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Natural Arch at Capri, William Stanley Haseltine, 1871
William Stanley Haseltine, retratoWilliam Stanley HaseltineEstados Unidos, 1835–1900

Natural Arch at Capri

1871 · Painting

¿Puedo verla?

Sí, expuesta ahora

¿Dónde está «Natural Arch at Capri» hoy? Galería Nacional de Arte, Sala 67 · Edificio Oeste, planta principal, Washington D. C. Sí, expuesta ahora. Comprobado 29 de septiembre de 2026.

Galería Nacional de Arte

Washington D. C., Estados Unidos

Sala67 · Edificio Oeste, planta principal

Cerrado· abre a las 10:00

Expuesta al público.

Comprobado
En este estado desde
Fuente
El museo
En el mapaPágina del museo

Ficha

Número de inventario
1989.13.1

Lo que muestra

ItaliaCoastCapri

En el catálogo

PinturaÓleoPintura estadounidenseRealismoImpresionismoSiglo XIXAmericanRomanticMarinas

Fuentes

Más obras de William Stanley Haseltine

Todas las obras
Narragansett Bay, William Stanley Haseltine, 1864

Narragansett Bay

1864 · Galería Nacional de Arte

Lago Maggiore, William Stanley Haseltine, ca. 1867

Lago Maggiore

ca. 1867 · Museo Smithsoniano de Arte Americano

Shipping Along the Molo in Venice, William Stanley Haseltine

Shipping Along the Molo in Venice

No expuesta · Galería Nacional de Arte

Marina Piccola, Capri, William Stanley Haseltine, c. 1858

Marina Piccola, Capri

c. 1858 · No expuesta · Galería Nacional de Arte

Shag Rocks, Nahant, Massachusetts, William Stanley Haseltine, 1860-1865

Shag Rocks, Nahant, Massachusetts

1860-1865 · No expuesta · Galería Nacional de Arte

Rocklined Beach with Distant Boats, William Stanley Haseltine, probably 1860/1869

Rocklined Beach with Distant Boats

probably 1860/1869 · No expuesta · Galería Nacional de Arte

A Venetian Lagoon, William Stanley Haseltine, 1871/1874

A Venetian Lagoon

1871/1874 · No expuesta · Galería Nacional de Arte

View across the Giudecca Canal toward the Salute and the Campanile of San Marco, William Stanley Haseltine, c. 1875

View across the Giudecca Canal toward the Salute and the Campanile of San Marco

c. 1875 · No expuesta · Galería Nacional de Arte

En la misma sala · M-067, Galería Nacional de Arte

Página del museo
Buffalo Trail: The Impending Storm, Albert Bierstadt, 1869

Albert Bierstadt

Buffalo Trail: The Impending Storm, 1869

El Rio de Luz (The River of Light), Frederic Edwin Church, 1877

Frederic Edwin Church

El Rio de Luz (The River of Light), 1877

Beach at Beverly, John Frederick Kensett, c. 1869/1872

John Frederick Kensett

Beach at Beverly, c. 1869/1872

View on the Genesee near Mount Morris, John Frederick Kensett, 1857

John Frederick Kensett

View on the Genesee near Mount Morris, 1857

Beacon Rock, Newport Harbor, John Frederick Kensett, 1857

John Frederick Kensett

Beacon Rock, Newport Harbor, 1857

The Much Resounding Sea, Thomas Moran, 1884

Thomas Moran

The Much Resounding Sea, 1884

Green River Cliffs, Wyoming, Thomas Moran, 1881

Thomas Moran

Green River Cliffs, Wyoming, 1881

Ruins of the Parthenon, Sanford Robinson Gifford, 1880

Sanford Robinson Gifford

Ruins of the Parthenon, 1880

Sobre el mismo tema · Italia

Todas las obras sobre el tema
Palazzo da Mula, Venice, Claude Monet, 1908

Claude Monet

Palazzo da Mula, Venice, 1908

Galería Nacional de Arte

Landscape with Large Roman Ruins, Schelte Adams Bolswert after Sir Peter Paul Rubens, c. 1638

Peter Paul Rubens

Landscape with Large Roman Ruins, c. 1638

No expuesta · Galería Nacional de Arte

Wise-eyed Alan Ansen, Polymath expatriate & eccentric, at San Sammuelle motorscaffe station, half-street from his apartment 3219 della Carrozza where Peter Orlovsky & I spent happy summer 1957- Ansen also hosted Wm. Burroughs & Gregory Corso. Harvard Classics summa cum laude 1942, Poet, critic, he was secretary & Prosodic Conscience to W.H. Auden during early 40’s _Age of Anxiety_, thereafter lifelong intimate of Auden & companion Chester Kallman-- as with William Burroughs whose _Naked Lunch_ & later ravings he helped type & edit in Tangier 1957 & 1961. A familiar at San Remo village bar & Kerouac's companions' revels in late 1940's, he's sketched as "Rollo Grab" in _On the Road_, "Ronald Swenson" in _Visons of Cody_ and _Book of Dreams_, "Austin Bromberg" in _The Subterraneans_ & Amadeus Baroque, _Doctor Sex_...., Allen Ginsberg, 1957, printed 1995

Allen Ginsberg

Wise-eyed Alan Ansen, Polymath expatriate & eccentric, at San Sammuelle motorscaffe station, half-street from his apartment 3219 della Carrozza where Peter Orlovsky & I spent happy summer 1957- Ansen also hosted Wm. Burroughs & Gregory Corso. Harvard Classics summa cum laude 1942, Poet, critic, he was secretary & Prosodic Conscience to W.H. Auden during early 40’s _Age of Anxiety_, thereafter lifelong intimate of Auden & companion Chester Kallman-- as with William Burroughs whose _Naked Lunch_ & later ravings he helped type & edit in Tangier 1957 & 1961. A familiar at San Remo village bar & Kerouac's companions' revels in late 1940's, he's sketched as "Rollo Grab" in _On the Road_, "Ronald Swenson" in _Visons of Cody_ and _Book of Dreams_, "Austin Bromberg" in _The Subterraneans_ & Amadeus Baroque, _Doctor Sex_...., 1957, printed 1995

No expuesta · Galería Nacional de Arte

Venice: The Dogana and San Giorgio Maggiore, Joseph Mallord William Turner, 1834

Joseph Mallord William Turner

Venice: The Dogana and San Giorgio Maggiore, 1834

Galería Nacional de Arte

The Dogana and Santa Maria della Salute, Venice, Joseph Mallord William Turner, 1843

Joseph Mallord William Turner

The Dogana and Santa Maria della Salute, Venice, 1843

No expuesta · Galería Nacional de Arte

Approach to Venice, Joseph Mallord William Turner, 1844

Joseph Mallord William Turner

Approach to Venice, 1844

Galería Nacional de Arte

The Villa Imperiale, Venetian 16th Century, Probably Titian, 1530s

Titian

The Villa Imperiale, 1530s

No expuesta · Galería Nacional de Arte

Landscape with a Mill, Dominique Barrière after Titian, c. 1650

Titian

Landscape with a Mill, c. 1650

No expuesta · Galería Nacional de Arte