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Colecciones: Centro de Arte Británico de Yale, Galería de Arte de la Universidad Yale, Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Nacional de Diseño Cooper-Hewitt, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (44 museos), Paris Musées (12 museos), Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos) y el Catalogo generale dei Beni Culturali del Ministerio de Cultura de Italia (25 museos). Las imágenes pertenecen a sus titulares de derechos.

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The Man of Wealth and Pride Takes up a Space that Many Poor Supplied, Edwin Austin Abbey, 1873Edwin Austin AbbeyThe Man of Wealth and Pride Takes up a Space that Many Poor Supplied1873Galería de Arte de la Universidad Yale
"How say you Madam?" - Act II, Scene III, King Henry VI (Part I), Edwin Austin Abbey, 1909Edwin Austin Abbey"How say you Madam?" - Act II, Scene III, King Henry VI (Part I)1909Galería de Arte de la Universidad Yale
Studies of heads, Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudies of headsn.d.Galería de Arte de la Universidad Yale
Sheet of figure studies, Edwin Austin Abbey, n.d.Edwin Austin AbbeySheet of figure studiesn.d.Galería de Arte de la Universidad Yale
Song, from Act III, Scene ii, Merchant of Venice, Edwin Austin Abbey, 1888Edwin Austin AbbeySong, from Act III, Scene ii, Merchant of Venice1888Galería de Arte de la Universidad Yale
Sketch for "Phillada Flouts Me," from Old Songs I (book published by Harper in 1889, previously published in Harper's Monthly Magazine), Edwin Austin Abbey, ca. 1889Edwin Austin AbbeySketch for "Phillada Flouts Me," from Old Songs I (book published by Harper in 1889, previously published in Harper's Monthly Magazine)ca. 1889Galería de Arte de la Universidad Yale
Two gentlemen - unidentified cartoon, Edwin Austin Abbey, n.d.Edwin Austin AbbeyTwo gentlemen - unidentified cartoonn.d.Galería de Arte de la Universidad Yale
Sketch for "Harvest Home," from Old Songs I (book published by Harper in 1889, previously published in Harper's Monthly Magazine), Edwin Austin Abbey, ca. 1889Edwin Austin AbbeySketch for "Harvest Home," from Old Songs I (book published by Harper in 1889, previously published in Harper's Monthly Magazine)ca. 1889Galería de Arte de la Universidad Yale
Study for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901), Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901)n.d.Galería de Arte de la Universidad Yale
Study for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901), Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901)n.d.Galería de Arte de la Universidad Yale
Seated man in cloak, sketch for an unidentified Shakespeare play, Edwin Austin Abbey, n.d.Edwin Austin AbbeySeated man in cloak, sketch for an unidentified Shakespeare playn.d.Galería de Arte de la Universidad Yale
Woman in toga with garlands, sketch for an unidentified Shakespeare play, Edwin Austin Abbey, n.d.Edwin Austin AbbeyWoman in toga with garlands, sketch for an unidentified Shakespeare playn.d.Galería de Arte de la Universidad Yale
Sketch for a greeting card: ALL GOOD WISHES FOR 1911 from..., Edwin Austin Abbey, n.d.Edwin Austin AbbeySketch for a greeting card: ALL GOOD WISHES FOR 1911 from...n.d.Galería de Arte de la Universidad Yale
Entrance of the Florentine army, from Act III, Scene v, All's Well That Ends Well, Edwin Austin Abbey, August 1890Edwin Austin AbbeyEntrance of the Florentine army, from Act III, Scene v, All's Well That Ends Well1890Galería de Arte de la Universidad Yale
King: "Know'st thou not, Bertram, what she has done for me?", from Act II, Scene iii, All's Well That Ends Well, Edwin Austin Abbey, 1891Edwin Austin AbbeyKing: "Know'st thou not, Bertram, what she has done for me?", from Act II, Scene iii, All's Well That Ends Well1891Galería de Arte de la Universidad Yale
Autolycus, Act IV, Scene ii, The Winter's Tale, Edwin Austin Abbey, 1892Edwin Austin AbbeyAutolycus, Act IV, Scene ii, The Winter's Tale1892Galería de Arte de la Universidad Yale
