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Colecciones: Centro de Arte Británico de Yale, Galería de Arte de la Universidad Yale, Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Nacional de Diseño Cooper-Hewitt, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (44 museos), Paris Musées (12 museos), Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos) y el Catalogo generale dei Beni Culturali del Ministerio de Cultura de Italia (25 museos). Las imágenes pertenecen a sus titulares de derechos.

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"Your crown's awry! I'll mend it and then play!" (study for .1169)- Act V, Scene II, Anthony and Cleopatra (1937.1169), Edwin Austin Abbey, ca. 1909Edwin Austin Abbey"Your crown's awry! I'll mend it and then play!" (study for .1169)- Act V, Scene II, Anthony and Cleopatra (1937.1169)ca. 1909Galería de Arte de la Universidad Yale
Study of two figures, possibly Jacob and the Angel, Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy of two figures, possibly Jacob and the Angeln.d.Galería de Arte de la Universidad Yale
The Duke Expels Valentine, from Act III, Scene i, Two Gentlemen of Verona, Edwin Austin Abbey, 1891Edwin Austin AbbeyThe Duke Expels Valentine, from Act III, Scene i, Two Gentlemen of Verona1891Galería de Arte de la Universidad Yale
Woman and dog in an interior - (unidentified illustration for a play?), Edwin Austin Abbey, n.d.Edwin Austin AbbeyWoman and dog in an interior - (unidentified illustration for a play?)n.d.Galería de Arte de la Universidad Yale
Ferdinand: "Where should this music be?", illustration for Act I, Scene ii, The Tempest, Edwin Austin Abbey, 1891Edwin Austin AbbeyFerdinand: "Where should this music be?", illustration for Act I, Scene ii, The Tempest1891Galería de Arte de la Universidad Yale
Helena: "Pardon, madam; the Count Rousillon cannot be my brother," from Act I, Scene iii, All's Well That Ends Well, Edwin Austin Abbey, 1891Edwin Austin AbbeyHelena: "Pardon, madam; the Count Rousillon cannot be my brother," from Act I, Scene iii, All's Well That Ends Well1891Galería de Arte de la Universidad Yale
In Quince's Shop, illustration for Act I, Scene ii, A Midsummer Night's Dream, Edwin Austin Abbey, 1893Edwin Austin AbbeyIn Quince's Shop, illustration for Act I, Scene ii, A Midsummer Night's Dream1893Galería de Arte de la Universidad Yale
Study for Louis Comfort Tiffany's center window for "Children's Window", St. Peter's Church, Morristown, NJ, Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy for Louis Comfort Tiffany's center window for "Children's Window", St. Peter's Church, Morristown, NJn.d.Galería de Arte de la Universidad Yale
Sheet of sketches, Edwin Austin Abbey, n.d.Edwin Austin AbbeySheet of sketchesn.d.Galería de Arte de la Universidad Yale
"Nor the coy maid shall kiss the cup...," illustration to Oliver Goldsmith's The Deserted Village, Edwin Austin Abbey, 19th centuryEdwin Austin Abbey"Nor the coy maid shall kiss the cup...," illustration to Oliver Goldsmith's The Deserted Village19th centuryGalería de Arte de la Universidad Yale
"Steal from the World...," sketch for "Ode to Solitude," from The Quiet Life, Edwin Austin Abbey, 1883Edwin Austin Abbey"Steal from the World...," sketch for "Ode to Solitude," from The Quiet Life1883Galería de Arte de la Universidad Yale
Sketch of a fat man, seated, Edwin Austin Abbey, n.d.Edwin Austin AbbeySketch of a fat man, seatedn.d.Galería de Arte de la Universidad Yale
Sheet of studies of a single face, Edwin Austin Abbey, n.d.Edwin Austin AbbeySheet of studies of a single facen.d.Galería de Arte de la Universidad Yale
