
Helen FrankenthalerÉtats-Unis, 1928–2011Peut-on la contempler ?
Minneapolis, États-Unis
Elle appartient à la collection, mais n’est pas présentée en ce moment.
Helen Frankenthaler has been recognized as one of the most important figures in American art for more than four decades. Closely identified with the second generation of Abstract Expressionists, she invariably used the basic visual elements of color and pictorial space as a means to achieve an emotional resonance in her non-objective compositions, though she always based her works in nature, both observed and imagined. Her innovative technique of pouring diluted paint directly on unprimed canvas-known as stain painting-was her signature style. This act of pouring became a literal metaphor for nature. Using line, color and texture, her aim is always to make beautiful works that evoke nature. In this 1993 print, Frankenthaler chose hand-dyed paper and a traditional method of woodcut for realizing her composition. Here, the subtle texture of the hand-made paper and the visible striations of the woodblock matrix add to the visual and tactile experiences of nature.
Minneapolis Institute of Art
1985–1992
The National Council on the Arts
From 1985 to 1992 she serves, as a presidential appointee, on the National Council on the Arts, which advises the chairman of the National Endowment for the Arts.
1989–1990
Painting retrospective: Fort Worth and MoMA
The retrospective “Helen Frankenthaler: a Painting Retrospective” opens at the Modern Art Museum of Fort Worth (1989–90) and then travels to the Museum of Modern Art in New York, the Los Angeles County Museum of Art and the Detroit Institute of Arts.
1990–1994
The National Academy of Design
In 1990 she is elected an Associate member of the National Academy of Design, and in 1994 she becomes a full Academician.
1994
Married: Stephen McKenzie DuBrul
1994
Lifetime Achievement award from the CAA
She receives the Distinguished Artist Award for Lifetime Achievement from the College Art Association.