États-Unis, Allemagne · 1893–1959
Grosz, George
George Grosz, né Georg Ehrenfried Groß le 26 juillet 1893 à Berlin et mort dans la même ville le 6 juillet 1959, est un peintre et caricaturiste allemand.
Où voir Grosz, George
The Poet Max Herrmann-Neisse
1927 · Museum of Modern Art
Self-Portrait with a Model
1928 · Museum of Modern Art
A Woman Walking to the Left
Non exposée · National Gallery of Art
Two Men Watching a Couple (Zwei Männer in Betrachtung eines Paares)
1911 · Non exposée · Museum of Modern Art
Studies of a Male Nude
1912 · Non exposée · National Gallery of Art
![The End of the Road (Out of Fear of Starvation) [Das Ende des Weges (Aus Nahrungssorgen)], George Grosz, 1913](https://www.moma.org/media/W1siZiIsIjEyMTkwNyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=864379f3ce59af36)
The End of the Road (Out of Fear of Starvation) [Das Ende des Weges (Aus Nahrungssorgen)]
1913 · Non exposée · Museum of Modern Art
The Spider (Die Spinne)
1914 · Non exposée · National Gallery of Art
The Spider (Die Spinne)
1914 · Non exposée · National Gallery of Art
Den of Iniquity (Lasterhöhle)
1914 · Non exposée · Museum of Modern Art
Spider (Die Spinne)
1914 · Non exposée · Museum of Modern Art
Suburb (Vorstadt)
1915/1916 · Non exposée · National Gallery of Art
Attack (Attentat)
1915 · Non exposée · National Gallery of Art
Moonlight Night (Mondnacht)
1915-1916 · Non exposée · National Gallery of Art
Outskirts (Peripherie) from The First George Grosz Portfolio (Erste George Grosz-Mappe)
1915–16, published 1916–17 · Non exposée · Museum of Modern Art
Melancholie (plate, folio 31) from Ecce Homo
1922–23 (original executed in 1915) · Non exposée · Museum of Modern Art
Attack (Attentat)
1915 · Non exposée · Museum of Modern Art
Suburb (Vorstadt) from The First George Grosz Portfolio (Erste George Grosz-Mappe)
1915–16, published 1916–17 · Non exposée · Museum of Modern Art
Eheszene (plate, folio 77) from Ecce Homo
1922–23 (original executed in 1915) · Non exposée · Museum of Modern Art
Moonlit Night (Mondnacht) from The First George Grosz Portfolio (Erste George Grosz-Mappe)
1915–16, published 1916–17 · Non exposée · Museum of Modern Art
Interieur (plate, folio 48) from Ecce Homo
1922–23 (original executed in 1915) · Non exposée · Museum of Modern Art
Akrobaten (plate, folio 62) from Ecce Homo
1922–23 (original executed in 1915) · Non exposée · Museum of Modern Art
Air Attack (Fliegerbombe)
1915 · Non exposée · Museum of Modern Art
Lady with a Veil (Schleierdame)
1915 · Non exposée · Museum of Modern Art
Texas Picture for My Friend Chingachgook (Texasbild für meinen Freund Chingachgook) from The First George Grosz Portfolio (Erste George Grosz-Mappe)
1915–16, published 1916–17 · Non exposée · Museum of Modern Art
People in the Street (Menschen in der Strasse) from The First George Grosz Portfolio (Erste George Grosz-Mappe)
1915–16, published 1916–17 · Non exposée · Museum of Modern Art
Murder (Mord) from the illustrated book Ecce Homo
1915–16, published 1922–23 · Non exposée · Museum of Modern Art
Ecce Homo
1915–22, published 1922–23 · Non exposée · Museum of Modern Art
Street in the City (Strasse in der Stadt) from The First George Grosz Portfolio (Erste George Grosz-Mappe)
1915–16, published 1916–17 · Non exposée · Museum of Modern Art
Two Men (Zwei Männer)
1915–16, dated 1916 · Non exposée · Museum of Modern Art
Memory of New York (Erinnerung an New York) from The First George Grosz Portfolio (Erste George Grosz-Mappe)
1915–16, published 1916–17 · Non exposée · Museum of Modern Art
At the Canal (Am Canal) from The First George Grosz Portfolio (Erste George Grosz-Mappe)
1915–16, published 1916–17 · Non exposée · Museum of Modern Art
Murder in the Ackerstrasse (Mord in der Ackerstrasse)
1916/1917 · Non exposée · National Gallery of Art
Quergebäude vier Treppen (plate, folio 61) from Ecce Homo
1922–23 (original executed in 1916) · Non exposée · Museum of Modern Art
Ach, knallige Welt, du seliges Abnormitätenkabinett (plate, folio 86) from Ecce Homo
1922–23 (original executed in 1916) · Non exposée · Museum of Modern Art