Timon: "I prythee, beat the drum and get thee gone" - Act IV, Scene III, Timon of Athens, Edwin Austin Abbey, 1903Edwin Austin AbbeyTimon: "I prythee, beat the drum and get thee gone" - Act IV, Scene III, Timon of Athens1903Galería de Arte de la Universidad Yale
Unidentified illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), Edwin Austin Abbey, n.d.Edwin Austin AbbeyUnidentified illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902)n.d.Galería de Arte de la Universidad Yale
Study of an angel (for stained glass? for a ceiling?), Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy of an angel (for stained glass? for a ceiling?)n.d.Galería de Arte de la Universidad Yale
Sketch for The Noble Patron, Edwin Austin Abbey, 1888Edwin Austin AbbeySketch for The Noble Patron1888Galería de Arte de la Universidad Yale
Sketch of an exterior: buildings and tree, Edwin Austin Abbey, n.d.Edwin Austin AbbeySketch of an exterior: buildings and treen.d.Galería de Arte de la Universidad Yale
"How often I have loitered o'er thy green" from The Deserted Village, Edwin Austin Abbey, ca. 1898Edwin Austin Abbey"How often I have loitered o'er thy green" from The Deserted Villageca. 1898Galería de Arte de la Universidad Yale
The Return of the Native, Edwin Austin Abbey, n.d.Edwin Austin AbbeyThe Return of the Nativen.d.Galería de Arte de la Universidad Yale
Woman on beach holding book, sketch for The Lay of the Lobster, Edwin Austin Abbey, ca. 1886Edwin Austin AbbeyWoman on beach holding book, sketch for The Lay of the Lobsterca. 1886Galería de Arte de la Universidad Yale
"Isaac Walker" [Man smoking a pipe, sitting on bench], Edwin Austin Abbey, n.d.Edwin Austin Abbey"Isaac Walker" [Man smoking a pipe, sitting on bench]n.d.Galería de Arte de la Universidad Yale
Cartoon of a man chasing a bee with a basket, Edwin Austin Abbey, n.d.Edwin Austin AbbeyCartoon of a man chasing a bee with a basketn.d.Galería de Arte de la Universidad Yale
Illustration for "Early One Morning," from Old Songs, Edwin Austin Abbey, 1888Edwin Austin AbbeyIllustration for "Early One Morning," from Old Songs1888Galería de Arte de la Universidad Yale
Study of a nude female figure holding a scroll, Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy of a nude female figure holding a scrolln.d.Galería de Arte de la Universidad Yale
"Old Prob" - unidentified illustration, Edwin Austin Abbey, n.d.Edwin Austin Abbey"Old Prob" - unidentified illustrationn.d.Galería de Arte de la Universidad Yale
Early studies for Taming of the Shrew (?), Edwin Austin Abbey, n.d.Edwin Austin AbbeyEarly studies for Taming of the Shrew (?)n.d.Galería de Arte de la Universidad Yale
Simple: "Yonder he is coming, this way, Sir Hugh" - Act III, Scene I, Merry Wives of Windsor, Edwin Austin Abbey, 1889Edwin Austin AbbeySimple: "Yonder he is coming, this way, Sir Hugh" - Act III, Scene I, Merry Wives of Windsor1889Galería de Arte de la Universidad Yale
"Herds with milk, fields with bread," sketch for "Ode to Solitude," from The Quiet Life, Edwin Austin Abbey, 1883Edwin Austin Abbey"Herds with milk, fields with bread," sketch for "Ode to Solitude," from The Quiet Life1883Galería de Arte de la Universidad Yale
Galahad and the Captive Virtues, study for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901), Edwin Austin Abbey, n.d.Edwin Austin AbbeyGalahad and the Captive Virtues, study for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901)n.d.Galería de Arte de la Universidad Yale
Portrait of an unidentified young man, Edwin Austin Abbey, n.d.Edwin Austin AbbeyPortrait of an unidentified young mann.d.Galería de Arte de la Universidad Yale
