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Dónde cuelga la obra maestra y cuándo le dejan pasar.

Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (6 museos), Paris Musées (12 museos) y Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos). Las imágenes pertenecen a sus titulares de derechos.

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  3. There Were Seven in Eight
There Were Seven in Eight, Jackson Pollock, c. 1945
Jackson Pollock, retratoJackson PollockEstados Unidos, 1912–1956

There Were Seven in Eight

c. 1945 · Painting

¿Se puede contemplar?

Por ahora no recibe

MoMA

Nueva York, Estados Unidos

Pertenece a la colección, pero ahora mismo no está expuesta.

Comprobado
hace 8 días
Fuente
El museo
En el mapaPágina del museo

Ficha

c. 1945
19121956
Número de inventario
429.1980

En el catálogo

PinturaÓleoPintura estadounidenseArte de posguerraSiglo XX

Fuentes

  • MoMA
  • Imagen: MoMA — © the artist or rights holder

Mientras tanto, en la vida de Jackson Pollock

La vida entera
  1. 1943

    The Museum of Modern Art buys “She-Wolf”

    In 1943 the Museum of Modern Art in New York bought his work “She-Wolf”; the first publications about Pollock appeared at the same time.

  2. July 1943

    Signs a contract with Peggy Guggenheim

    In July 1943 Pollock signed a gallery contract with Peggy Guggenheim and received a commission for a huge mural for the entrance of her new townhouse.

  3. 1945

    Married: Lee Krasner

  4. October 1945

    Marries Lee Krasner

    In October 1945 Pollock and Krasner were married in a church with two witnesses present.

  5. November 1945

    Moves to Springs: a house and a barn studio

    In November 1945 the couple left the city for Springs, in East Hampton on Long Island, and bought a wood-frame house and barn at 830 Springs Fireplace Road with a down-payment loan from Peggy Guggenheim. Pollock converted the barn into his studio.

  6. 1947

    The start of “drip painting”

    In 1947 Pollock began working on huge canvases laid out on the floor, splashing paint from brushes without touching the surface. He himself preferred the term “pouring technique”.

Más obras de Jackson Pollock

Todas las obras
Untitled (Western Scene), Jackson Pollock, c. 1930-33

Untitled (Western Scene)

c. 1930-33 · MoMA

Landscape with Steer, Jackson Pollock, c. 1936–37

Landscape with Steer

c. 1936–37 · MoMA

The She-Wolf, Jackson Pollock, 1943

The She-Wolf

1943 · MoMA

Number 1A, 1948, Jackson Pollock, 1948

Number 1A, 1948

1948 · MoMA

Number 7, 1951, Jackson Pollock, 1951

Number 7, 1951

1951 · Galería Nacional de Arte

Echo: Number 25, 1951, Jackson Pollock, 1951

Echo: Number 25, 1951

1951 · MoMA

Greyed Rainbow, Jackson Pollock, 1953

Greyed Rainbow

1953 · Instituto de Arte de Chicago

Untitled, Jackson Pollock, 1944

Untitled

1944 · Instituto de Arte de Chicago

Bajo el mismo techo: MoMA

Página del museo
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

La noche estrellada, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950