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Colecciones: Centro de Arte Británico de Yale, Galería de Arte de la Universidad Yale, Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Nacional de Diseño Cooper-Hewitt, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (44 museos), Paris Musées (12 museos), Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos) y el Catalogo generale dei Beni Culturali del Ministerio de Cultura de Italia (25 museos). Las imágenes pertenecen a sus titulares de derechos.

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Sketch for Oliver Goldsmith's She Stoops to Conquer, Edwin Austin Abbey, ca. 1884Edwin Austin AbbeySketch for Oliver Goldsmith's She Stoops to Conquerca. 1884Galería de Arte de la Universidad Yale
Sketch for "With Jockey to the Fair," from Old Songs I (book published by Harper in 1889, previously published in Harper's Monthly Magazine), Edwin Austin Abbey, ca. 1889Edwin Austin AbbeySketch for "With Jockey to the Fair," from Old Songs I (book published by Harper in 1889, previously published in Harper's Monthly Magazine)ca. 1889Galería de Arte de la Universidad Yale
Bottom & Titania, illustration for A Midsummer Night's Dream, Act III, Scene i, Edwin Austin Abbey, 1893Edwin Austin AbbeyBottom & Titania, illustration for A Midsummer Night's Dream, Act III, Scene i1893Galería de Arte de la Universidad Yale
Serpent, sketch for The Lay of the Lobster, Edwin Austin Abbey, ca. 1886Edwin Austin AbbeySerpent, sketch for The Lay of the Lobsterca. 1886Galería de Arte de la Universidad Yale
"In the forest of Arden," illustration for Act II, Scene iv, As You Like It, Edwin Austin Abbey, 1890Edwin Austin Abbey"In the forest of Arden," illustration for Act II, Scene iv, As You Like It1890Galería de Arte de la Universidad Yale
Lancastrian Soldier: "Who's this? O God! it is my father's face, whom in this conflict I unawares have kill'd," from King Henry VI, Part III, Act II, Scene V, Edwin Austin Abbey, 1903Edwin Austin AbbeyLancastrian Soldier: "Who's this? O God! it is my father's face, whom in this conflict I unawares have kill'd," from King Henry VI, Part III, Act II, Scene V1903Galería de Arte de la Universidad Yale
Architectural Study: Hurley, London, Edwin Austin Abbey, n.d.Edwin Austin AbbeyArchitectural Study: Hurley, Londonn.d.Galería de Arte de la Universidad Yale
Prospero and Ariel, illustration for Act V, Scene i, The Tempest, Edwin Austin Abbey, 1891Edwin Austin AbbeyProspero and Ariel, illustration for Act V, Scene i, The Tempest1891Galería de Arte de la Universidad Yale
"His looks adorned...," illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 47, Edwin Austin Abbey, 1890Edwin Austin Abbey"His looks adorned...," illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 471890Galería de Arte de la Universidad Yale
Orlando and Adam, illustration for Act II, Scene iv, As You Like It, Edwin Austin Abbey, 1889Edwin Austin AbbeyOrlando and Adam, illustration for Act II, Scene iv, As You Like It1889Galería de Arte de la Universidad Yale
Ferdinand Meets Miranda, illustration for Act III, Scene i, The Tempest, Edwin Austin Abbey, 1891Edwin Austin AbbeyFerdinand Meets Miranda, illustration for Act III, Scene i, The Tempest1891Galería de Arte de la Universidad Yale
Christopher Sly, illustration for Introduction, Scene ii, Taming of the Shrew, Edwin Austin Abbey, 1892Edwin Austin AbbeyChristopher Sly, illustration for Introduction, Scene ii, Taming of the Shrew1892Galería de Arte de la Universidad Yale
Dromio of Ephesus: "Why, mistress, sure my master is horn-mad," illustration for Act II, Scene i, Comedy of Errors, Edwin Austin Abbey, 1881Edwin Austin AbbeyDromio of Ephesus: "Why, mistress, sure my master is horn-mad," illustration for Act II, Scene i, Comedy of Errors1881Galería de Arte de la Universidad Yale
Claudio (reads from a scroll): "Done to death by slanderous tongues. Was the Hero that here lies," illustration for Act V, Scene iii, Much Ado About Nothing, Edwin Austin Abbey, 1890Edwin Austin AbbeyClaudio (reads from a scroll): "Done to death by slanderous tongues. Was the Hero that here lies," illustration for Act V, Scene iii, Much Ado About Nothing1890Galería de Arte de la Universidad Yale
