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Colecciones: Centro de Arte Británico de Yale, Galería de Arte de la Universidad Yale, Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Nacional de Diseño Cooper-Hewitt, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (44 museos), Paris Musées (12 museos), Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos) y el Catalogo generale dei Beni Culturali del Ministerio de Cultura de Italia (25 museos). Las imágenes pertenecen a sus titulares de derechos.

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Costume study for Two Gentlemen of Verona (?), Edwin Austin Abbey, n.d.Edwin Austin AbbeyCostume study for Two Gentlemen of Verona (?)n.d.Galería de Arte de la Universidad Yale
Study of an unidentified young woman, Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy of an unidentified young womann.d.Galería de Arte de la Universidad Yale
"Sweet as the primrose..." - illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 99, Edwin Austin Abbey, 1894Edwin Austin Abbey"Sweet as the primrose..." - illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 991894Galería de Arte de la Universidad Yale
"There from the tree we'll cherries pluck," sketch for "To Master Anthony Stafford," from The Quiet Life, Edwin Austin Abbey, ca. 1883Edwin Austin Abbey"There from the tree we'll cherries pluck," sketch for "To Master Anthony Stafford," from The Quiet Lifeca. 1883Galería de Arte de la Universidad Yale
Sketch for Oliver Goldsmith's She Stoops to Conquer, Edwin Austin Abbey, ca. 1884Edwin Austin AbbeySketch for Oliver Goldsmith's She Stoops to Conquerca. 1884Galería de Arte de la Universidad Yale
Clown: "I will show myself highly fed and lowly taught," from Act II, Scene ii, All's Well That Ends Well, Edwin Austin Abbey, 1891Edwin Austin AbbeyClown: "I will show myself highly fed and lowly taught," from Act II, Scene ii, All's Well That Ends Well1891Galería de Arte de la Universidad Yale
Bottom & Titania, illustration for A Midsummer Night's Dream, Act III, Scene i, Edwin Austin Abbey, 1893Edwin Austin AbbeyBottom & Titania, illustration for A Midsummer Night's Dream, Act III, Scene i1893Galería de Arte de la Universidad Yale
Serpent, sketch for The Lay of the Lobster, Edwin Austin Abbey, ca. 1886Edwin Austin AbbeySerpent, sketch for The Lay of the Lobsterca. 1886Galería de Arte de la Universidad Yale
"In the forest of Arden," illustration for Act II, Scene iv, As You Like It, Edwin Austin Abbey, 1890Edwin Austin Abbey"In the forest of Arden," illustration for Act II, Scene iv, As You Like It1890Galería de Arte de la Universidad Yale
Ophelia: "And of all Christian souls! I pray God. God be wi' you!" - Elsinore, A Room in the Castle - Act IV, Scene V, Hamlet, Edwin Austin Abbey, 1902Edwin Austin AbbeyOphelia: "And of all Christian souls! I pray God. God be wi' you!" - Elsinore, A Room in the Castle - Act IV, Scene V, Hamlet1902Galería de Arte de la Universidad Yale
Study for "His looks adorned..." - illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 47, Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy for "His looks adorned..." - illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 47n.d.Galería de Arte de la Universidad Yale
Early study for "The Trial of Queen Katherine", Edwin Austin Abbey, n.d.Edwin Austin AbbeyEarly study for "The Trial of Queen Katherine"n.d.Galería de Arte de la Universidad Yale
Studies for an unidentified Shakespearean play (Falstaff?) (recto and verso), Edwin Austin Abbey, mid-19th to early 20th centuryEdwin Austin AbbeyStudies for an unidentified Shakespearean play (Falstaff?) (recto and verso)mid-19th to early 20th centuryGalería de Arte de la Universidad Yale
Sheet of sketches, Edwin Austin Abbey, n.d.Edwin Austin AbbeySheet of sketchesn.d.Galería de Arte de la Universidad Yale
Mistress Quickly: "Have not your worship a wart above your eye?" - Act I, Scene IV, Merry Wives of Windsor, Edwin Austin Abbey, 1889Edwin Austin AbbeyMistress Quickly: "Have not your worship a wart above your eye?" - Act I, Scene IV, Merry Wives of Windsor1889Galería de Arte de la Universidad Yale
