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Colecciones: Centro de Arte Británico de Yale, Galería de Arte de la Universidad Yale, Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Nacional de Diseño Cooper-Hewitt, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (44 museos), Paris Musées (12 museos), Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos) y el Catalogo generale dei Beni Culturali del Ministerio de Cultura de Italia (25 museos). Las imágenes pertenecen a sus titulares de derechos.

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Arte de posguerra, 1945–1975

223.220 obras de 458 museos1980 expuestas ahora Quitar

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ELC 2-A from Embossed Linear Constructions (ELC), Josef Albers, 1969

Josef AlbersELC 2-A from Embossed Linear Constructions (ELC)1969MoMA

White Line Square III from the portfolio White Line Squares, Series I WLS III from White Line Squares (Series I), Josef Albers, 1966

Josef AlbersWhite Line Square III from the portfolio White Line Squares, Series I WLS III from White Line Squares (Series I)1966MoMA

Portfolio 1, Folder 10 from Formulation: Articulation, Josef Albers, 1972

Josef AlbersPortfolio 1, Folder 10 from Formulation: Articulation1972MoMA

Portfolio 1, Folder 1 from Formulation: Articulation, Josef Albers, 1972

Josef AlbersPortfolio 1, Folder 1 from Formulation: Articulation1972MoMA

Gray Instrumentation If from Gray Instrumentation I, Josef Albers, 1974

Josef AlbersGray Instrumentation If from Gray Instrumentation I1974MoMA

WEG VI from White Embossings on Gray (WEG), Josef Albers, 1971

Josef AlbersWEG VI from White Embossings on Gray (WEG)1971MoMA

Portfolio 2, Folder 5 from Formulation: Articulation, Josef Albers, 1972

Josef AlbersPortfolio 2, Folder 5 from Formulation: Articulation1972MoMA

Portfolio 1, Folder 24 from Formulation: Articulation, Josef Albers, 1972

Josef AlbersPortfolio 1, Folder 24 from Formulation: Articulation1972MoMA

Equivocal from Homage to the Square: Ten Works by Josef Albers, Josef Albers, 1962

Josef AlbersEquivocal from Homage to the Square: Ten Works by Josef Albers1962MoMA

WLS VII from White Line Squares (Series I), Josef Albers, 1966

Josef AlbersWLS VII from White Line Squares (Series I)1966MoMA

$Portfolio 2, Folder 28 from Formulation: Articulation, Portfolio 2, Folder 28 \from\ Formulation: Articulation, Josef Albers, 1972$ Josef AlbersPortfolio 2, Folder 28 from Formulation: Articulation, Portfolio 2, Folder 28 \from\ Formulation: Articulation1972MoMA

