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Colecciones: Centro de Arte Británico de Yale, Galería de Arte de la Universidad Yale, Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Nacional de Diseño Cooper-Hewitt, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (44 museos), Paris Musées (12 museos), Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos) y el Catalogo generale dei Beni Culturali del Ministerio de Cultura de Italia (25 museos). Las imágenes pertenecen a sus titulares de derechos.

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Arte de posguerra, 1945–1975

223.220 obras de 458 museos1980 expuestas ahora Quitar

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P. Blue, Josef Albers, 1971

Josef AlbersP. Blue1971MoMA

Gray Instrumentation Ib from Gray Instrumentation I, Josef Albers, 1974

Josef AlbersGray Instrumentation Ib from Gray Instrumentation I1974MoMA

Duo B, Josef Albers, 1958

Josef AlbersDuo B1958MoMA

Portfolio 1, Folder 32 from Formulation: Articulation Portfolio 1, Folder 32 from Formulation: Articulation, Josef Albers, 1972

Josef AlbersPortfolio 1, Folder 32 from Formulation: Articulation Portfolio 1, Folder 32 from Formulation: Articulation1972MoMA

Portfolio 1, Folder 28 from Formulation: Articulation, Josef Albers, 1972

Josef AlbersPortfolio 1, Folder 28 from Formulation: Articulation1972MoMA

WLS XIV from White Line Squares (Series II), Josef Albers, 1966

Josef AlbersWLS XIV from White Line Squares (Series II)1966MoMA

Portfolio 2, Folder 31 from Formulation: Articulation, Josef Albers, 1972

Josef AlbersPortfolio 2, Folder 31 from Formulation: Articulation1972MoMA

Day + Night I from Day and Night: Homage to the Square, Josef Albers, 1963

Josef AlbersDay + Night I from Day and Night: Homage to the Square1963MoMA

WLS X from White Line Squares (Series II), Josef Albers, 1966

Josef AlbersWLS X from White Line Squares (Series II)1966MoMA

ELC 2-B from Embossed Linear Constructions (ELC), Josef Albers, 1969

Josef AlbersELC 2-B from Embossed Linear Constructions (ELC)1969MoMA

Portfolio 2, Folder 14 from Formulation: Articulation, Josef Albers, 1972

Josef AlbersPortfolio 2, Folder 14 from Formulation: Articulation1972MoMA

Patina from Homage to the Square: Ten Works by Josef Albers, Josef Albers, 1962

Josef AlbersPatina from Homage to the Square: Ten Works by Josef Albers1962MoMA

White Line Squares (Series I and II), Josef Albers, 1966

Josef AlbersWhite Line Squares (Series I and II)1966MoMA

Portfolio 2, Folder 23 from Formulation: Articulation, Josef Albers, 1972

Josef AlbersPortfolio 2, Folder 23 from Formulation: Articulation1972MoMA

Wide Light from Homage to the Square: Ten Works by Josef Albers, Josef Albers, 1962

Josef AlbersWide Light from Homage to the Square: Ten Works by Josef Albers1962MoMA

Portfolio 1, Folder 8 from Formulation: Articulation, Josef Albers, 1972

Josef AlbersPortfolio 1, Folder 8 from Formulation: Articulation1972MoMA

Variant MM, Josef Albers, 1968

Josef AlbersVariant MM1968MoMA

Portfolio 1, Folder 17 from Formulation: Articulation, Josef Albers, 1972

Josef AlbersPortfolio 1, Folder 17 from Formulation: Articulation1972MoMA

Gray Instrumentation Ii from Gray Instrumentation I, Josef Albers, 1974

Josef AlbersGray Instrumentation Ii from Gray Instrumentation I1974MoMA

WEG I from White Embossings on Gray (WEG), Josef Albers, 1971

Josef AlbersWEG I from White Embossings on Gray (WEG)1971MoMA

WLS IX from White Line Square (Series II), Josef Albers, 1966

Josef AlbersWLS IX from White Line Square (Series II)1966MoMA

Portfolio 1, Folder 3 from Formulation: Articulation, Josef Albers, 1972

Josef AlbersPortfolio 1, Folder 3 from Formulation: Articulation1972MoMA

Portfolio 1, Folder 2 from Formulation: Articulation, Josef Albers, 1972

Josef AlbersPortfolio 1, Folder 2 from Formulation: Articulation1972MoMA

Shielded from Homage to the Square: Ten Works by Josef Albers, Josef Albers, 1962

