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  3. Thatched Cottages and Houses
Thatched Cottages and Houses, Vincent van Gogh, 05.1890
Vincent van Gogh, retratoVincent van GoghPaíses Bajos, 1853–1890

Thatched Cottages and Houses

05.1890 · Painting · 59 × 72 cm

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Museo del Hermitage

San Petersburgo, Rusia

Sala413

Expuesta al público. Quién lo avala figura más abajo.

Comprobado
29 ago 2026
En este estado desde
30 ago 2026
Fuente
El museo
En el mapaPágina del museo

Sobre el cuadro

Thatched Cottages at Cordeville, 1890 or Chaumes de Cordeville à Auvers-sur-Oise (literally Thatches of Cordeville at Auvers-sur-Oise) is an oil painting by Vincent van Gogh that was painted in May 1890 while living in Auvers-sur-Oise, France.

Van Gogh spent the last few months of his life in Auvers-sur-Oise, a small town just north of Paris, after he left the asylum in Saint-Rémy in May 1890.

Thatched Cottage of Cordeville, 1890 or Chaumes de Cordeville à Auvers-sur-Oise (literally Thatches of Cordeville at Auvers-sur-Oise) is thought to be the study he mentions in his letter of 21 May 1890 to his brother Theo and wife Jo immediately after arriving in Auvers:"... when I wrote to you I hadn’t yet done anything. Now I have a study of old thatched roofs with a field of peas in flower and some wheat in the foreground, hilly background. A study which I think you’ll like."

Seguir leyendo

Hulsker believes the painting is amongst a group of 20 or so works executed by Vincent immediately after his arrival in Auvers, May 20, and the remainder of the month:"... we immediately see in this painting the bright colours that, generally speaking, are characteristic of the Auvers period and differentiate them somewhat from the paintings done in Saint-Rémy - although there is naturally no question of a real break with the past from one week to the next."

The painting is in the Musee d'Orsay.

See Van Gogh, Artistic breakthrough and final years, Auves-sur-Oise

Wikipedia · CC BY-SA

En palabras del museo — en ruso

Картина была написана в Овере, незадолго до ухода Ван Гога из жизни. Мотив с крестьянскими хижинами неоднократно привлекал художника. "На мой взгляд, самое замечательное из того, что я знаю в области архитектуры, - это хижины с крышей из обомшелой соломы и закопченным очагом", - писал Ван Гог в одном из писем. Крыши, крытые соломой, составляют такую же органичную часть природы, как холмы, поля и небо. Холмистый рельеф реальной натуры дал живописцу возможность выявить и усилить динамику пространства. Напряженные, частью волнообразные мазки и линии не только передают спады и подъемы, но и создают экспрессию, которая усиливается цветовыми контрастами. Эта живопись создана кистью, выразившей мятущуюся душу художника, его драматическое мироощущение.

Museo del Hermitage

Ficha

05.1890 · a los 37 años
18531890
Número de inventario
ГЭ-9117

En el catálogo

PinturaÓleoPintura neerlandesaImpresionismoSiglo XIXFrancia

Fuentes

  • Museo del Hermitage
  • Imagen: Museo del Hermitage — Museum open access

Mientras tanto, en la vida de Vincent van Gogh

La vida entera
  1. February 1888

    To Arles, dreaming of a “Studio of the South”

    The public still neither accepted nor bought his paintings, and in February 1888 Van Gogh left for Arles in the south of France to found a “Studio of the South”, a brotherhood of like-minded artists in which he gave Gauguin the leading role. Theo backed the plan with money.

  2. 23 October 1888

    Gauguin arrives in Arles

    After much pleading Gauguin arrived in Arles, and in November the two painted together: Gauguin portrayed Van Gogh in “The Painter of Sunflowers”, and their first joint outing was to the Alyscamps. At Gauguin's suggestion Vincent painted from memory, producing “Memory of the Garden at Etten”.

  3. 23 December 1888

    The severed ear

    After an altercation on the evening of 23 December, Van Gogh, seemingly hearing voices, severed his left ear, wholly or in part, with a razor and delivered it, wrapped in paper, to a woman at a brothel. Next morning a policeman found him unconscious; in hospital he was diagnosed with “acute mania with generalised delirium”.

  4. May 1889

    Voluntarily into the Saint-Paul asylum

    Van Gogh left Arles and voluntarily entered the Saint-Paul-de-Mausole asylum, a former monastery in Saint-Rémy-de-Provence, accompanied by the Protestant clergyman Frédéric Salles. Of his two cells with barred windows one became a studio, and the clinic and its garden became the main subjects of his paintings.

  5. 27 July 1890

    A fatal wound: a revolver shot

    Out painting, Van Gogh shot himself in the chest with a revolver he had bought to scare off birds while working outdoors; the bullet passed below his heart, and he made his own way back to his room at the inn. Theo arrived the next day and stayed with him to the end; according to Theo, Vincent's last words were: “The sadness will last forever.”

  6. 29 de julio de 1890

    Died

Más obras de Vincent van Gogh

Todas las obras
Self-Portrait with a Straw Hat (obverse: The Potato Peeler), Vincent van Gogh, 1887

Self-Portrait with a Straw Hat (obverse: The Potato Peeler)

1887 · Museo Metropolitano de Arte

Self-portrait, Vincent van Gogh, 1887

Self-portrait

1887 · Rijksmuseum

Madame Roulin and Her Baby, Vincent van Gogh, 1888

Madame Roulin and Her Baby

1888 · Museo Metropolitano de Arte

Wheat Field with Cypresses, Vincent van Gogh, 1889

Wheat Field with Cypresses

1889 · Museo Metropolitano de Arte

Olive Trees, Vincent van Gogh, 1889

Olive Trees

1889 · Instituto de Artes de Mineápolis

Irises, Vincent van Gogh, 1890

Irises

1890 · Museo Metropolitano de Arte

Het Singel bij de Lutherse Kerk te Amsterdam, Vincent van Gogh, 1885

Het Singel bij de Lutherse Kerk te Amsterdam

1885 · Rijksmuseum

The Potato Peeler (reverse: Self-Portrait with a Straw Hat), Vincent van Gogh, 1885

The Potato Peeler (reverse: Self-Portrait with a Straw Hat)

1885 · Museo Metropolitano de Arte

En la misma sala · Зал 413, Museo del Hermitage

Página del museo
Morning. Going to Work (after Millet ), Vincent van Gogh, 01.1890

Vincent van Gogh

Morning. Going to Work (after Millet ), 01.1890

Casa blanca por la noche, Vincent van Gogh, 1890

Vincent van Gogh

Casa blanca por la noche, 1890

Landscape with House and Ploughman, Vincent van Gogh, 01.12.1889

Vincent van Gogh

Landscape with House and Ploughman, 01.12.1889

Portrait de Madame Trabuc, Vincent van Gogh, 09.1889

Vincent van Gogh

Portrait de Madame Trabuc, 09.1889

Lilac Bush, Vincent van Gogh, 05.1889

Vincent van Gogh

Lilac Bush, 05.1889

Las Arenas de Arlés, Vincent van Gogh, 1888

Vincent van Gogh

Las Arenas de Arlés, 1888

Memory of the Garden at Etten, Vincent van Gogh, 11.1888

Vincent van Gogh

Memory of the Garden at Etten, 11.1888