Party in a Victorian Home - unidentified illustration, Edwin Austin Abbey, n.d.Edwin Austin AbbeyParty in a Victorian Home - unidentified illustrationn.d.Galería de Arte de la Universidad Yale
Landscape with figure, Edwin Austin Abbey, n.d.Edwin Austin AbbeyLandscape with figuren.d.Galería de Arte de la Universidad Yale
"The hawthorne bush, with seats beneath the shade" from The Deserted Village, Edwin Austin Abbey, ca. 1898Edwin Austin Abbey"The hawthorne bush, with seats beneath the shade" from The Deserted Villageca. 1898Galería de Arte de la Universidad Yale
"Have not saints lips, and holy palmers too?" - A Hall in Capulet's House - Act I, Scene V, Romeo and Juliet, Edwin Austin Abbey, 1902Edwin Austin Abbey"Have not saints lips, and holy palmers too?" - A Hall in Capulet's House - Act I, Scene V, Romeo and Juliet1902Galería de Arte de la Universidad Yale
Spirit: "Adsum," from King Henry VI, Part II, act 1, scene 4, Edwin Austin Abbey, 1903Edwin Austin AbbeySpirit: "Adsum," from King Henry VI, Part II, act 1, scene 41903Galería de Arte de la Universidad Yale
Study for .1208 - illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), Edwin Austin Abbey, 1891Edwin Austin AbbeyStudy for .1208 - illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902)1891Galería de Arte de la Universidad Yale
Sketch for "Sally in Our Alley," from Old Songs, Edwin Austin Abbey, 1886Edwin Austin AbbeySketch for "Sally in Our Alley," from Old Songs1886Galería de Arte de la Universidad Yale
"What should this mean?" - Act III, Scene II, King Henry VIII, Edwin Austin Abbey, 1908Edwin Austin Abbey"What should this mean?" - Act III, Scene II, King Henry VIII1908Galería de Arte de la Universidad Yale
The Three Coffers, from Merchant of Venice, Edwin Austin Abbey, ca. 1888Edwin Austin AbbeyThe Three Coffers, from Merchant of Veniceca. 1888Galería de Arte de la Universidad Yale
Jaquenetta, from Act I, Scene ii, Love's Labour's Lost, Edwin Austin Abbey, 1891Edwin Austin AbbeyJaquenetta, from Act I, Scene ii, Love's Labour's Lost1891Galería de Arte de la Universidad Yale
Ursula: "She's lim'd, I warrant you!; we have caught her, madam." Hero: "If it prove so, then loving goes by haps: Some Cupid kills with arrows, some with traps.", illustration for Act III, Scene i, Much Ado About Nothing, Edwin Austin Abbey, 1891Edwin Austin AbbeyUrsula: "She's lim'd, I warrant you!; we have caught her, madam." Hero: "If it prove so, then loving goes by haps: Some Cupid kills with arrows, some with traps.", illustration for Act III, Scene i, Much Ado About Nothing1891Galería de Arte de la Universidad Yale
Bassanio: "A gentle stroll; -Fair Lady, by your leave," from Act III, Scene ii, Merchant of Venice, Edwin Austin Abbey, 1888Edwin Austin AbbeyBassanio: "A gentle stroll; -Fair Lady, by your leave," from Act III, Scene ii, Merchant of Venice1888Galería de Arte de la Universidad Yale
Ventidius enters in triumph, the dead body of Pacorus borne before him, Act III, scene i, Antony and Cleopatra, Edwin Austin Abbey, 1908Edwin Austin AbbeyVentidius enters in triumph, the dead body of Pacorus borne before him, Act III, scene i, Antony and Cleopatra1908Galería de Arte de la Universidad Yale
Galahad and the Captive Virtues, study for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901), Edwin Austin Abbey, n.d.Edwin Austin AbbeyGalahad and the Captive Virtues, study for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901)n.d.Galería de Arte de la Universidad Yale
Study of man's head and a floor plan, on opposite sides of page., Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy of man's head and a floor plan, on opposite sides of page.n.d.Galería de Arte de la Universidad Yale
Clown: "Come away, come away, death," illustration for Act II, Scene iv, Twelfth Night, Edwin Austin Abbey, 1891Edwin Austin AbbeyClown: "Come away, come away, death," illustration for Act II, Scene iv, Twelfth Night1891Galería de Arte de la Universidad Yale
