Edwin Austin AbbeyArchitectural Study: Hurley, LondonEdwin Austin AbbeyArchitectural Study: Hurley, London
Edwin Austin AbbeyCaricature of a balding man
Edwin Austin AbbeySketch for "Phillada Flouts Me," from Old Songs
Edwin Austin AbbeyOrlando and Adam, illustration for Act II, Scene iv, As You Like It
Edwin Austin Abbey"Court before Justice Shallow's Home in Gloucestershire" - King Henry IV (Part II)
Edwin Austin AbbeyCostard, from Act I, Scene i, Love's Labour's Lost
Edwin Austin AbbeyStudy of a nude female figure holding a scroll
Edwin Austin AbbeyStudy of two figures, possibly Jacob and the Angel
Edwin Austin AbbeyEarly studies for Taming of the Shrew (?)
Edwin Austin AbbeySimple: "Yonder he is coming, this way, Sir Hugh" - Act III, Scene I, Merry Wives of Windsor
Edwin Austin AbbeyStudy for Fiametta's Song (oil painting)
Edwin Austin AbbeySketches of Two Male Figures
Edwin Austin AbbeyIllustration for "With Jockey to the Fair," from Old Songs
Edwin Austin AbbeyIsabella and the Duke - Act V, Scene I, Measure for Measure
Edwin Austin AbbeyProteus and Antonio, from Act I, Scene iii, Two Gentlemen of Verona
Edwin Austin Abbey"Before Justice Shallows House" (study for .1175) - King Henry IV (Part II)
Edwin Austin AbbeySketch for a greeting card: A Happy New Year 1891 from M.G.A. and E.A.A.
Edwin Austin AbbeyPortia: "Away then; I'm lock'd in one of them.", from Act III, Scene ii, Merchant of Venice
Edwin Austin AbbeyKatharina, illustration for Act I, Scene i, Taming of the Shrew
Edwin Austin AbbeyUnidentified illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902)
Edwin Austin AbbeyWoman and dog in an interior - (unidentified illustration for a play?)
Edwin Austin AbbeySketches of Cows
Edwin Austin Abbey"Herds with milk, fields with bread," sketch for "Ode to Solitude," from The Quiet Life
Edwin Austin AbbeyGalahad and the Captive Virtues, study for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901)
Edwin Austin AbbeySketch for "Ode to Solitude," from The Quiet Life (book published by Harper in 1890 and 1899, previously published in Harper's Monthly Magazine)
Edwin Austin AbbeyBalthazar sings: "Sigh no more, ladies" (study for .1004) - Act II, Scene III, Much Ado About Nothing
Edwin Austin Abbey"His looks adorned...," illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 47
Edwin Austin AbbeySketch for "The Wish(?)," from The Quiet Life (book published by Harper in 1890 and 1899, previously published in Harper's Monthly Magazine)
Edwin Austin AbbeyUnidentified illustration (to a Shakespeare play?)
Edwin Austin Abbey"Your crown's awry! I'll mend it and then play!" (study for .1169)- Act V, Scene II, Anthony and Cleopatra (1937.1169)
Edwin Austin AbbeyTimon: "I prythee, beat the drum and get thee gone" - Act IV, Scene III, Timon of Athens
Edwin Austin AbbeyJacques, illustration for Act II, Scene v, As You Like It
Edwin Austin AbbeyClown: "Foh! prithee stand away," from Act V, Scene ii, All's Well That Ends Well
Edwin Austin AbbeySketch for The Noble Patron
Edwin Austin AbbeySketch of an exterior: buildings and tree
Edwin Austin Abbey"How often I have loitered o'er thy green" from The Deserted Village
Edwin Austin AbbeyThe Return of the Native
Edwin Austin AbbeyProspero and Ariel, illustration for Act V, Scene i, The Tempest
Edwin Austin AbbeyAaron, from Titus Andronicus
Edwin Austin AbbeySketch of a Lady for the scene "Waiting for her Lover," from Old Songs (New York: Harper and Brothers, 1889)
Edwin Austin AbbeyFerdinand Meets Miranda, illustration for Act III, Scene i, The Tempest
Edwin Austin AbbeyChristopher Sly, illustration for Introduction, Scene ii, Taming of the Shrew
Edwin Austin AbbeySheet of studies of a single face
Edwin Austin Abbey"Old Prob" - unidentified illustration
Edwin Austin AbbeyThe Duke Expels Valentine, from Act III, Scene i, Two Gentlemen of Verona
Edwin Austin AbbeyStudy of an angel (for stained glass? for a ceiling?)
Edwin Austin AbbeyFerdinand: "Where should this music be?", illustration for Act I, Scene ii, The Tempest
Edwin Austin AbbeyHelena: "Pardon, madam; the Count Rousillon cannot be my brother," from Act I, Scene iii, All's Well That Ends Well