Thomas EakinsÉtats-Unis, 1844–1916The Biglin Brothers Turning the Stake
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Pas exposée actuellement
Où est « The Biglin Brothers Turning the Stake » aujourd’hui ? Collection: Cleveland Museum of Art, Cleveland. Pas exposée actuellement. Vérifié 29 septembre 2026.
Cleveland, États-Unis
Elle appartient à la collection, mais n’est pas présentée en ce moment.
- Vérifié
- Dans cet état depuis
- Source
- Le musée
À propos de l’œuvre
Before beginning a large-scale painting such as The Biglin Brothers Turning the Stake, Eakins began a series of specialized studies. He outlined the space of the composition with perspective drawings, such as this sketch in graphite. Eakins also used figure studies when rendering a work, as well as landscape and architectural drawings and his own photographs (examples of which are elsewhere in the exhibition). The practice of using perspective drawings to work out the space of a painting dates back to the Renaissance, revealing Eakins’s academic training.
Cleveland Museum of Art
Notice
- Numéro d’inventaire
- 1942.1066
Au catalogue
Sources
- Cleveland Museum of Art
- Image : Cleveland Museum of Art — Museum open access
Dans la vie de Thomas Eakins
La vie entière1870–1916 · Lieu de travail
Philadelphia
1874
Engaged to Kathrin Crowell
Eakins became engaged to Kathrin Crowell, the sitter of his first large portrait; the engagement lasted five years, until her death.
1875
Meets Susan Macdowell
At the Hazeltine Gallery, where “The Gross Clinic” was on show, Eakins met the 25-year-old Susan Macdowell, daughter of a Philadelphia engraver. Unlike many, she was impressed by the painting and went to study with him at the Academy for six years, winning the Mary Smith Prize for the best painting by a woman student.
