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Colecciones: Centro de Arte Británico de Yale, Galería de Arte de la Universidad Yale, Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Nacional de Diseño Cooper-Hewitt, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (44 museos), Paris Musées (12 museos), Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos) y el Catalogo generale dei Beni Culturali del Ministerio de Cultura de Italia (25 museos). Las imágenes pertenecen a sus titulares de derechos.

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Portrait of an unidentified young man, Edwin Austin Abbey, n.d.Edwin Austin AbbeyPortrait of an unidentified young mann.d.Galería de Arte de la Universidad Yale
Woman on beach holding book, sketch for The Lay of the Lobster, Edwin Austin Abbey, ca. 1886Edwin Austin AbbeyWoman on beach holding book, sketch for The Lay of the Lobsterca. 1886Galería de Arte de la Universidad Yale
Sheet of sketches, Edwin Austin Abbey, n.d.Edwin Austin AbbeySheet of sketchesn.d.Galería de Arte de la Universidad Yale
Cartoon of a man chasing a bee with a basket, Edwin Austin Abbey, n.d.Edwin Austin AbbeyCartoon of a man chasing a bee with a basketn.d.Galería de Arte de la Universidad Yale
Illustration for "Early One Morning," from Old Songs, Edwin Austin Abbey, 1888Edwin Austin AbbeyIllustration for "Early One Morning," from Old Songs1888Galería de Arte de la Universidad Yale
Man on Bridge, sketch for "Phillada Flouts Me," from Old Songs, Edwin Austin Abbey, 1886Edwin Austin AbbeyMan on Bridge, sketch for "Phillada Flouts Me," from Old Songs1886Galería de Arte de la Universidad Yale
Preliminary sketch for Merry Wives of Windsor, Edwin Austin Abbey, ca. 1888/9Edwin Austin AbbeyPreliminary sketch for Merry Wives of Windsorca. 1888/9Galería de Arte de la Universidad Yale
Cressida and her uncle, from Troilus and Cressida, Edwin Austin Abbey, 1907Edwin Austin AbbeyCressida and her uncle, from Troilus and Cressida1907Galería de Arte de la Universidad Yale
Study of Benjamin Franklin for the murals at the State Capitol building in Harrisburg, Pennsylvania, 1902-1911 (completed by John Singer Sargent), Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy of Benjamin Franklin for the murals at the State Capitol building in Harrisburg, Pennsylvania, 1902-1911 (completed by John Singer Sargent)n.d.Galería de Arte de la Universidad Yale
Party in a Victorian Home - unidentified illustration, Edwin Austin Abbey, n.d.Edwin Austin AbbeyParty in a Victorian Home - unidentified illustrationn.d.Galería de Arte de la Universidad Yale
Landscape with figure, Edwin Austin Abbey, n.d.Edwin Austin AbbeyLandscape with figuren.d.Galería de Arte de la Universidad Yale
"The hawthorne bush, with seats beneath the shade" from The Deserted Village, Edwin Austin Abbey, ca. 1898Edwin Austin Abbey"The hawthorne bush, with seats beneath the shade" from The Deserted Villageca. 1898Galería de Arte de la Universidad Yale
In Quince's Shop, illustration for Act I, Scene ii, A Midsummer Night's Dream, Edwin Austin Abbey, 1893Edwin Austin AbbeyIn Quince's Shop, illustration for Act I, Scene ii, A Midsummer Night's Dream1893Galería de Arte de la Universidad Yale
Study for The Wrestling Scene in "As You Like It", Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy for The Wrestling Scene in "As You Like It"n.d.Galería de Arte de la Universidad Yale
Antipholus of Syracuse: "Go bear it to the Centaur," illustration for Act I, Scene ii, Comedy of Errors, Edwin Austin Abbey, 1889Edwin Austin AbbeyAntipholus of Syracuse: "Go bear it to the Centaur," illustration for Act I, Scene ii, Comedy of Errors1889Galería de Arte de la Universidad Yale
Dining Scene - illustration for Austin Dobson's Ladies of Saint James, Edwin Austin Abbey, 1882Edwin Austin AbbeyDining Scene - illustration for Austin Dobson's Ladies of Saint James1882Galería de Arte de la Universidad Yale