"His house was known to all the vagrant train," illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 43, Edwin Austin Abbey, 1890Edwin Austin Abbey"His house was known to all the vagrant train," illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 431890Galería de Arte de la Universidad Yale
Dromio of Ephesus: "Why, mistress, sure my master is horn-mad," illustration for Act II, Scene i, Comedy of Errors, Edwin Austin Abbey, 1881Edwin Austin AbbeyDromio of Ephesus: "Why, mistress, sure my master is horn-mad," illustration for Act II, Scene i, Comedy of Errors1881Galería de Arte de la Universidad Yale
The Imprisonment of the Queen - Act II, Scene I, The Winter's Tale, Edwin Austin Abbey, 1891Edwin Austin AbbeyThe Imprisonment of the Queen - Act II, Scene I, The Winter's Tale1891Galería de Arte de la Universidad Yale
Arthur - Act IV, Scene III, King John, Edwin Austin Abbey, 1902Edwin Austin AbbeyArthur - Act IV, Scene III, King John1902Galería de Arte de la Universidad Yale
Sketch for Ex Libris: M.G. & E.A. Abbey, Edwin Austin Abbey, n.d.Edwin Austin AbbeySketch for Ex Libris: M.G. & E.A. Abbeyn.d.Galería de Arte de la Universidad Yale
"She then shines forth, solicitous to bless, in all the glaring impotence of dress" - illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 87, Edwin Austin Abbey, ca. 1890sEdwin Austin Abbey"She then shines forth, solicitous to bless, in all the glaring impotence of dress" - illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 87ca. 1890sGalería de Arte de la Universidad Yale
Study for Puck, from A Midsummer Night's Dream, Edwin Austin Abbey, ca. 1893Edwin Austin AbbeyStudy for Puck, from A Midsummer Night's Dreamca. 1893Galería de Arte de la Universidad Yale
Study of a bespeckled, caped, old woman (recto); Study of a woman (verso), Edwin Austin Abbey, mid-19th to early 20th centuryEdwin Austin AbbeyStudy of a bespeckled, caped, old woman (recto); Study of a woman (verso)mid-19th to early 20th centuryGalería de Arte de la Universidad Yale
Isabella at the Nunnery (study for .1103), Act I, Scene V, Measure for Measure, Edwin Austin Abbey, n.d.Edwin Austin AbbeyIsabella at the Nunnery (study for .1103), Act I, Scene V, Measure for Measuren.d.Galería de Arte de la Universidad Yale
Enter Time, as Chorus - Act IV, Scene I, The Winter's Tale, Edwin Austin Abbey, 1891Edwin Austin AbbeyEnter Time, as Chorus - Act IV, Scene I, The Winter's Tale1891Galería de Arte de la Universidad Yale
Early study for King - Act II, Scene III, All's Well That Ends Well, Edwin Austin Abbey, ca. 1891Edwin Austin AbbeyEarly study for King - Act II, Scene III, All's Well That Ends Wellca. 1891Galería de Arte de la Universidad Yale
The King on the wall of Flint Castle; "Yet know my master, God omnipotent and threat the glory of my precious crown"-Act III, Scene III, Richard II, Edwin Austin Abbey, 1902Edwin Austin AbbeyThe King on the wall of Flint Castle; "Yet know my master, God omnipotent and threat the glory of my precious crown"-Act III, Scene III, Richard II1902Galería de Arte de la Universidad Yale
The Spell, illustration for Act V, Scene i, The Tempest, Edwin Austin Abbey, 1891Edwin Austin AbbeyThe Spell, illustration for Act V, Scene i, The Tempest1891Galería de Arte de la Universidad Yale
Sketch for "With Jockey to the Fair," from Old Songs I (book published by Harper in 1889, previously published in Harper's Monthly Magazine), Edwin Austin Abbey, ca. 1889Edwin Austin AbbeySketch for "With Jockey to the Fair," from Old Songs I (book published by Harper in 1889, previously published in Harper's Monthly Magazine)ca. 1889Galería de Arte de la Universidad Yale
Sketch for "The Vicar(?)," from The Quiet Life (book published by Harper in 1890 and 1899, previously published in Harper's Monthly Magazine), Edwin Austin Abbey, ca. 1890Edwin Austin AbbeySketch for "The Vicar(?)," from The Quiet Life (book published by Harper in 1890 and 1899, previously published in Harper's Monthly Magazine)ca. 1890Galería de Arte de la Universidad Yale