Familie (plate, folio 4) from Ecce Homo
1922–23 (original executed in 1916) · Non exposée · Museum of Modern Art
Mord (plate, folio 16) from Ecce Homo
1922–23 (original executed in 1916) · Non exposée · Museum of Modern Art
Niederkunft (plate, folio 38) from Ecce Homo
1922–23 (original executed in 1916) · Non exposée · Museum of Modern Art
Lustmord in der Ackerstraße (plate, folio 40) from Ecce Homo
1922–23 (original executed in 1916) · Non exposée · Museum of Modern Art
The First George Grosz Portfolio (Erste George Grosz-Mappe)
1916–17 · Non exposée · Museum of Modern Art
Apachen (plate, folio 71) from Ecce Homo
1922–23 (original executed in 1916) · Non exposée · Museum of Modern Art
Joint (Kaschemme) from The First George Grosz Portfolio (Erste George Grosz-Mappe)
1916, published 1916–17 · Non exposée · Museum of Modern Art
Family (Familie) from the illustrated book Ecce Homo
1916, published 1922–23 · Non exposée · Museum of Modern Art
Café (plate, folio 51) from Ecce Homo
1922–23 (original executed in 1916) · Non exposée · Museum of Modern Art
Whisky (plate, folio 15) from Ecce Homo
1922–23 (original executed in 1917) · Non exposée · Museum of Modern Art
Franz Jung gewidmet (plate, folio 57) from Ecce Homo
1922–23 (original executed in 1917) · Non exposée · Museum of Modern Art
Des Ende (plate, folio 101) from Ecce Homo
1922–23 (original executed in 1917) · Non exposée · Museum of Modern Art
Explosion
1917 · Non exposée · Museum of Modern Art
Vorstadt (plate, folio 89) from Ecce Homo
1922–23 (original executed in 1917) · Non exposée · Museum of Modern Art
The Christmas Brothers
1917 · Non exposée · Museum of Modern Art
Metropolis (Grossstadt)
1917 · Non exposée · Museum of Modern Art
Beauty Contest in the Motzstrasse (Schonheitsabend in der Motzstrasse)
1918 · Non exposée · National Gallery of Art
Der besessene Forstadjunkt (plate, folio 30) from Ecce Homo
1922–23 (original executed in 1918) · Non exposée · Museum of Modern Art
Grimmiger Mann (plate, folio 6) from Ecce Homo
1922–23 (original executed in 1918) · Non exposée · Museum of Modern Art
Eva (plate, folio 63) from Ecce Homo
1922–23 (original executed in 1918) · Non exposée · Museum of Modern Art
Dr. Benn's Nachtcafé (plate, folio 96) from Ecce Homo
1922–23 (original executed in 1918) · Non exposée · Museum of Modern Art
Schönheitsabend in der Motzstraße (plate, folio 10) from Ecce Homo
1922–23 (original executed in 1918) · Non exposée · Museum of Modern Art
Johannisnacht (plate, folio 60) from Ecce Homo
1922–23 (original executed in 1918) · Non exposée · Museum of Modern Art
Friedrichstraße (plate, folio 3) from Ecce Homo
1922–23 (original executed in 1918) · Non exposée · Museum of Modern Art
Der Mädchenhändler (plate, folio 50) from Ecce Homo
1922–23 (original executed in 1918) · Non exposée · Museum of Modern Art
Fit for Active Service (Kriegsverwendungsfähig)
1918 · Non exposée · Museum of Modern Art
German Doctors Fighting the Blockade (Die Gesundbeter) from the portfolio God with Us (Gott mit uns)
1918, published 1920 · Non exposée · Museum of Modern Art
Der absolute Monarchist (plate, folio 43) from Ecce Homo
1922–23 (original executed in 1918) · Non exposée · Museum of Modern Art
World of the Bourgeoisie (Bürgerliche Welt) from the illustrated book Ecce Homo
1918, published 1922–23 · Non exposée · Museum of Modern Art
The Neighbor's Daughter or Spring Fever (Nachbars Lenchen oder Frühlings Erwachen)
1919 · Non exposée · National Gallery of Art
The Convict (Der Zuchthäusler)
1919 · Non exposée · National Gallery of Art
The End of the Day
c. 1919 · Non exposée · Museum of Modern Art
Marseille (plate, folio 8) from Ecce Homo
1922–23 (original executed in 1919) · Non exposée · Museum of Modern Art
Trio (plate, folio 90) from Ecce Homo
1922–23 (original executed in 1919) · Non exposée · Museum of Modern Art
Made in Germany (Den macht uns keiner nach) from the portfolio God with Us (Gott mit uns)
1919, published 1920 · Non exposée · Museum of Modern Art
God with Us (Gott mit uns) from the portfolio God with Us (Gott mit uns)