Rosalind: "Give me your hand, Orlando," illustration for Act IV, Scene i, As You Like It, Edwin Austin Abbey, ca. 1890Edwin Austin AbbeyRosalind: "Give me your hand, Orlando," illustration for Act IV, Scene i, As You Like Itca. 1890Galería de Arte de la Universidad Yale
Study of kneeling woman, probably a study for Juliet in the tomb scene, "Romeo and Juliet", Edwin Austin Abbey, ca. 1902Edwin Austin AbbeyStudy of kneeling woman, probably a study for Juliet in the tomb scene, "Romeo and Juliet"ca. 1902Galería de Arte de la Universidad Yale
Woman with bucket on her head, wing chair on reverse - unidentified illustration, Edwin Austin Abbey, n.d.Edwin Austin AbbeyWoman with bucket on her head, wing chair on reverse - unidentified illustrationn.d.Galería de Arte de la Universidad Yale
Study for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901): study of drapery, Edwin Austin Abbey, before 1901Edwin Austin AbbeyStudy for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901): study of draperybefore 1901Galería de Arte de la Universidad Yale
"At all his jokes, for many a joke had he," illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 57, Edwin Austin Abbey, 1889Edwin Austin Abbey"At all his jokes, for many a joke had he," illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 571889Galería de Arte de la Universidad Yale
Preliminary sketch for Merry Wives of Windsor, Edwin Austin Abbey, ca. 1888/9Edwin Austin AbbeyPreliminary sketch for Merry Wives of Windsorca. 1888/9Galería de Arte de la Universidad Yale
Cressida and her uncle, from Troilus and Cressida, Edwin Austin Abbey, 1907Edwin Austin AbbeyCressida and her uncle, from Troilus and Cressida1907Galería de Arte de la Universidad Yale
Study of Benjamin Franklin for the murals at the State Capitol building in Harrisburg, Pennsylvania, 1902-1911 (completed by John Singer Sargent), Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy of Benjamin Franklin for the murals at the State Capitol building in Harrisburg, Pennsylvania, 1902-1911 (completed by John Singer Sargent)n.d.Galería de Arte de la Universidad Yale
Sketch for a verse: "A Bucolick or Discovre of Neatherds", Edwin Austin Abbey, n.d.Edwin Austin AbbeySketch for a verse: "A Bucolick or Discovre of Neatherds"n.d.Galería de Arte de la Universidad Yale
Study of street scene with sedan chair., Edwin Austin Abbey, 1890Edwin Austin AbbeyStudy of street scene with sedan chair.1890Galería de Arte de la Universidad Yale
Sketch of a woman with tray and book - unidentified illustration (to a play?), Edwin Austin Abbey, n.d.Edwin Austin AbbeySketch of a woman with tray and book - unidentified illustration (to a play?)n.d.Galería de Arte de la Universidad Yale
The Court of the Palace, from Act IV, Scene ii, Two Gentlemen of Verona, Edwin Austin Abbey, 1891Edwin Austin AbbeyThe Court of the Palace, from Act IV, Scene ii, Two Gentlemen of Verona1891Galería de Arte de la Universidad Yale
Figures at a table - unidentified illustration, Edwin Austin Abbey, n.d.Edwin Austin AbbeyFigures at a table - unidentified illustrationn.d.Galería de Arte de la Universidad Yale
Rosalin and Maria: "Thou are an old love" - Act II, Scene I, Love's Labour's Lost, Edwin Austin Abbey, ca. 1891Edwin Austin AbbeyRosalin and Maria: "Thou are an old love" - Act II, Scene I, Love's Labour's Lostca. 1891Galería de Arte de la Universidad Yale
Dromio of Ephesus: "Let my master in, Luce," illustration for Act III, Scene i, Comedy of Errors, Edwin Austin Abbey, 1889Edwin Austin AbbeyDromio of Ephesus: "Let my master in, Luce," illustration for Act III, Scene i, Comedy of Errors1889Galería de Arte de la Universidad Yale
Sketch for Old Songs I (book published by Harper in 1889, previously published in Harper's Monthly Magazine); Woman in XVII century costume (verso), Edwin Austin Abbey, ca. 1889Edwin Austin AbbeySketch for Old Songs I (book published by Harper in 1889, previously published in Harper's Monthly Magazine); Woman in XVII century costume (verso)ca. 1889Galería de Arte de la Universidad Yale
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