"Here, behind this screen," Oliver Goldsmith's "She Stoops to Conquer", Act V, Scene I, Edwin Austin Abbey, 1885Edwin Austin Abbey"Here, behind this screen," Oliver Goldsmith's "She Stoops to Conquer", Act V, Scene I1885Galería de Arte de la Universidad Yale
Sketch, "Holy Grail", The Knighting of Sir Galahad., Edwin Austin Abbey, n.d.Edwin Austin AbbeySketch, "Holy Grail", The Knighting of Sir Galahad.n.d.Galería de Arte de la Universidad Yale
The Man of Wealth and Pride Takes up a Space that Many Poor Supplied, Edwin Austin Abbey, 1873Edwin Austin AbbeyThe Man of Wealth and Pride Takes up a Space that Many Poor Supplied1873Galería de Arte de la Universidad Yale
Entrance of the Florentine army, from Act III, Scene v, All's Well That Ends Well, Edwin Austin Abbey, August 1890Edwin Austin AbbeyEntrance of the Florentine army, from Act III, Scene v, All's Well That Ends Well1890Galería de Arte de la Universidad Yale
King: "Know'st thou not, Bertram, what she has done for me?", from Act II, Scene iii, All's Well That Ends Well, Edwin Austin Abbey, 1891Edwin Austin AbbeyKing: "Know'st thou not, Bertram, what she has done for me?", from Act II, Scene iii, All's Well That Ends Well1891Galería de Arte de la Universidad Yale
Bassanio: "A gentle stroll; -Fair Lady, by your leave," from Act III, Scene ii, Merchant of Venice, Edwin Austin Abbey, 1888Edwin Austin AbbeyBassanio: "A gentle stroll; -Fair Lady, by your leave," from Act III, Scene ii, Merchant of Venice1888Galería de Arte de la Universidad Yale
Sheet of figure studies, Edwin Austin Abbey, n.d.Edwin Austin AbbeySheet of figure studiesn.d.Galería de Arte de la Universidad Yale
Galahad and the Captive Virtues, study for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901), Edwin Austin Abbey, n.d.Edwin Austin AbbeyGalahad and the Captive Virtues, study for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901)n.d.Galería de Arte de la Universidad Yale
Study of man's head and a floor plan, on opposite sides of page., Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy of man's head and a floor plan, on opposite sides of page.n.d.Galería de Arte de la Universidad Yale
Clown: "Come away, come away, death," illustration for Act II, Scene iv, Twelfth Night, Edwin Austin Abbey, 1891Edwin Austin AbbeyClown: "Come away, come away, death," illustration for Act II, Scene iv, Twelfth Night1891Galería de Arte de la Universidad Yale
Sketch of an interior: man reading aloud, women knitting - unidentified illustration, Edwin Austin Abbey, n.d.Edwin Austin AbbeySketch of an interior: man reading aloud, women knitting - unidentified illustrationn.d.Galería de Arte de la Universidad Yale
Study of a man's back, Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy of a man's backn.d.Galería de Arte de la Universidad Yale
"Isaac Walker" [Man smoking a pipe, sitting on bench], Edwin Austin Abbey, n.d.Edwin Austin Abbey"Isaac Walker" [Man smoking a pipe, sitting on bench]n.d.Galería de Arte de la Universidad Yale
"I knew him well, and every truant knew," illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 53, Edwin Austin Abbey, ca. 1890sEdwin Austin Abbey"I knew him well, and every truant knew," illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 53ca. 1890sGalería de Arte de la Universidad Yale
"Steal from the World...," sketch for "Ode to Solitude," from The Quiet Life, Edwin Austin Abbey, 1883Edwin Austin Abbey"Steal from the World...," sketch for "Ode to Solitude," from The Quiet Life1883Galería de Arte de la Universidad Yale
Sketch of a fat man, seated, Edwin Austin Abbey, n.d.Edwin Austin AbbeySketch of a fat man, seatedn.d.Galería de Arte de la Universidad Yale
Jaquenetta, from Act I, Scene ii, Love's Labour's Lost, Edwin Austin Abbey, 1891Edwin Austin AbbeyJaquenetta, from Act I, Scene ii, Love's Labour's Lost1891Galería de Arte de la Universidad Yale
