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Dónde cuelga la obra maestra y cuándo le dejan pasar.

Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (6 museos), Paris Musées (12 museos) y Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos). Las imágenes pertenecen a sus titulares de derechos.

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  3. In the Spring
In the Spring, Grant Wood, 1939
Grant Wood, retratoGrant WoodEstados Unidos, 1891–1942

In the Spring

1939 · Print

¿Se puede contemplar?

Sí, recibe visitas

MoMA

Nueva York, Estados Unidos

SalaMoMA, Floor 5, 521

Expuesta al público. Quién lo avala figura más abajo.

Comprobado
hace 16 días
Fuente
El museo
En el mapaPágina del museo

Ficha

1939 · a los 48 años
18911942
Número de inventario
1099.1979

Mientras tanto, en la vida de Grant Wood

La vida entera
  1. 1930s

    Helps Curry and Benton return to the Midwest

    John Steuart Curry and Thomas Hart Benton, who with Wood are the artists most associated with Regionalism, returned to the Midwest thanks to his encouragement; he helped them find teaching positions at colleges, Curry in Wisconsin and Benton in Missouri.

  2. 1934–1941

    A colleague, Lester Longman, tries to get Wood fired

    Wood was a closeted homosexual, and a colleague at the university, Lester Longman, made an unsuccessful attempt to have him fired on explicit moral grounds and for his advocacy of regionalism. The university administration dismissed the allegations.

  3. 1934–1941

    Mentor to students, among them Elizabeth Catlett

    At the university Wood supervised mural-painting projects, mentored students including Elizabeth Catlett, produced works of his own and became a key part of the university’s cultural community.

  4. 1935–1938

    Marriage to Sara Sherman Maxon

    From 1935 to 1938 Wood was married to Sara Sherman Maxon; friends considered the marriage a mistake for him.

  5. 1940

    Hired to depict the filming of “The Long Voyage Home”

    In 1940 Wood and eight other prominent American artists were hired to document and interpret dramatic scenes and characters during the production of “The Long Voyage Home”, a film adaptation of Eugene O’Neill’s plays.

Más obras de Grant Wood

Todas las obras

En la misma sala · MoMA, Floor 5, 521, MoMA

Página del museo
  • 1941

    Growing health problems; the end of his teaching

    Wood’s teaching at the University of Iowa School of Art ended in 1941; he would have returned as a professor if not for his growing health problems.

  • En el catálogo

    EstampasLitografíaModernismoSiglo XX

    Fuentes

    • MoMA
    • Imagen: MoMA — © the artist or rights holder
    American Gothic, Grant Wood, 1930

    American Gothic

    1930 · Instituto de Arte de Chicago

    The Midnight Ride of Paul Revere, Grant Wood, 1931

    The Midnight Ride of Paul Revere

    1931 · Museo Metropolitano de Arte

    January, Grant Wood, 1940–41

    January

    1940–41 · Museo de Arte de Cleveland

    The Birthplace of Herbert Hoover, West Branch, Iowa, Grant Wood, 1931

    The Birthplace of Herbert Hoover, West Branch, Iowa

    1931 · No expuesta · Instituto de Artes de Mineápolis

    Shriners' Quartet, Grant Wood, 1933

    Shriners' Quartet

    1933 · No expuesta · MoMA

    Honorary Degree, Grant Wood, 1937

    Honorary Degree

    1937 · No expuesta · MoMA

    New Road, Grant Wood, 1939

    New Road

    1939 · No expuesta · Galería Nacional de Arte

    Haying, Grant Wood, 1939

    Haying

    1939 · No expuesta · Galería Nacional de Arte

    Landscape with Steer, Jackson Pollock, c. 1936–37

    Jackson Pollock

    Landscape with Steer, c. 1936–37

    House by the Railroad, Edward Hopper, 1925

    Edward Hopper

    House by the Railroad, 1925

    Christina's World, Andrew Wyeth, 1948

    Andrew Wyeth

    Christina's World, 1948

    Man Reading, Louise Bourgeois, 1940–44

    Louise Bourgeois

    Man Reading, 1940–44

    Apartment, Isamu Noguchi, Kamakura, 1952

    Isamu Noguchi

    Apartment, Kamakura, 1952

    Gladiators, Philip Guston, 1940

    Philip Guston

    Gladiators, 1940

    Kenneth Fearing, Alice Neel, 1935

    Alice Neel

    Kenneth Fearing, 1935

    Homestead, Thomas Hart Benton, 1938

    Thomas Hart Benton

    Homestead, 1938