Errand Boy (Ausläufer), Paul Klee, 1934
Paul Klee, portraitPaul KleeAllemagne, 1879–1940

Errand Boy (Ausläufer)

1934 · Drawing

Peut-on la contempler ?

Elle ne reçoit pas en ce moment

Museum of Modern Art

New York, États-Unis

Elle appartient à la collection, mais n’est pas présentée en ce moment.

Vérifié
Source
Le musée

Notice

Numéro d’inventaire
104.1979

Au catalogue

Sources

Pendant ce temps, chez Paul Klee

La vie entière
  1. 1933

    Nazi harassment, a house search and dismissal

    When the Nazis came to power a campaign of persecution was launched against Klee: the press called him a “typical Galician Jew”, his flat in Dessau was searched, and in Düsseldorf he was barred from work until he produced documents proving Aryan descent. He was forced to give up his professorship.

  2. late 1933

    Emigration to Switzerland

    At the end of 1933, at his wife’s insistence, Klee left Germany and returned to Bern. He applied for Swiss citizenship, but a positive answer came only after his death.

  3. 1933–1934

    Shows in London and Paris, and a meeting with Picasso

    In 1933–34 Klee had shows in London and Paris and finally met Pablo Picasso, whom he greatly admired.

  4. 1935

    A large exhibition in Bern: 273 works

    A large Klee exhibition in Bern showed 273 works.

  5. 1935

    The first signs of scleroderma

    In 1935, two years after moving to Switzerland, signs of scleroderma were found in Klee — an autoimmune disease that hardens connective tissue; it later proved fatal and made swallowing very difficult. The pain he endured seems to be reflected in his late works.

  6. 1936–1939

    From 25 works in 1936 to 1,254 in 1939

    After falling ill Klee turned to simpler, larger designs with heavier lines, geometric forms and fewer, larger blocks of colour, and his output rose: about 25 works in 1936, 264 in 1937, 489 in 1938 and 1,254 in 1939, a career high. His health recovered somewhat and he was encouraged by a visit from Kandinsky and Picasso.

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