1st page of "Merchant of Venice" Manuscript, Edwin Austin Abbey, ca. 1888Edwin Austin Abbey1st page of "Merchant of Venice" Manuscriptca. 1888Galería de Arte de la Universidad Yale
Unidentified illustration [Boy in a small boat], Edwin Austin Abbey, 19th centuryEdwin Austin AbbeyUnidentified illustration [Boy in a small boat]19th centuryGalería de Arte de la Universidad Yale
"The swain responsive as the milkmaid sung" from The Deserted Village, Edwin Austin Abbey, 1890Edwin Austin Abbey"The swain responsive as the milkmaid sung" from The Deserted Village1890Galería de Arte de la Universidad Yale
Ophelia: "And of all Christian souls! I pray God. God be wi' you!" - Elsinore, A Room in the Castle - Act IV, Scene V, Hamlet, Edwin Austin Abbey, 1902Edwin Austin AbbeyOphelia: "And of all Christian souls! I pray God. God be wi' you!" - Elsinore, A Room in the Castle - Act IV, Scene V, Hamlet1902Galería de Arte de la Universidad Yale
Illustration for "With Jockey to the Fair," from Old Songs, Edwin Austin Abbey, 1887Edwin Austin AbbeyIllustration for "With Jockey to the Fair," from Old Songs1887Galería de Arte de la Universidad Yale
Balthazar sings: "Sigh no more, ladies" (study for .1004) - Act II, Scene III, Much Ado About Nothing, Edwin Austin Abbey, ca. 1891Edwin Austin AbbeyBalthazar sings: "Sigh no more, ladies" (study for .1004) - Act II, Scene III, Much Ado About Nothingca. 1891Galería de Arte de la Universidad Yale
Aaron, from Titus Andronicus, Edwin Austin Abbey, 1908Edwin Austin AbbeyAaron, from Titus Andronicus1908Galería de Arte de la Universidad Yale
Sketch of a Lady for the scene "Waiting for her Lover," from Old Songs (New York: Harper and Brothers, 1889), Edwin Austin Abbey, ca. 1889Edwin Austin AbbeySketch of a Lady for the scene "Waiting for her Lover," from Old Songs (New York: Harper and Brothers, 1889)ca. 1889Galería de Arte de la Universidad Yale
Sketch for a greeting card: A Happy New Year 1891 from M.G.A. and E.A.A., Edwin Austin Abbey, n.d.Edwin Austin AbbeySketch for a greeting card: A Happy New Year 1891 from M.G.A. and E.A.A.n.d.Galería de Arte de la Universidad Yale
Portia: "Away then; I'm lock'd in one of them.", from Act III, Scene ii, Merchant of Venice, Edwin Austin Abbey, 1888Edwin Austin AbbeyPortia: "Away then; I'm lock'd in one of them.", from Act III, Scene ii, Merchant of Venice1888Galería de Arte de la Universidad Yale
Study for Priest and the Great Lady (watercolor), Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy for Priest and the Great Lady (watercolor)n.d.Galería de Arte de la Universidad Yale
The Imprisonment of the Queen - Act II, Scene I, The Winter's Tale, Edwin Austin Abbey, 1891Edwin Austin AbbeyThe Imprisonment of the Queen - Act II, Scene I, The Winter's Tale1891Galería de Arte de la Universidad Yale
Arthur - Act IV, Scene III, King John, Edwin Austin Abbey, 1902Edwin Austin AbbeyArthur - Act IV, Scene III, King John1902Galería de Arte de la Universidad Yale
Sketch for Ex Libris: M.G. & E.A. Abbey, Edwin Austin Abbey, n.d.Edwin Austin AbbeySketch for Ex Libris: M.G. & E.A. Abbeyn.d.Galería de Arte de la Universidad Yale
"She then shines forth, solicitous to bless, in all the glaring impotence of dress" - illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 87, Edwin Austin Abbey, ca. 1890sEdwin Austin Abbey"She then shines forth, solicitous to bless, in all the glaring impotence of dress" - illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 87ca. 1890sGalería de Arte de la Universidad Yale
Study for Puck, from A Midsummer Night's Dream, Edwin Austin Abbey, ca. 1893Edwin Austin AbbeyStudy for Puck, from A Midsummer Night's Dreamca. 1893Galería de Arte de la Universidad Yale
Sketch for "Phillada Flouts Me," from Old Songs, Edwin Austin Abbey, 1886Edwin Austin AbbeySketch for "Phillada Flouts Me," from Old Songs1886Galería de Arte de la Universidad Yale
