Edwin Austin AbbeySketch for Oliver Goldsmith's She Stoops to Conquer
Edwin Austin AbbeySketch for Oliver Goldsmith's She Stoops to Conquer
Edwin Austin AbbeySketch for "With Jockey to the Fair," from Old Songs I (book published by Harper in 1889, previously published in Harper's Monthly Magazine)
Edwin Austin AbbeyBottom & Titania, illustration for A Midsummer Night's Dream, Act III, Scene i
Edwin Austin AbbeySerpent, sketch for The Lay of the Lobster
Edwin Austin Abbey"In the forest of Arden," illustration for Act II, Scene iv, As You Like It
Edwin Austin AbbeyLancastrian Soldier: "Who's this? O God! it is my father's face, whom in this conflict I unawares have kill'd," from King Henry VI, Part III, Act II, Scene V
Edwin Austin AbbeyArchitectural Study: Hurley, London
Edwin Austin AbbeyProspero and Ariel, illustration for Act V, Scene i, The Tempest
Edwin Austin Abbey"His looks adorned...," illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 47
Edwin Austin AbbeyOrlando and Adam, illustration for Act II, Scene iv, As You Like It
Edwin Austin AbbeyFerdinand Meets Miranda, illustration for Act III, Scene i, The Tempest
Edwin Austin AbbeyChristopher Sly, illustration for Introduction, Scene ii, Taming of the Shrew
Edwin Austin AbbeyDromio of Ephesus: "Why, mistress, sure my master is horn-mad," illustration for Act II, Scene i, Comedy of Errors
Edwin Austin AbbeyClaudio (reads from a scroll): "Done to death by slanderous tongues. Was the Hero that here lies," illustration for Act V, Scene iii, Much Ado About Nothing
Edwin Austin Abbey1st page of "Merchant of Venice" Manuscript
Edwin Austin AbbeyUnidentified illustration [Boy in a small boat]
Edwin Austin Abbey"The swain responsive as the milkmaid sung" from The Deserted Village
Edwin Austin AbbeyOphelia: "And of all Christian souls! I pray God. God be wi' you!" - Elsinore, A Room in the Castle - Act IV, Scene V, Hamlet
Edwin Austin AbbeyIllustration for "With Jockey to the Fair," from Old Songs
Edwin Austin AbbeyBalthazar sings: "Sigh no more, ladies" (study for .1004) - Act II, Scene III, Much Ado About Nothing
Edwin Austin AbbeyAaron, from Titus Andronicus
Edwin Austin AbbeySketch of a Lady for the scene "Waiting for her Lover," from Old Songs (New York: Harper and Brothers, 1889)
Edwin Austin AbbeySketch for a greeting card: A Happy New Year 1891 from M.G.A. and E.A.A.
Edwin Austin AbbeyPortia: "Away then; I'm lock'd in one of them.", from Act III, Scene ii, Merchant of Venice
Edwin Austin AbbeyStudy for Priest and the Great Lady (watercolor)
Edwin Austin AbbeyThe Imprisonment of the Queen - Act II, Scene I, The Winter's Tale
Edwin Austin AbbeyArthur - Act IV, Scene III, King John
Edwin Austin AbbeySketch for Ex Libris: M.G. & E.A. Abbey
Edwin Austin Abbey"She then shines forth, solicitous to bless, in all the glaring impotence of dress" - illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 87
Edwin Austin AbbeyStudy for Puck, from A Midsummer Night's Dream
Edwin Austin AbbeySketch for "Phillada Flouts Me," from Old Songs
Edwin Austin AbbeyCaricature of a balding man
Edwin Austin AbbeySketch for "Phillada Flouts Me," from Old Songs
Edwin Austin AbbeySketch for "The Wish(?)," from The Quiet Life (book published by Harper in 1890 and 1899, previously published in Harper's Monthly Magazine)
Edwin Austin Abbey"Court before Justice Shallow's Home in Gloucestershire" - King Henry IV (Part II)
Edwin Austin AbbeyCostard, from Act I, Scene i, Love's Labour's Lost
Edwin Austin AbbeyClown: "I will show myself highly fed and lowly taught," from Act II, Scene ii, All's Well That Ends Well
Edwin Austin AbbeySketch for "The Vicar(?)," from The Quiet Life (book published by Harper in 1890 and 1899, previously published in Harper's Monthly Magazine)
Edwin Austin AbbeySketch of a little girl; preliminary study for New Year's card, 1937.3648
Edwin Austin AbbeyStudy of three heads of a woman
Edwin Austin AbbeyStudy for Twelfth Night (?)
Edwin Austin AbbeyThe Oracle Defied, Act III, Scene ii, The Winter's Tale
Edwin Austin AbbeyStudy of a bespeckled, caped, old woman (recto); Study of a woman (verso)
Edwin Austin AbbeySketch for "Ode to Solitude," from The Quiet Life (book published by Harper in 1890 and 1899, previously published in Harper's Monthly Magazine)
Edwin Austin AbbeyIsabella and the Duke - Act V, Scene I, Measure for Measure
Edwin Austin AbbeyProteus and Antonio, from Act I, Scene iii, Two Gentlemen of Verona
Edwin Austin Abbey"Before Justice Shallows House" (study for .1175) - King Henry IV (Part II)
Edwin Austin AbbeyUnidentified illustration (to a Shakespeare play?)