Ursula: "She's lim'd, I warrant you!; we have caught her, madam." Hero: "If it prove so, then loving goes by haps: Some Cupid kills with arrows, some with traps.", illustration for Act III, Scene i, Much Ado About Nothing, Edwin Austin Abbey, 1891Edwin Austin AbbeyUrsula: "She's lim'd, I warrant you!; we have caught her, madam." Hero: "If it prove so, then loving goes by haps: Some Cupid kills with arrows, some with traps.", illustration for Act III, Scene i, Much Ado About Nothing1891Galería de Arte de la Universidad Yale
Autolycus, Act IV, Scene ii, The Winter's Tale, Edwin Austin Abbey, 1892Edwin Austin AbbeyAutolycus, Act IV, Scene ii, The Winter's Tale1892Galería de Arte de la Universidad Yale
Song, from Act III, Scene ii, Merchant of Venice, Edwin Austin Abbey, 1888Edwin Austin AbbeySong, from Act III, Scene ii, Merchant of Venice1888Galería de Arte de la Universidad Yale
Sketch for "Phillada Flouts Me," from Old Songs I (book published by Harper in 1889, previously published in Harper's Monthly Magazine), Edwin Austin Abbey, ca. 1889Edwin Austin AbbeySketch for "Phillada Flouts Me," from Old Songs I (book published by Harper in 1889, previously published in Harper's Monthly Magazine)ca. 1889Galería de Arte de la Universidad Yale
Study for Louis Comfort Tiffany's center window for "Children's Window", St. Peter's Church, Morristown, NJ, Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy for Louis Comfort Tiffany's center window for "Children's Window", St. Peter's Church, Morristown, NJn.d.Galería de Arte de la Universidad Yale
Sheet of sketches of faces, Edwin Austin Abbey, n.d.Edwin Austin AbbeySheet of sketches of facesn.d.Galería de Arte de la Universidad Yale
"Nor the coy maid shall kiss the cup...," illustration to Oliver Goldsmith's The Deserted Village, Edwin Austin Abbey, 19th centuryEdwin Austin Abbey"Nor the coy maid shall kiss the cup...," illustration to Oliver Goldsmith's The Deserted Village19th centuryGalería de Arte de la Universidad Yale
Slender: "Why do your dogs bark so?" - Act I, Scene I, Merry Wives of Windsor, Edwin Austin Abbey, ca. 1889Edwin Austin AbbeySlender: "Why do your dogs bark so?" - Act I, Scene I, Merry Wives of Windsorca. 1889Galería de Arte de la Universidad Yale
Sketch for a greeting card: ALL GOOD WISHES FOR 1911 from..., Edwin Austin Abbey, n.d.Edwin Austin AbbeySketch for a greeting card: ALL GOOD WISHES FOR 1911 from...n.d.Galería de Arte de la Universidad Yale
"At all his jokes, for many a joke had he," illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 57, Edwin Austin Abbey, 1889Edwin Austin Abbey"At all his jokes, for many a joke had he," illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 571889Galería de Arte de la Universidad Yale
"How say you Madam?" - Act II, Scene III, King Henry VI (Part I), Edwin Austin Abbey, 1909Edwin Austin Abbey"How say you Madam?" - Act II, Scene III, King Henry VI (Part I)1909Galería de Arte de la Universidad Yale
Studies of heads, Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudies of headsn.d.Galería de Arte de la Universidad Yale
Ventidius enters in triumph, the dead body of Pacorus borne before him, Act III, scene i, Antony and Cleopatra, Edwin Austin Abbey, 1908Edwin Austin AbbeyVentidius enters in triumph, the dead body of Pacorus borne before him, Act III, scene i, Antony and Cleopatra1908Galería de Arte de la Universidad Yale
Sketch for a verse: "A Bucolick or Discovre of Neatherds", Edwin Austin Abbey, n.d.Edwin Austin AbbeySketch for a verse: "A Bucolick or Discovre of Neatherds"n.d.Galería de Arte de la Universidad Yale
Study of street scene with sedan chair., Edwin Austin Abbey, 1890Edwin Austin AbbeyStudy of street scene with sedan chair.1890Galería de Arte de la Universidad Yale
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