Caricature of a balding man, Edwin Austin Abbey, n.d.Edwin Austin AbbeyCaricature of a balding mann.d.Galería de Arte de la Universidad Yale
Sketch for "Phillada Flouts Me," from Old Songs, Edwin Austin Abbey, 1886Edwin Austin AbbeySketch for "Phillada Flouts Me," from Old Songs1886Galería de Arte de la Universidad Yale
Sketch for "The Wish(?)," from The Quiet Life (book published by Harper in 1890 and 1899, previously published in Harper's Monthly Magazine), Edwin Austin Abbey, ca. 1890Edwin Austin AbbeySketch for "The Wish(?)," from The Quiet Life (book published by Harper in 1890 and 1899, previously published in Harper's Monthly Magazine)ca. 1890Galería de Arte de la Universidad Yale
"Court before Justice Shallow's Home in Gloucestershire" - King Henry IV (Part II), Edwin Austin Abbey, n.d.Edwin Austin Abbey"Court before Justice Shallow's Home in Gloucestershire" - King Henry IV (Part II)n.d.Galería de Arte de la Universidad Yale
Costard, from Act I, Scene i, Love's Labour's Lost, Edwin Austin Abbey, 1891Edwin Austin AbbeyCostard, from Act I, Scene i, Love's Labour's Lost1891Galería de Arte de la Universidad Yale
Clown: "I will show myself highly fed and lowly taught," from Act II, Scene ii, All's Well That Ends Well, Edwin Austin Abbey, 1891Edwin Austin AbbeyClown: "I will show myself highly fed and lowly taught," from Act II, Scene ii, All's Well That Ends Well1891Galería de Arte de la Universidad Yale
Sketch for "The Vicar(?)," from The Quiet Life (book published by Harper in 1890 and 1899, previously published in Harper's Monthly Magazine), Edwin Austin Abbey, ca. 1890Edwin Austin AbbeySketch for "The Vicar(?)," from The Quiet Life (book published by Harper in 1890 and 1899, previously published in Harper's Monthly Magazine)ca. 1890Galería de Arte de la Universidad Yale
Sketch of a little girl; preliminary study for New Year's card, 1937.3648, Edwin Austin Abbey, n.d.Edwin Austin AbbeySketch of a little girl; preliminary study for New Year's card, 1937.3648n.d.Galería de Arte de la Universidad Yale
Study of three heads of a woman, Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy of three heads of a womann.d.Galería de Arte de la Universidad Yale
Study for Twelfth Night (?), Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy for Twelfth Night (?)n.d.Galería de Arte de la Universidad Yale
The Oracle Defied, Act III, Scene ii, The Winter's Tale, Edwin Austin Abbey, 1892Edwin Austin AbbeyThe Oracle Defied, Act III, Scene ii, The Winter's Tale1892Galería de Arte de la Universidad Yale
Study of a bespeckled, caped, old woman (recto); Study of a woman (verso), Edwin Austin Abbey, mid-19th to early 20th centuryEdwin Austin AbbeyStudy of a bespeckled, caped, old woman (recto); Study of a woman (verso)mid-19th to early 20th centuryGalería de Arte de la Universidad Yale
Sketch for "Ode to Solitude," from The Quiet Life (book published by Harper in 1890 and 1899, previously published in Harper's Monthly Magazine), Edwin Austin Abbey, ca. 1890Edwin Austin AbbeySketch for "Ode to Solitude," from The Quiet Life (book published by Harper in 1890 and 1899, previously published in Harper's Monthly Magazine)ca. 1890Galería de Arte de la Universidad Yale
Isabella and the Duke - Act V, Scene I, Measure for Measure, Edwin Austin Abbey, 1889Edwin Austin AbbeyIsabella and the Duke - Act V, Scene I, Measure for Measure1889Galería de Arte de la Universidad Yale
Proteus and Antonio, from Act I, Scene iii, Two Gentlemen of Verona, Edwin Austin Abbey, 1891Edwin Austin AbbeyProteus and Antonio, from Act I, Scene iii, Two Gentlemen of Verona1891Galería de Arte de la Universidad Yale
"Before Justice Shallows House" (study for .1175) - King Henry IV (Part II), Edwin Austin Abbey, n.d.Edwin Austin Abbey"Before Justice Shallows House" (study for .1175) - King Henry IV (Part II)n.d.Galería de Arte de la Universidad Yale
Unidentified illustration (to a Shakespeare play?), Edwin Austin Abbey, n.d.Edwin Austin AbbeyUnidentified illustration (to a Shakespeare play?)n.d.Galería de Arte de la Universidad Yale
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