Sketch of a little girl; preliminary study for New Year's card, 1937.3648, Edwin Austin Abbey, n.d.Edwin Austin AbbeySketch of a little girl; preliminary study for New Year's card, 1937.3648n.d.Galería de Arte de la Universidad Yale
Study of three heads of a woman, Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy of three heads of a womann.d.Galería de Arte de la Universidad Yale
Study for Twelfth Night (?), Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy for Twelfth Night (?)n.d.Galería de Arte de la Universidad Yale
The Oracle Defied, Act III, Scene ii, The Winter's Tale, Edwin Austin Abbey, 1892Edwin Austin AbbeyThe Oracle Defied, Act III, Scene ii, The Winter's Tale1892Galería de Arte de la Universidad Yale
Sketch for "Phillada Flouts Me," from Old Songs, Edwin Austin Abbey, 1886Edwin Austin AbbeySketch for "Phillada Flouts Me," from Old Songs1886Galería de Arte de la Universidad Yale
Friar Laurence: "Till holy church incorporate two as one" - Act II, Scene VI, Romeo and Juliet, Edwin Austin Abbey, 1902Edwin Austin AbbeyFriar Laurence: "Till holy church incorporate two as one" - Act II, Scene VI, Romeo and Juliet1902Galería de Arte de la Universidad Yale
Sketch of figures around a table - unidentified illustration for a play (?), Edwin Austin Abbey, n.d.Edwin Austin AbbeySketch of figures around a table - unidentified illustration for a play (?)n.d.Galería de Arte de la Universidad Yale
Study of an angel (for stained glass? for a ceiling?), Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy of an angel (for stained glass? for a ceiling?)n.d.Galería de Arte de la Universidad Yale
Lucentio: "Pardon, sweet father," from Act V, Scene i, Taming of the Shrew, Edwin Austin Abbey, 1892Edwin Austin AbbeyLucentio: "Pardon, sweet father," from Act V, Scene i, Taming of the Shrew1892Galería de Arte de la Universidad Yale
Lear, Kent, Fool, and Edgar - Act III, Scene IV, King Lear, Edwin Austin Abbey, 1902Edwin Austin AbbeyLear, Kent, Fool, and Edgar - Act III, Scene IV, King Lear1902Galería de Arte de la Universidad Yale
Study for Mariana, from Measure for Measure, Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy for Mariana, from Measure for Measuren.d.Galería de Arte de la Universidad Yale
Petruchio Overturns the Trencher, from Act IV, Scene i, Taming of the Shrew, Edwin Austin Abbey, ca. 1892Edwin Austin AbbeyPetruchio Overturns the Trencher, from Act IV, Scene i, Taming of the Shrewca. 1892Galería de Arte de la Universidad Yale
Study for Priest and the Great Lady (watercolor), Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy for Priest and the Great Lady (watercolor)n.d.Galería de Arte de la Universidad Yale
Claudio (reads from a scroll): "Done to death by slanderous tongues. Was the Hero that here lies," illustration for Act V, Scene iii, Much Ado About Nothing, Edwin Austin Abbey, 1890Edwin Austin AbbeyClaudio (reads from a scroll): "Done to death by slanderous tongues. Was the Hero that here lies," illustration for Act V, Scene iii, Much Ado About Nothing1890Galería de Arte de la Universidad Yale
1st page of "Merchant of Venice" Manuscript, Edwin Austin Abbey, ca. 1888Edwin Austin Abbey1st page of "Merchant of Venice" Manuscriptca. 1888Galería de Arte de la Universidad Yale
Unidentified illustration [Boy in a small boat], Edwin Austin Abbey, 19th centuryEdwin Austin AbbeyUnidentified illustration [Boy in a small boat]19th centuryGalería de Arte de la Universidad Yale
"The swain responsive as the milkmaid sung" from The Deserted Village, Edwin Austin Abbey, 1890Edwin Austin Abbey"The swain responsive as the milkmaid sung" from The Deserted Village1890Galería de Arte de la Universidad Yale
Lancastrian Soldier: "Who's this? O God! it is my father's face, whom in this conflict I unawares have kill'd," from King Henry VI, Part III, Act II, Scene V, Edwin Austin Abbey, 1903Edwin Austin AbbeyLancastrian Soldier: "Who's this? O God! it is my father's face, whom in this conflict I unawares have kill'd," from King Henry VI, Part III, Act II, Scene V1903Galería de Arte de la Universidad Yale
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