Josef AlbersShielded from Homage to the Square: Ten Works by Josef Albers1962MoMA

Gray Instrumentation I, Josef Albers, 1974

Josef AlbersGray Instrumentation I1974MoMA

Midnight + Noon VIII from Midnight and Noon, Josef Albers, 1964

Josef AlbersMidnight + Noon VIII from Midnight and Noon1964MoMA

Portfolio 1, Folder 31 from Formulation: Articulation, Josef Albers, 1972

Josef AlbersPortfolio 1, Folder 31 from Formulation: Articulation1972MoMA

Midnight + Noon III from Midnight and Noon, Josef Albers, 1964

Josef AlbersMidnight + Noon III from Midnight and Noon1964MoMA

Gray Instrumentation Id from Gray Instrumentation I, Josef Albers, 1974

Josef AlbersGray Instrumentation Id from Gray Instrumentation I1974MoMA

White Embossings on Gray (WEG), Josef Albers, 1971

Josef AlbersWhite Embossings on Gray (WEG)1971MoMA

Interlinear N 32 bl, Josef Albers, 1962

Josef AlbersInterlinear N 32 bl1962MoMA

Portfolio 2, Folder 26 from Formulation: Articulation, Josef Albers, 1972

Josef AlbersPortfolio 2, Folder 26 from Formulation: Articulation1972MoMA

Portfolio 2, Folder 21 from Formulation: Articulation, Josef Albers, 1972

Josef AlbersPortfolio 2, Folder 21 from Formulation: Articulation1972MoMA

Portfolio 1, Folder 27 from Formulation: Articulation, Josef Albers, 1972

Josef AlbersPortfolio 1, Folder 27 from Formulation: Articulation1972MoMA

Portfolio 2, Folder 9 from Formulation: Articulation, Josef Albers, 1972

Josef AlbersPortfolio 2, Folder 9 from Formulation: Articulation1972MoMA

Day + Night VI from Day and Night: Homage to the Square, Josef Albers, 1963

Josef AlbersDay + Night VI from Day and Night: Homage to the Square1963MoMA

I-S LXXIIb Homage to the Square and I-S LXXIIa Homage to the Square, Josef Albers, 1972

Josef AlbersI-S LXXIIb Homage to the Square and I-S LXXIIa Homage to the Square1972MoMA

ELC 1-A from Embossed Linear Constructions (ELC), Josef Albers, 1969

Josef AlbersELC 1-A from Embossed Linear Constructions (ELC)1969MoMA

MM 3, Josef Albers, 1961

Josef AlbersMM 31961MoMA

Day + Night III from Day and Night: Homage to the Square, Josef Albers, 1963

Josef AlbersDay + Night III from Day and Night: Homage to the Square1963MoMA

Midnight + Noon I from Midnight and Noon, Josef Albers, 1964

Josef AlbersMidnight + Noon I from Midnight and Noon1964MoMA

ELC 1-D from Embossed Linear Constructions (ELC), Josef Albers, 1969

Josef AlbersELC 1-D from Embossed Linear Constructions (ELC)1969MoMA

WEG IV from White Embossings on Gray (WEG), Josef Albers, 1971

Josef AlbersWEG IV from White Embossings on Gray (WEG)1971MoMA

Gray Instrumentation Ia from Gray Instrumentation I, Josef Albers, 1974

Josef AlbersGray Instrumentation Ia from Gray Instrumentation I1974MoMA

Portfolio 2, Folder 33 from Formulation: Articulation, Josef Albers, 1972

Josef AlbersPortfolio 2, Folder 33 from Formulation: Articulation1972MoMA

Gray Instrumentation Ij from Gray Instrumentation I, Josef Albers, 1974

Josef AlbersGray Instrumentation Ij from Gray Instrumentation I1974MoMA

ELC 2-D from Embossed Linear Constructions (ELC), Josef Albers, 1969

Josef AlbersELC 2-D from Embossed Linear Constructions (ELC)1969MoMA

Portfolio 1, Folder 19 from Formulation: Articulation, Josef Albers, 1972

Josef AlbersPortfolio 1, Folder 19 from Formulation: Articulation1972MoMA

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