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Colecciones: Centro de Arte Británico de Yale, Galería de Arte de la Universidad Yale, Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Nacional de Diseño Cooper-Hewitt, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (44 museos), Paris Musées (12 museos), Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos) y el Catalogo generale dei Beni Culturali del Ministerio de Cultura de Italia (25 museos). Las imágenes pertenecen a sus titulares de derechos.

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Arte de posguerra, 1945–1975

223.220 obras de 458 museos1980 expuestas ahora Quitar

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WEG X from White Embossings on Gray (WEG), Josef Albers, 1971

Josef AlbersWEG X from White Embossings on Gray (WEG)1971MoMA

Portfolio 2, Folder 17 from Formulation: Articulation, Josef Albers, 1972

Josef AlbersPortfolio 2, Folder 17 from Formulation: Articulation1972MoMA

WLS I from White Line Squares (Series I), Josef Albers, 1966

Josef AlbersWLS I from White Line Squares (Series I)1966MoMA

Homage to the Square: Broad Call, Josef Albers, fall 1967

Josef AlbersHomage to the Square: Broad Callfall 1967MoMA

Day + Night II from Day and Night: Homage to the Square, Josef Albers, 1963

Josef AlbersDay + Night II from Day and Night: Homage to the Square1963MoMA

Portfolio 1, Folder 11 from Formulation: Articulation, Josef Albers, 1972

Josef AlbersPortfolio 1, Folder 11 from Formulation: Articulation1972MoMA

Portfolio 2, Folder 2 from Formulation: Articulation, Josef Albers, 1972

Josef AlbersPortfolio 2, Folder 2 from Formulation: Articulation1972MoMA

Portfolio 2, Folder 19 from Formulation: Articulation, Josef Albers, 1972

Josef AlbersPortfolio 2, Folder 19 from Formulation: Articulation1972MoMA

WEG VII from White Embossings on Gray (WEG), Josef Albers, 1971

Josef AlbersWEG VII from White Embossings on Gray (WEG)1971MoMA

Portfolio 1, Folder 25 from Formulation: Articulation, Josef Albers, 1972

Josef AlbersPortfolio 1, Folder 25 from Formulation: Articulation1972MoMA

Full from Homage to the Square: Ten Works by Josef Albers, Josef Albers, 1962

Josef AlbersFull from Homage to the Square: Ten Works by Josef Albers1962MoMA

Portfolio 1, Folder 20 from Formulation: Articulation, Josef Albers, 1972

Josef AlbersPortfolio 1, Folder 20 from Formulation: Articulation1972MoMA

ELC 1-C from Embossed Linear Constructions (ELC), Josef Albers, 1969

Josef AlbersELC 1-C from Embossed Linear Constructions (ELC)1969MoMA

Homage to the Square: Silent Hall, Josef Albers, 1961

Josef AlbersHomage to the Square: Silent Hall1961MoMA

Midnight + Noon VII from Midnight and Noon, Josef Albers, 1964

Josef AlbersMidnight + Noon VII from Midnight and Noon1964MoMA

Gray Instrumentation Ic from Gray Instrumentation I, Josef Albers, 1974

Josef AlbersGray Instrumentation Ic from Gray Instrumentation I1974MoMA

Reserved from Homage to the Square: Ten Works by Josef Albers, Josef Albers, 1962

Josef AlbersReserved from Homage to the Square: Ten Works by Josef Albers1962MoMA

