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Dónde cuelga la obra maestra y cuándo le dejan pasar.

Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (6 museos), Paris Musées (12 museos) y Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos). Las imágenes pertenecen a sus titulares de derechos.

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  1. Colección/
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  3. From Glacier Point
From Glacier Point, Ansel Adams, 1927
Ansel Adams, retratoAnsel AdamsEstados Unidos, 1902–1984

From Glacier Point

1927 · Photograph

¿Se puede contemplar?

Por ahora no recibe

Galería Nacional de Arte

Washington D. C., Estados Unidos

Pertenece a la colección, pero ahora mismo no está expuesta.

Comprobado
hace 3 días
En este estado desde
19 ago 2026
Fuente
El museo
En el mapaPágina del museo

Ficha

1927 · a los 25 años
19021984
Número de inventario
2006.133.1

Lo que muestra

LandscapeUnited StatesÁrbolYosemite National Park

En el catálogo

FotografíaGelatina de plataModernismoSiglo XXAmerican

Fuentes

  • Galería Nacional de Arte
  • Imagen: Galería Nacional de Arte — © the artist or rights holder

Mientras tanto, en la vida de Ansel Adams

La vida entera
  1. 1920s

    Cedric Wright, friend and mentor

    In his twenties Adams has many musical friends, among them the violinist and amateur photographer Cedric Wright, who becomes his best friend and philosophical mentor; their shared philosophy comes from Edward Carpenter's “Towards Democracy,” which endorses the pursuit of beauty in life and art. For years Adams carries a pocket edition of the book with him.

  2. by 1925

    Rejecting pictorialism for good

    In the mid-1920s, when pictorialism with its soft focus and diffused light is the fashion, Adams experiments with its techniques and with the bromoil process, and gives up hand-coloring in 1923. By 1925 he has rejected pictorialism altogether in favor of a more realistic approach: sharp focus, heightened contrast, precise exposure and darkroom craftsmanship.

  3. 1927

    Albert Bender and the first portfolio

    In 1927 Adams begins working with the San Francisco insurance magnate and arts patron Albert Bender, who helps him produce his first portfolio in the new manner, “Parmelian Prints of the High Sierras,” which earns nearly $3,900. At Bender's invitation Adams joins the Roxburghe Club, an association devoted to fine printing and high standards in the book arts, and the wealthy patrons who bought the portfolio soon commission portraits from him.

  4. 1928

    Marriage to Virginia Best

    In 1928 Adams marries Virginia Best, the daughter of the Yosemite landscape painter Harry Best, on whose old square piano he had practised in the studio in the valley. To save money the newlyweds move in with his parents, and the following year they have a home built next door, connected to the older house by a hallway.

Más obras de Ansel Adams

Todas las obras
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Rock, Bakers Beach, San Francisco, California

c. 1931 · MoMA

Bridgeport Valley, Flooded Meadow, Ansel Adams, n.d.

Bridgeport Valley, Flooded Meadow

n.d. · No expuesta · MoMA

Leaves, near Bishop, California, Ansel Adams, n.d.

Leaves, near Bishop, California

n.d. · No expuesta · MoMA

From Glacier Point, Yosemite, Ansel Adams, n.d.

From Glacier Point, Yosemite

n.d. · No expuesta · MoMA

Cliffs in Paradise Valley, Ansel Adams, n.d.

Cliffs in Paradise Valley

n.d. · No expuesta · MoMA

Sierra Juniper, Ansel Adams, n.d.

Sierra Juniper

n.d. · No expuesta · MoMA

Door, Abandoned Church, Sierra Foothills, Ansel Adams, n.d.

Door, Abandoned Church, Sierra Foothills

n.d. · No expuesta · MoMA

Rocks, Sierra Foothills, California, Ansel Adams, n.d.

Rocks, Sierra Foothills, California

n.d. · No expuesta · MoMA

Bajo el mismo techo: Galería Nacional de Arte

Página del museo
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Retrato de Ginebra de Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Chica en blanco, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Granja en Provenza, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888

Sobre el mismo tema · Landscape

Todas las obras sobre el tema
Wheat Field with Cypresses, Vincent van Gogh, 1889

Vincent van Gogh

Wheat Field with Cypresses, 1889

Museo Metropolitano de Arte

Houses on the Achterzaan, Claude Monet, 1871

Claude Monet

Houses on the Achterzaan, 1871

Museo Metropolitano de Arte

Landscape with a Stone Bridge, Rembrandt van Rijn, c. 1638

Rembrandt van Rijn

El puente de piedra, c. 1638

Rijksmuseum

Hiëronymus lezend in een Italiaans landschap, Rembrandt van Rijn, c. 1653

Rembrandt van Rijn

Hiëronymus lezend in een Italiaans landschap, c. 1653

Rijksmuseum

Oak Tree, Snowstorm, Yosemite National Park, California, Ansel Adams, 1948, printed 1981

Ansel Adams

Oak Tree, Snowstorm, Yosemite National Park, California, 1948, printed 1981

No expuesta · Galería Nacional de Arte

High Country Crags and Moon, Sunrise, Kings Canyon National Park, California, Ansel Adams, c. 1935, printed 1979

Ansel Adams

High Country Crags and Moon, Sunrise, Kings Canyon National Park, California, c. 1935, printed 1979

No expuesta · Galería Nacional de Arte

Canyon de Chelly National Monument, Arizona, Ansel Adams, 1942, printed 1981

Ansel Adams

Canyon de Chelly National Monument, Arizona, 1942, printed 1981

No expuesta · Galería Nacional de Arte

High Country Crags and Moon, Sunrise, Kings Canyon National Park, California, Ansel Adams, c. 1935, printed 1979

Ansel Adams

High Country Crags and Moon, Sunrise, Kings Canyon National Park, California, c. 1935, printed 1979

No expuesta · Galería Nacional de Arte