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  1. Collection/
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  3. Single Leaf with Scenes from the Last Supper
Single Leaf with Scenes from the Last Supper, Simon Bening, c.1525–30
Simon Bening, portraitSimon BeningFlandre, 1483–1561

Single Leaf with Scenes from the Last Supper

c.1525–30 · Manuscript

Peut-on la contempler ?

Elle ne reçoit pas en ce moment

Cleveland Museum of Art

Cleveland, États-Unis

Elle appartient à la collection, mais n’est pas présentée en ce moment.

Vérifié
il y a 9 jours
Dans cet état depuis
19 août 2026
Source
Le musée
Sur la cartePage du musée

À propos du tableau

Born either in Ghent or Antwerp in 1483, Simon Bening became one of the most famous manuscript painters of the 1500s. He was the son of the miniaturist Alexander Bening. His long career in Bruges, where he worked from 1508 until 1555, was distinguished by a series of major commissions for celebrated families. This illuminated leaf, one of 11 preserved from the now lost parent manuscript, was painted for a member of the important Spanish family of Enriquez de Ribera, whose coat of arms appears at the bottom of the miniature. The incident, shown in the upper register, during which Jesus gives a piece of bread to Judas (dressed in yellow and green) to indicate his knowledge of his betrayal, is depicted primarily according to the Gospel of John (13:21–30). In the lower register, Judas, realizing that his betrayal is understood, gets up suddenly to leave.

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His wooden stool topples over, and Christ’s words appear in a banderole: Quod facis fac cito ("What thou doest, do quickly," John 13:27). The two scenes are surrounded by an illusionistic border in liquid silver, with liquid gold acanthus, butterflies, and flowers. In the upper left of the border is the evangelist Matthew.

Cleveland Museum of Art

Notice

c.1525–30
14831561
Numéro d’inventaire
2002.52

Au catalogue

PeinturesTemperaPeinture flamandeRenaissanceXVIe siècleFlanders, Bruges

Sources

  • Cleveland Museum of Art
  • Image : Cleveland Museum of Art — Museum open access

Autres œuvres : Simon Bening

Toutes les œuvres
L'Adoration des mages, Bening, Simon, XVIe siècle (1500 - 1600)

L'Adoration des mages

XVIe siècle (1500 - 1600) · Musée du Louvre

Saint Jérôme pénitent dans un paysage avec l'épisode du lion qu'il guérit, Bening, Simon, XVIe siècle (1520 - 1530)

Saint Jérôme pénitent dans un paysage avec l'épisode du lion qu'il guérit

XVIe siècle (1520 - 1530) · Musée du Louvre

The Virgin and Child, Simon Bening, ca. 1550

The Virgin and Child

ca. 1550 · Victoria and Albert Museum

Self-portrait of Simon Bening, aged 75 in 1558, Simon Bening, 1558

Self-portrait of Simon Bening, aged 75 in 1558

1558 · Victoria and Albert Museum

Sancte Joane Batisti, Simon Bening, 1493 - 1561

Sancte Joane Batisti

1493 - 1561 · Rijksmuseum Amsterdam

The Adoration of the Magi, Simon Bening, mid-1520s

The Adoration of the Magi

mid-1520s · Non exposée · National Gallery of Art

The Resurrection, Simon Bening, c. 1530

The Resurrection

c. 1530 · Non exposée · National Gallery of Art

Sous le même toit : Cleveland Museum of Art

Page du musée
The Red Kerchief, Claude Monet, c. 1868–73

Claude Monet

The Red Kerchief, c. 1868–73

Cupid and Psyche, Jacques-Louis David, 1817

Jacques-Louis David

L'Amour et Psyché, 1817

Mars, Venus, and Eros, Marcantonio Raimondi possibly after Andrea Mantegna, 1508

Andrea Mantegna

Mars, Venus, and Eros, 1508

La Vie, Pablo Picasso, 1903

Pablo Picasso

La Vie, 1903

The Crucifixion of Saint Andrew, Caravaggio, 1606–7

Caravaggio

The Crucifixion of Saint Andrew, 1606–7

Stag at Sharkey's, George Bellows, 1909

George Bellows

Stag at Sharkey's, 1909

Twilight in the Wilderness, Frederic Edwin Church, 1860

Frederic Edwin Church

Twilight in the Wilderness, 1860

The Cleveland Apollo: Apollo Sauroktonos (Lizard-Slayer) or Apollo the Python-Slayer, Praxiteles, c. 350–200 BCE

Praxiteles

The Cleveland Apollo: Apollo Sauroktonos (Lizard-Slayer) or Apollo the Python-Slayer, c. 350–200 BCE