Anthony van DyckFlandre, 1599–1641Béatrice de Cusance ?
Peut-on la contempler ?
Inconnu
Paris, France
Le propriétaire est connu ; on ignore si l’œuvre est exposée aujourd’hui.
- Dans cet état depuis
- Source
- Le musée
Notice
- Numéro d’inventaire
- MI 919
Au catalogue
Sources
- Musée du Louvre
- Image : Musée du Louvre — © 2008 Musée du Louvre / Département des Peintures
Pendant ce temps, chez Anthony van Dyck
La vie entière22 mars 1599
Born
from 1617
Beginning of Work with Rubens
From 1617 Van Dyck collaborated for a long period with Peter Paul Rubens, whose pupil he became, giving up his independent workshop; Rubens spoke of him as his best pupil.
20 November 1621
Departure for Italy, Arrival in Genoa
In 1621 Van Dyck decided to go to Italy; Rubens supplied him with funds and letters of introduction. On 20 November 1621 he arrived in Genoa and remained in Italy for six years, where his fame as a portraitist was consolidated.
5 July 1632
Principal Painter to King Charles I
On 5 July 1632 Charles I officially appointed Van Dyck principal painter to the king, guaranteeing an annual income of two hundred pounds sterling; the king gave him a large house with a garden on the banks of the Thames.
27 février 1640
Married: Mary Ruthven
9 décembre 1641
Died
