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  1. Collection/
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  3. Growth
Growth, Jean (Hans) Arp, 1938/60
Jean Arp, portraitJean ArpFrance, 1887–1966

Growth

1938/60 · Sculpture

Peut-on la contempler ?

Oui, elle reçoit

Art Institute of Chicago

Chicago, États-Unis

Salle398

Présentée au public. Qui s’en porte garant est indiqué ci-dessous.

Vérifié
il y a 9 jours
Dans cet état depuis
19 août 2026
Source
Le musée
Sur la cartePage du musée

À propos de la sculpture

Jean Arp was a leader in the development of the organic, curving language of biomorphism, which infused Surrealism with forms alluding to growth, fecundity, and the natural world. In the early 1930s, Arp began to translate his abstract style into three-dimensional sculptures, emphasizing the natural processes of metamorphosis in art. The artist often realized his sculptures first in plaster, a medium that responded easily to touch and allowed for the element of chance in the creative process, and later in an edition in different media (often bronze). This sculpture is a unique marble enlargement of Arp’s original plaster. The medium—with its hard, bonelike appearance—emphasizes the human, torsolike forms of Growth.

Art Institute of Chicago · CC BY 4.0

Notice

1938/60 · à 51 ans
18871966
Numéro d’inventaire
1965.357

Autres œuvres : Jean Arp

Toutes les œuvres

Dans la même salle · Gallery 398, Art Institute of Chicago

Page du musée

Sur le même thème · Abstract shapes

Toutes les œuvres sur ce thème

Ce qu’elle montre

Abstract shapesBiomorphic

Au catalogue

SculptureMarbreModernismeXXe siècleFrance

Sources

  • Art Institute of Chicago
  • Image : Art Institute of Chicago — © the artist or rights holder
The Forest, Jean (Hans) Arp, 1916

The Forest

1916 · National Gallery of Art

Enak's Tears (Terrestrial Forms), Jean (Hans) Arp, 1917

Enak's Tears (Terrestrial Forms)

1917 · Museum of Modern Art

Shirt Front and Fork, Jean (Hans) Arp, 1922

Shirt Front and Fork

1922 · National Gallery of Art

Leaves and Navels, Jean (Hans) Arp, 1929

Leaves and Navels

1929 · Museum of Modern Art

Bell and Navels, Jean (Hans) Arp, 1931

Bell and Navels

1931 · Museum of Modern Art

Fish from Arp: Hairy Hearts 1923-26, Kings before the Deluge 1952-53 (Arp: Behaarte Herzen 1923-26, Könige vor der Sintflut 1952-53), Jean (Hans) Arp, c. 1948–53, published 1953

Fish from Arp: Hairy Hearts 1923-26, Kings before the Deluge 1952-53 (Arp: Behaarte Herzen 1923-26, Könige vor der Sintflut 1952-53)

c. 1948–53, published 1953 · Museum of Modern Art

Mussel's Face from Arp: Hairy Hearts 1923-26, Kings before the Deluge 1952-53 (Arp: Behaarte Herzen 1923-26, Könige vor der Sintflut 1952-53), Jean (Hans) Arp, c. 1948–53, published 1953

Mussel's Face from Arp: Hairy Hearts 1923-26, Kings before the Deluge 1952-53 (Arp: Behaarte Herzen 1923-26, Könige vor der Sintflut 1952-53)

c. 1948–53, published 1953 · Museum of Modern Art

Forest, Jean Arp, 1916

Forest

1916 · Cleveland Museum of Art

The Earth Is a Man, Matta, 1942

Matta

The Earth Is a Man, 1942

The Policeman, Joan Miró, 1925

Joan Miró

The Policeman, 1925

Walking Man II, Alberto Giacometti, 1960

Alberto Giacometti

Walking Man II, 1960

Two Figures (Menhirs), Barbara Hepworth, c. 1954/55

Barbara Hepworth

Two Figures (Menhirs), c. 1954/55

Painting, Franz Kline, 1952

Franz Kline

Painting, 1952

Les Baux, Loren MacIver, 1952

Loren MacIver

Les Baux, 1952

PH-246, Clyfford Still, 1951/52

Clyfford Still

PH-246, 1951/52

Caos-Caos, Wifredo Lam, 1950

Wifredo Lam

Caos-Caos, 1950

Edtaonisl (Ecclesiastic), Francis Picabia, 1913

Francis Picabia

Edtaonisl (Ecclesiastic), 1913

Art Institute of Chicago

Excavation, Willem de Kooning, 1950

Willem de Kooning

Excavation, 1950

Art Institute of Chicago

Composition, Maria Helena Vieira da Silva, 1936–37

Maria Elena Vieira da Silva

Composition, 1936–37

Non exposée · Art Institute of Chicago

AC10, Wei Zhang, 1984

Wei Zhang

AC10, 1984

Non exposée · Art Institute of Chicago

Festival in Montmartre, Gino Severini, 1913

Gino Severini

Festival in Montmartre, 1913

Art Institute of Chicago

The Railway Crossing (Sketch), Fernand Léger, 1919

Fernand Léger

The Railway Crossing (Sketch), 1919

Non exposée · Art Institute of Chicago

Untitled, El Lissitzky, 1923

El Lissitzky

Untitled, 1923

Non exposée · Art Institute of Chicago

Brushstroke with Spatter, Roy Lichtenstein, 1966

Roy Lichtenstein

Brushstroke with Spatter, 1966

Non exposée · Art Institute of Chicago