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Dónde cuelga la obra maestra y cuándo le dejan pasar.

Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (6 museos), Paris Musées (12 museos) y Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos). Las imágenes pertenecen a sus titulares de derechos.

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  1. Colección/
  2. Galería Nacional de Arte/
  3. The Beetle Crevice
The Beetle Crevice, George Catlin, 1854/1869
George Catlin, retratoGeorge CatlinEstados Unidos, 1796–1872

The Beetle Crevice

1854/1869 · Painting

¿Se puede contemplar?

Por ahora no recibe

Galería Nacional de Arte

Washington D. C., Estados Unidos

Pertenece a la colección, pero ahora mismo no está expuesta.

Comprobado
hace 3 días
En este estado desde
19 ago 2026
Fuente
El museo
En el mapaPágina del museo

Ficha

1854/1869
17961872
Número de inventario
1965.16.268

Lo que muestra

LandscapeSouth American IndianTumucamache (Crystal) MountainsBeetle Crevice

En el catálogo

PinturaÓleoPintura estadounidenseRealismoSiglo XIXAmerican

Fuentes

  • Galería Nacional de Arte
  • Imagen: Galería Nacional de Arte — Museum open access

Mientras tanto, en la vida de George Catlin

La vida entera
  1. 1852

    Bankruptcy and sale of the Indian Gallery

    Bankrupt through debt, he is forced to sell a large part of the collection of 607 paintings (other accounts say all of it); the Philadelphia industrialist Joseph Harrison takes the paintings and artifacts as security and stores them in a factory in Philadelphia.

  2. 1852–1857

    Travels in South and Central America

    He travels through South and Central America and then again through the Wild West, reaching Alaska (other accounts say only the American West Coast).

  3. 1852–1872

    Re-creating the lost collection

    Over the last 15–20 years of his life, despite poor health and near-total deafness, he re-creates the collection, painting more than 400 pictures; based on the outlines of his 1830s works, this second set is known as the “Cartoon Collection”.

  4. 1862

    The Breath of Life and a theory against mouth breathing

    Drawing on his observations of Native Americans, who preferred breathing through the nose (mothers closed their babies’ mouths in sleep), he sets out in this book a theory of the harm of mouth breathing; it met with skepticism in scientific and medical circles. The book was later retitled Shut Your Mouth and Save Your Life.

  5. 1868

    “Last Rambles” among the Rocky Mountains and the Andes

    In London he publishes the account of his later journeys among the Indians of the Rocky Mountains and the Andes, the record of his travels of the 1850s.

  6. 1870

    Returns to the United States

    He returns to the United States after more than three decades away (other accounts say 1871); his work still finds no buyers.

Más obras de George Catlin

Todas las obras
Distant View of the Mandan Village, George Catlin, 1832

Distant View of the Mandan Village

1832 · Museo Smithsoniano de Arte Americano

Mouth of the Platte River, 900 Miles above St. Louis, George Catlin, 1832

Mouth of the Platte River, 900 Miles above St. Louis

1832 · Museo Smithsoniano de Arte Americano

Seet-sé-be-a, Midday Sun, a Pretty Girl, George Catlin, 1832

Seet-sé-be-a, Midday Sun, a Pretty Girl

1832 · Museo Smithsoniano de Arte Americano

Jee-hé-o-hó-shah, Cannot Be Thrown Down, a Warrior, George Catlin, 1832

Jee-hé-o-hó-shah, Cannot Be Thrown Down, a Warrior

1832 · Museo Smithsoniano de Arte Americano

Te-ah'-ke-ra-lée-re-coo, The Cheyenne, a Republican Pawnee, George Catlin, 1832

Te-ah'-ke-ra-lée-re-coo, The Cheyenne, a Republican Pawnee

1832 · Museo Smithsoniano de Arte Americano

River Bluffs, 1320 Miles above St. Louis, George Catlin, 1832

River Bluffs, 1320 Miles above St. Louis

1832 · Museo Smithsoniano de Arte Americano

Peh-tó-pe-kiss, Eagle's Ribs, a Piegan Chief, George Catlin, 1832

Peh-tó-pe-kiss, Eagle's Ribs, a Piegan Chief

1832 · Museo Smithsoniano de Arte Americano

I-o-wáy, One of Black Hawk's Principal Warriors, George Catlin, 1832

I-o-wáy, One of Black Hawk's Principal Warriors

1832 · Museo Smithsoniano de Arte Americano

Bajo el mismo techo: Galería Nacional de Arte

Página del museo
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Retrato de Ginebra de Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Chica en blanco, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Granja en Provenza, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888

Sobre el mismo tema · Landscape

Todas las obras sobre el tema
Wheat Field with Cypresses, Vincent van Gogh, 1889

Vincent van Gogh

Wheat Field with Cypresses, 1889

Museo Metropolitano de Arte

Houses on the Achterzaan, Claude Monet, 1871

Claude Monet

Houses on the Achterzaan, 1871

Museo Metropolitano de Arte

Landscape with a Stone Bridge, Rembrandt van Rijn, c. 1638

Rembrandt van Rijn

El puente de piedra, c. 1638

Rijksmuseum

Hiëronymus lezend in een Italiaans landschap, Rembrandt van Rijn, c. 1653

Rembrandt van Rijn

Hiëronymus lezend in een Italiaans landschap, c. 1653

Rijksmuseum

From Glacier Point, Ansel Adams, 1927

Ansel Adams

From Glacier Point, 1927

No expuesta · Galería Nacional de Arte

Oak Tree, Snowstorm, Yosemite National Park, California, Ansel Adams, 1948, printed 1981

Ansel Adams

Oak Tree, Snowstorm, Yosemite National Park, California, 1948, printed 1981

No expuesta · Galería Nacional de Arte

High Country Crags and Moon, Sunrise, Kings Canyon National Park, California, Ansel Adams, c. 1935, printed 1979

Ansel Adams

High Country Crags and Moon, Sunrise, Kings Canyon National Park, California, c. 1935, printed 1979

No expuesta · Galería Nacional de Arte

Canyon de Chelly National Monument, Arizona, Ansel Adams, 1942, printed 1981

Ansel Adams

Canyon de Chelly National Monument, Arizona, 1942, printed 1981

No expuesta · Galería Nacional de Arte