Frederic Edwin ChurchÉtats-Unis, 1826–1900Twilight in the Wilderness
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Oui, exposée actuellement
Où est « Twilight in the Wilderness » aujourd’hui ? Cleveland Museum of Art, 206 American Landscape, Cleveland. Oui, exposée actuellement. Vérifié 29 septembre 2026.
Présentée au public.
- Vérifié
- Dans cet état depuis
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- Le musée
À propos du tableau
Crépuscule dans la nature sauvage – ou en anglais Twilight in the Wilderness – est un tableau réalisé par le peintre américain Frederic Edwin Church en 1860 dans son atelier, dans l'État de New York. Cette huile sur toile est un paysage qui représente une vallée au crépuscule. Exécutée à partir d'esquisses faites dans la nature presque deux ans plus tôt près du mont Katahdin, dans le Maine, l'œuvre est conservée depuis 1965 au Cleveland Museum of Art, à Cleveland, dans l'Ohio.
Selon le musée
In his New York studio, Church painted this spectacular view of a blazing sunset over wilderness near Mount Katahdin in Maine, which he had sketched during a visit nearly two years earlier. Although Church often extolled the grandeur of American landscape in his work, this painting appears to have additional overtones. Created on the eve of the Civil War, the painting's subject can be interpreted as symbolically evoking the coming conflagration. Church's considerable technical skills and clever showmanship contributed to his fame as the premier artist of his generation. Rather than debut this painting in an annual exhibition with works by other artists as was the custom, Church instead exhibited it by itself at a prestigious art gallery. Coaxed by advance publicity and highly favorable press reviews, several hundred spectators flocked to admire it during its seven-week run.
Cleveland Museum of Art
Notice
- Numéro d’inventaire
- 1965.233
Au catalogue
Sources
- Cleveland Museum of Art
- Image : Cleveland Museum of Art — Museum open access
Dans la vie de Frederic Edwin Church
La vie entière1859
A one-picture show: “The Heart of the Andes” in New York
Thousands paid to see the canvas: its huge floor-standing frame served as a window onto the Andes, visitors sat on benches and studied the details through opera glasses, and Church arranged the room so that light from the skylights fell on the picture. It was an instant success; at this exhibition Church met his future wife, Isabel Carnes.
1859
To the icebergs: Newfoundland and Labrador
His friendship with the Arctic explorer Isaac Israel Hayes stirred Church’s interest in the far north, and with his friend the Rev. Louis Legrand Noble he travelled to Newfoundland and Labrador. Noble chronicled the trip in “After Icebergs with a Painter” (1861), published shortly before “The Icebergs” went on display.
1860
Marries Isabel Carnes and buys a farm on the Hudson
Church bought a farm near Hudson, New York, and married Isabel Mortimer Carnes (born 1836) of Dayton, Ohio. By 1860 he was the most renowned artist in America.