1919, published 1920 · Non exposée · Museum of Modern Art
The World Made Safe for Democracy (Die vollendete Demokratie) from the portfolio God with Us (Gott mit uns)
1919, published 1920 · Non exposée · Museum of Modern Art
Louise (plate, folio 25) from Ecce Homo
1922–23 (original executed in 1919) · Non exposée · Museum of Modern Art
Stammtischstudien (plate, folio 13) from Ecce Homo
1922–23 (original executed in 1919) · Non exposée · Museum of Modern Art
Blood Is the Best Sauce (Die Kommunisten fallen - und die Devisen steigen) from the portfolio God with Us (Gott mit uns)
1919, published 1920 · Non exposée · Museum of Modern Art
The Germans to the Front (Für deutsches Recht und deutsche Sitte) from the portfolio God with Us (Gott mit uns)
1919, published 1920 · Non exposée · Museum of Modern Art
Ledebour (plate, folio 67) from Ecce Homo
1922–23 (original executed in 1919) · Non exposée · Museum of Modern Art
Ich dien (Feierabend) from the portfolio God with Us (Gott mit uns)
1919, published 1920 · Non exposée · Museum of Modern Art
Schwere Zeiten (plate, folio 34) from Ecce Homo
1922–23 (original executed in 1919) · Non exposée · Museum of Modern Art
Hausherr (plate, folio 36) from Ecce Homo
1922–23 (original executed in 1919) · Non exposée · Museum of Modern Art
Nachts (plate, folio 42) from Ecce Homo
1922–23 (original executed in 1919) · Non exposée · Museum of Modern Art
Cover from the portfolio God with Us (Gott mit uns)
1919, published 1920 · Non exposée · Museum of Modern Art
God with Us (Gott mit uns) from the portfolio God with Us (Gott mit uns)
1919, published 1920 · Non exposée · Museum of Modern Art
![In The Drawing Room [The Art Critics], George Grosz, late 1920s](https://api.nga.gov/iiif/4ab386b6-bf31-4ce2-8d4f-dffa98ae7480/full/!2400,2400/0/default.jpg)
In The Drawing Room [The Art Critics]
late 1920s · Non exposée · National Gallery of Art
Out of Work (Arbeitslose)
1920/1921 · Non exposée · National Gallery of Art
Er hat Hindenburg verspottet (He Made Fun of Hindenburg) from Deutsche Graphiker der Gegenwart (German Printmakers of Our Time)
1920 · Non exposée · National Gallery of Art
"Under my rule it shall be brought to pass, that potatoes and small-beer shall be con sidered a holiday treat; and woe to him who meets my eye with the audacious front of health. Haggard want, and crouching fear, are my insignia; and in this livery I will clothe ye."("In meinem Gebiet soll's soweit kommen, das Kartoffeln und Dünnbier ein Traktament für Festtage werden, und wehe dem, der mir mit vollen feurigen Backen unter die Augen tritt! Blässe der Armut und sklavische Furcht sind meine Leibf arbe; in diese Livrei will ich euch kleiden.")
1920/1921 · Non exposée · National Gallery of Art
Inflation from In the Shadows (Im Schatten)
c. 1920, published 1921 · Non exposée · Museum of Modern Art
Die Verantwortlichen (plate, folio 29) from Ecce Homo
1922–23 (original executed in 1920) · Non exposée · Museum of Modern Art
Bürgerliche Welt (plate, folio 23) from Ecce Homo
1922–23 (original executed in 1920) · Non exposée · Museum of Modern Art
Title page from In the Shadows (Im Schatten)
c. 1920, published 1921 · Non exposée · Museum of Modern Art
Matchseller and Patrol from In the Shadows (Im Schatten)
c. 1920, published 1921 · Non exposée · Museum of Modern Art
War Invalid and Workers from In the Shadows (Im Schatten)
c. 1920, published 1921 · Non exposée · Museum of Modern Art
Dr. Huelsenbeck am Ende (plate, folio 49) from Ecce Homo
1922–23 (original executed in 1920) · Non exposée · Museum of Modern Art
"The Convict" Monteur John Heartfield After Franz Jung's Attempt to Get Him Up on His Feet ("Der Sträfling" Monteur John Heartfield nach Franz Jungs Versuch ihn auf die Beine zu stellen)
1920 · Non exposée · Museum of Modern Art
He Made Fun of Hindenburg (Er hat Hindenburg verspottet) (plate 11) from the illustrated book Deutsche Graphiker der Gegenwart (German Printmakers of Our Time)
1920 · Non exposée · Museum of Modern Art
Gruß aus Sachsen (plate, folio 7) from Ecce Homo
1922–23 (original executed in 1920) · Non exposée · Museum of Modern Art