotional function. This supposition is supported by the choice of format, since a Florentine patron would have typically commissioned a circular painting, or tondo, for use in a bedchamber.
Art Institute of ChicagoCC BY 4.0
Notice
- Numéro d’inventaire
- 1954.282
Ce qu’elle montre
Au catalogue
Sources
- Art Institute of Chicago
- Image : Art Institute of Chicago — CC0
Dans la vie de Sandro Botticelli
La vie entière1480s
Lorenzo's circle: Ficino, Pico, Poliziano
Botticelli frequented Lorenzo the Magnificent's Platonic Academy, where he met the humanists, poets and philosophers Marsilio Ficino, Pico della Mirandola and Angelo Poliziano; the influence of Neoplatonism shows in his secular paintings.
1490–1498
Savonarola's preaching and Botticelli
From 1490 Savonarola preached in Florence; according to Vasari, Botticelli became his follower, gave up painting and fell into hardship. Modern historians reject this, and the extent of the preacher's influence remains uncertain — Botticelli's brother Simone was the clearer follower.
1491
The committee on the cathedral façade
In 1491 Botticelli served on the committee deciding on a façade for the Cathedral of Florence; the next year he received three payments for a design, eventually abortive, to put mosaics on some of the cathedral's interior vaults.