Study of a man's back, Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy of a man's backn.d.Galería de Arte de la Universidad Yale
Antipholus of Syracuse: "Go bear it to the Centaur," illustration for Act I, Scene ii, Comedy of Errors, Edwin Austin Abbey, 1889Edwin Austin AbbeyAntipholus of Syracuse: "Go bear it to the Centaur," illustration for Act I, Scene ii, Comedy of Errors1889Galería de Arte de la Universidad Yale
Dining Scene - illustration for Austin Dobson's Ladies of Saint James, Edwin Austin Abbey, 1882Edwin Austin AbbeyDining Scene - illustration for Austin Dobson's Ladies of Saint James1882Galería de Arte de la Universidad Yale
"Here, behind this screen," Oliver Goldsmith's "She Stoops to Conquer", Act V, Scene I, Edwin Austin Abbey, 1885Edwin Austin Abbey"Here, behind this screen," Oliver Goldsmith's "She Stoops to Conquer", Act V, Scene I1885Galería de Arte de la Universidad Yale
Sketch, "Holy Grail", The Knighting of Sir Galahad., Edwin Austin Abbey, n.d.Edwin Austin AbbeySketch, "Holy Grail", The Knighting of Sir Galahad.n.d.Galería de Arte de la Universidad Yale
Man on Bridge, sketch for "Phillada Flouts Me," from Old Songs, Edwin Austin Abbey, 1886Edwin Austin AbbeyMan on Bridge, sketch for "Phillada Flouts Me," from Old Songs1886Galería de Arte de la Universidad Yale
Katharina, illustration for Act I, Scene i, Taming of the Shrew, Edwin Austin Abbey, 1892Edwin Austin AbbeyKatharina, illustration for Act I, Scene i, Taming of the Shrew1892Galería de Arte de la Universidad Yale
Jacques, illustration for Act II, Scene v, As You Like It, Edwin Austin Abbey, 1890Edwin Austin AbbeyJacques, illustration for Act II, Scene v, As You Like It1890Galería de Arte de la Universidad Yale
Clown: "Foh! prithee stand away," from Act V, Scene ii, All's Well That Ends Well, Edwin Austin Abbey, 1891Edwin Austin AbbeyClown: "Foh! prithee stand away," from Act V, Scene ii, All's Well That Ends Well1891Galería de Arte de la Universidad Yale
Sketches of Cows, Edwin Austin Abbey, n.d.Edwin Austin AbbeySketches of Cowsn.d.Galería de Arte de la Universidad Yale
Study for Fiametta's Song (oil painting), Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy for Fiametta's Song (oil painting)n.d.Galería de Arte de la Universidad Yale
Sketches of Two Male Figures, Edwin Austin Abbey, n.d.Edwin Austin AbbeySketches of Two Male Figuresn.d.Galería de Arte de la Universidad Yale
Sketch of an interior: man reading aloud, women knitting - unidentified illustration, Edwin Austin Abbey, n.d.Edwin Austin AbbeySketch of an interior: man reading aloud, women knitting - unidentified illustrationn.d.Galería de Arte de la Universidad Yale
Study for The Wrestling Scene in "As You Like It", Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy for The Wrestling Scene in "As You Like It"n.d.Galería de Arte de la Universidad Yale
Sheet of sketches of faces, Edwin Austin Abbey, n.d.Edwin Austin AbbeySheet of sketches of facesn.d.Galería de Arte de la Universidad Yale
"I knew him well, and every truant knew," illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 53, Edwin Austin Abbey, ca. 1890sEdwin Austin Abbey"I knew him well, and every truant knew," illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 53ca. 1890sGalería de Arte de la Universidad Yale
Slender: "Why do your dogs bark so?" - Act I, Scene I, Merry Wives of Windsor, Edwin Austin Abbey, ca. 1889Edwin Austin AbbeySlender: "Why do your dogs bark so?" - Act I, Scene I, Merry Wives of Windsorca. 1889Galería de Arte de la Universidad Yale
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