La Promenade, Henri Edmond Cross, 1897
Henri Edmond Cross, retratoHenri Edmond CrossFrancia, 1856–1910

La Promenade

1897 · Print

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¿Dónde está «La Promenade» hoy? Colección: Galería Nacional de Arte, Washington D. C. No expuesta por ahora. Comprobado 29 de septiembre de 2026.

Galería Nacional de Arte

Washington D. C., Estados Unidos

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Número de inventario
1963.11.86

Lo que muestra

En el catálogo

Fuentes

En la vida de Henri Edmond Cross

La vida entera
  1. 1890s

    Meets Fénéon, Gide and Verhaeren

    In the 1890s he works alongside Signac and gets to know the writers and critics Félix Fénéon, André Gide and Emile Verhaeren.

  2. c. 1895

    Moves from Pointillism to a mosaic-like brushstroke

    From about 1895 he gradually changes his technique: instead of tiny dots, broad blocky brushstrokes with small areas of bare canvas left between them. The surfaces resemble mosaics, and such paintings are seen as precursors of Fauvism and Cubism.

  3. 1895

    Shows at La Libre Esthétique at Maus’s invitation

    Octave Maus, who had earlier invited him to the annual exhibitions of Les XX, invites him to the Libre Esthétique show; Cross takes part again in 1897, 1901, 1904, 1908 and 1909.

  4. 1896

    Lithograph “The Wanderer” for an anarchist journal

    The lithograph “L’Errant” (“The Wanderer”), his first work with a publisher, appeared anonymously in Jean Grave’s anarchist journal Les Temps Nouveaux. Like Signac and Pissarro, Cross held anarchist principles, and they shaped his choice of subjects — scenes of a utopian world.

  5. 1898

    The first Neo-Impressionist exhibition in Germany

    In 1898, together with Signac, Maximilien Luce and Théo van Rysselberghe, he takes part in the first Neo-Impressionist exhibition in Germany, organized by Harry Kessler at the Keller und Reiner Gallery.

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