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Marina Piccola, Capri, William Stanley Haseltine, c. 1858
William Stanley Haseltine, retratoWilliam Stanley HaseltineEstados Unidos, 1835–1900

Marina Piccola, Capri

c. 1858 · Painting

¿Puedo verla?

No expuesta por ahora

¿Dónde está «Marina Piccola, Capri» hoy? Colección: Galería Nacional de Arte, Washington D. C. No expuesta por ahora. Comprobado 29 de septiembre de 2026.

Galería Nacional de Arte

Washington D. C., Estados Unidos

Pertenece a la colección, pero ahora mismo no está expuesta.

Comprobado
En este estado desde
Fuente
El museo
En el mapaPágina del museo

Ficha

Número de inventario
1953.10.1

Lo que muestra

ItaliaCoastCapriMarina Piccola

En el catálogo

PinturaÓleoPintura estadounidenseRealismoSiglo XIXAmericanRomantic

Fuentes

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Narragansett Bay, William Stanley Haseltine, 1864

Narragansett Bay

1864 · Galería Nacional de Arte

Natural Arch at Capri, William Stanley Haseltine, 1871

Natural Arch at Capri

1871 · Galería Nacional de Arte

Lago Maggiore, William Stanley Haseltine, ca. 1867

Lago Maggiore

ca. 1867 · Museo Smithsoniano de Arte Americano

Shipping Along the Molo in Venice, William Stanley Haseltine

Shipping Along the Molo in Venice

No expuesta · Galería Nacional de Arte

Shag Rocks, Nahant, Massachusetts, William Stanley Haseltine, 1860-1865

Shag Rocks, Nahant, Massachusetts

1860-1865 · No expuesta · Galería Nacional de Arte

Rocklined Beach with Distant Boats, William Stanley Haseltine, probably 1860/1869

Rocklined Beach with Distant Boats

probably 1860/1869 · No expuesta · Galería Nacional de Arte

A Venetian Lagoon, William Stanley Haseltine, 1871/1874

A Venetian Lagoon

1871/1874 · No expuesta · Galería Nacional de Arte

View across the Giudecca Canal toward the Salute and the Campanile of San Marco, William Stanley Haseltine, c. 1875

View across the Giudecca Canal toward the Salute and the Campanile of San Marco

c. 1875 · No expuesta · Galería Nacional de Arte

También en sala: Galería Nacional de Arte

Página del museo
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Retrato de Ginebra de Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Chica en blanco, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Granja en Provenza, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888

Sobre el mismo tema · Italia

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Palazzo da Mula, Venice, Claude Monet, 1908

Claude Monet

Palazzo da Mula, Venice, 1908

Galería Nacional de Arte

Landscape with Large Roman Ruins, Schelte Adams Bolswert after Sir Peter Paul Rubens, c. 1638

Peter Paul Rubens

Landscape with Large Roman Ruins, c. 1638

No expuesta · Galería Nacional de Arte

Wise-eyed Alan Ansen, Polymath expatriate & eccentric, at San Sammuelle motorscaffe station, half-street from his apartment 3219 della Carrozza where Peter Orlovsky & I spent happy summer 1957- Ansen also hosted Wm. Burroughs & Gregory Corso. Harvard Classics summa cum laude 1942, Poet, critic, he was secretary & Prosodic Conscience to W.H. Auden during early 40’s _Age of Anxiety_, thereafter lifelong intimate of Auden & companion Chester Kallman-- as with William Burroughs whose _Naked Lunch_ & later ravings he helped type & edit in Tangier 1957 & 1961. A familiar at San Remo village bar & Kerouac's companions' revels in late 1940's, he's sketched as "Rollo Grab" in _On the Road_, "Ronald Swenson" in _Visons of Cody_ and _Book of Dreams_, "Austin Bromberg" in _The Subterraneans_ & Amadeus Baroque, _Doctor Sex_...., Allen Ginsberg, 1957, printed 1995

Allen Ginsberg

Wise-eyed Alan Ansen, Polymath expatriate & eccentric, at San Sammuelle motorscaffe station, half-street from his apartment 3219 della Carrozza where Peter Orlovsky & I spent happy summer 1957- Ansen also hosted Wm. Burroughs & Gregory Corso. Harvard Classics summa cum laude 1942, Poet, critic, he was secretary & Prosodic Conscience to W.H. Auden during early 40’s _Age of Anxiety_, thereafter lifelong intimate of Auden & companion Chester Kallman-- as with William Burroughs whose _Naked Lunch_ & later ravings he helped type & edit in Tangier 1957 & 1961. A familiar at San Remo village bar & Kerouac's companions' revels in late 1940's, he's sketched as "Rollo Grab" in _On the Road_, "Ronald Swenson" in _Visons of Cody_ and _Book of Dreams_, "Austin Bromberg" in _The Subterraneans_ & Amadeus Baroque, _Doctor Sex_...., 1957, printed 1995

No expuesta · Galería Nacional de Arte

Venice: The Dogana and San Giorgio Maggiore, Joseph Mallord William Turner, 1834

Joseph Mallord William Turner

Venice: The Dogana and San Giorgio Maggiore, 1834

Galería Nacional de Arte

The Dogana and Santa Maria della Salute, Venice, Joseph Mallord William Turner, 1843

Joseph Mallord William Turner

The Dogana and Santa Maria della Salute, Venice, 1843

No expuesta · Galería Nacional de Arte

Approach to Venice, Joseph Mallord William Turner, 1844

Joseph Mallord William Turner

Approach to Venice, 1844

Galería Nacional de Arte

The Villa Imperiale, Venetian 16th Century, Probably Titian, 1530s

Titian

The Villa Imperiale, 1530s

No expuesta · Galería Nacional de Arte

Landscape with a Mill, Dominique Barrière after Titian, c. 1650

Titian

Landscape with a Mill, c. 1650

No expuesta · Galería Nacional de Arte