Portfolio 2, Folder 12 from Formulation: Articulation, Josef Albers, 1972

Josef AlbersPortfolio 2, Folder 12 from Formulation: Articulation1972MoMA

Portfolio 2, Folder 22 from Formulation: Articulation, Josef Albers, 1972

Josef AlbersPortfolio 2, Folder 22 from Formulation: Articulation1972MoMA

Portfolio 1, Folder 15 from Formulation: Articulation, Josef Albers, 1972

Josef AlbersPortfolio 1, Folder 15 from Formulation: Articulation1972MoMA

Tenuous from Homage to the Square: Ten Works by Josef Albers, Josef Albers, 1962

Josef AlbersTenuous from Homage to the Square: Ten Works by Josef Albers1962MoMA

Day + Night X from Day and Night: Homage to the Square, Josef Albers, 1963

Josef AlbersDay + Night X from Day and Night: Homage to the Square1963MoMA

Duo K, Josef Albers, 1958

Josef AlbersDuo K1958MoMA

Portfolio 2, Folder 20 from Formulation: Articulation, Josef Albers, 1972

Josef AlbersPortfolio 2, Folder 20 from Formulation: Articulation1972MoMA

Midnight + Noon V from Midnight and Noon, Josef Albers, 1964

Josef AlbersMidnight + Noon V from Midnight and Noon1964MoMA

Portfolio 1, Folder 6 from Formulation: Articulation, Josef Albers, 1972

Josef AlbersPortfolio 1, Folder 6 from Formulation: Articulation1972MoMA

Portfolio 2, Folder 16 from Formulation: Articulation, Josef Albers, 1972

Josef AlbersPortfolio 2, Folder 16 from Formulation: Articulation1972MoMA

Portfolio 1, Folder 26 from Formulation: Articulation, Josef Albers, 1972

Josef AlbersPortfolio 1, Folder 26 from Formulation: Articulation1972MoMA

Portfolio 2, Folder 27 from Formulation: Articulation, Josef Albers, 1972

Josef AlbersPortfolio 2, Folder 27 from Formulation: Articulation1972MoMA

WLS VI from White Line Squares (Series I), Josef Albers, 1966

Josef AlbersWLS VI from White Line Squares (Series I)1966MoMA

Portfolio 2, Folder 30 from Formulation: Articulation, Josef Albers, 1972

Josef AlbersPortfolio 2, Folder 30 from Formulation: Articulation1972MoMA

Aura from Homage to the Square: Ten Works by Josef Albers, Josef Albers, 1962

Josef AlbersAura from Homage to the Square: Ten Works by Josef Albers1962MoMA

WEG V from White Embossings on Gray (WEG), Josef Albers, 1971

Josef AlbersWEG V from White Embossings on Gray (WEG)1971MoMA

Gray Instrumentation Ig from Gray Instrumentation I, Josef Albers, 1974

Josef AlbersGray Instrumentation Ig from Gray Instrumentation I1974MoMA

Portfolio 2, Folder 24 from Formulation: Articulation, Josef Albers, 1972

Josef AlbersPortfolio 2, Folder 24 from Formulation: Articulation1972MoMA

WLS XI from White Line Squares (Series II), Josef Albers, 1966

Josef AlbersWLS XI from White Line Squares (Series II)1966MoMA

Portfolio 2, Folder 11 from Formulation: Articulation, Josef Albers, 1972

Josef AlbersPortfolio 2, Folder 11 from Formulation: Articulation1972MoMA

Portfolio 2, Folder 29 from Formulation: Articulation, Josef Albers, 1972

Josef AlbersPortfolio 2, Folder 29 from Formulation: Articulation1972MoMA

Portfolio 2, Folder 1 from Formulation: Articulation, Josef Albers, 1972

Josef AlbersPortfolio 2, Folder 1 from Formulation: Articulation1972MoMA

Portfolio 1, Folder 18 from Formulation: Articulation, Josef Albers, 1972

Josef AlbersPortfolio 1, Folder 18 from Formulation: Articulation1972MoMA

Portfolio 2, Folder 8 from Formulation: Articulation, Josef Albers, 1972

Josef AlbersPortfolio 2, Folder 8 from Formulation: Articulation1972MoMA

P. Yellow, Josef Albers, 1971

Josef AlbersP. Yellow1971MoMA

Portfolio 2, Folder 4 from Formulation: Articulation, Josef Albers, 1972

Josef AlbersPortfolio 2, Folder 4 from Formulation: Articulation1972MoMA

Multiplex A, Josef Albers, 1947

Josef AlbersMultiplex A1947MoMA

WLS XIII from White Line Squares (Series II), Josef Albers, 1966

Josef AlbersWLS XIII from White Line Squares (Series II)1966MoMA

Portfolio 2, Folder 3 from Formulation: Articulation, Josef Albers, 1972

Josef AlbersPortfolio 2, Folder 3 from Formulation: Articulation1972MoMA

WEG III from White Embossings on Gray (WEG), Josef Albers, 1971

Josef AlbersWEG III from White Embossings on Gray (WEG)1971MoMA

White Line Square XV from White Line Squares, Series II WLS XV from White Line Squares (Series II), Josef Albers, 1966

Josef AlbersWhite Line Square XV from White Line Squares, Series II WLS XV from White Line Squares (Series II)1966MoMA

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