Gray Instrumentation Ie from Gray Instrumentation I, Josef Albers, 1974

Josef AlbersGray Instrumentation Ie from Gray Instrumentation I1974MoMA

Homage to the Square: Two Whites Between Two Yellows, Josef Albers, 1958

Josef AlbersHomage to the Square: Two Whites Between Two Yellows1958MoMA

Day and Night: Homage to the Square, Josef Albers, 1963

Josef AlbersDay and Night: Homage to the Square1963MoMA

WEG VIII from White Embossings on Gray (WEG), Josef Albers, 1971

Josef AlbersWEG VIII from White Embossings on Gray (WEG)1971MoMA

Study for Homage to the Square: Night Shades, Josef Albers, 1956

Josef AlbersStudy for Homage to the Square: Night Shades1956MoMA

P. Green, Josef Albers, 1971

Josef AlbersP. Green1971MoMA

WLS XVI from White Line Squares (Series II), Josef Albers, 1966

Josef AlbersWLS XVI from White Line Squares (Series II)1966MoMA

Day + Night IV from Day and Night: Homage to the Square, Josef Albers, 1963

Josef AlbersDay + Night IV from Day and Night: Homage to the Square1963MoMA

Portfolio 1, Folder 7 from Formulation: Articulation, Josef Albers, 1972

Josef AlbersPortfolio 1, Folder 7 from Formulation: Articulation1972MoMA

WLS VIII from White Line Squares (Series I), Josef Albers, 1966

Josef AlbersWLS VIII from White Line Squares (Series I)1966MoMA

WLS XII from White Line Squares (Series II), Josef Albers, 1966

Josef AlbersWLS XII from White Line Squares (Series II)1966MoMA

Portfolio 2, Folder 25 from Formulation: Articulation, Josef Albers, 1972

Josef AlbersPortfolio 2, Folder 25 from Formulation: Articulation1972MoMA

Gray Instrumentation Ik from Gray Instrumentation I, Josef Albers, 1974

Josef AlbersGray Instrumentation Ik from Gray Instrumentation I1974MoMA

Day + Night VII from Day and Night: Homage to the Square, Josef Albers, 1963

Josef AlbersDay + Night VII from Day and Night: Homage to the Square1963MoMA

WEG II from White Embossings on Gray (WEG), Josef Albers, 1971

Josef AlbersWEG II from White Embossings on Gray (WEG)1971MoMA

Midnight + Noon II from Midnight and Noon, Josef Albers, 1964

Josef AlbersMidnight + Noon II from Midnight and Noon1964MoMA

Portfolio 2, Folder 18 from Formulation: Articulation, Josef Albers, 1972

Josef AlbersPortfolio 2, Folder 18 from Formulation: Articulation1972MoMA

Portfolio 2, Folder 15 from Formulation: Articulation, Josef Albers, 1972

Josef AlbersPortfolio 2, Folder 15 from Formulation: Articulation1972MoMA

Duo B, Josef Albers, 1958

Josef AlbersDuo B1958MoMA

Interlinear N 32 gr, Josef Albers, 1962

Josef AlbersInterlinear N 32 gr1962MoMA

Gray Instrumentation Ih from Gray Instrumentation I, Josef Albers, 1974

Josef AlbersGray Instrumentation Ih from Gray Instrumentation I1974MoMA

Portfolio 2, Folder 6 from Formulation: Articulation, Josef Albers, 1972

Josef AlbersPortfolio 2, Folder 6 from Formulation: Articulation1972MoMA

Portfolio 1, Folder 23 from Formulation: Articulation, Josef Albers, 1972

Josef AlbersPortfolio 1, Folder 23 from Formulation: Articulation1972MoMA

WLS V from White Line Squares (Series I), Josef Albers, 1966

Josef AlbersWLS V from White Line Squares (Series I)1966MoMA

Portfolio 1, Folder 22 from Formulation: Articulation, Josef Albers, 1972

Josef AlbersPortfolio 1, Folder 22 from Formulation: Articulation1972MoMA

Portfolio 1, Folder 30 from Formulation: Articulation, Josef Albers, 1972

Josef AlbersPortfolio 1, Folder 30 from Formulation: Articulation1972MoMA

Portfolio 1, Folder 29 from Formulation: Articulation, Josef Albers, 1972

Josef AlbersPortfolio 1, Folder 29 from Formulation: Articulation1972MoMA

Interlinear K 50, Josef Albers, 1962

Josef AlbersInterlinear K 501962MoMA

ELC 2-C from Embossed Linear Constructions (ELC), Josef Albers, 1969

Josef AlbersELC 2-C from Embossed Linear Constructions (ELC)1969MoMA

Portfolio 1, Folder 16 from Formulation: Articulation, Josef Albers, 1972

Josef AlbersPortfolio 1, Folder 16 from Formulation: Articulation1972MoMA

Portfolio 1, Folder 9 from Formulation: Articulation, Josef Albers, 1972

Josef AlbersPortfolio 1, Folder 9 from Formulation: Articulation1972MoMA

Portfolio 1, Folder 13 from Formulation: Articulation, Josef Albers, 1972

Josef AlbersPortfolio 1, Folder 13 from Formulation: Articulation1972MoMA

WEG IX from White Embossings on Gray (WEG), Josef Albers, 1971

Josef AlbersWEG IX from White Embossings on Gray (WEG)1971MoMA

Interlinear N 65, Josef Albers, 1962

Josef AlbersInterlinear N 651962MoMA

Homage to the Square: White Monument, Josef Albers, 1951

Josef AlbersHomage to the Square: White Monument1951MoMA

Day + Night VIII from Day and Night: Homage to the Square, Josef Albers, 1963

Josef AlbersDay + Night VIII from Day and Night: Homage to the Square1963MoMA

Portfolio 2, Folder 13 from Formulation: Articulation, Josef Albers, 1972

Josef AlbersPortfolio 2, Folder 13 from Formulation: Articulation1972MoMA

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