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Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (6 museos), Paris Musées (12 museos) y Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos). Las imágenes pertenecen a sus titulares de derechos.

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  3. January
January, Grant Wood, 1940–41

January

1940–41 · Painting

Sobre el cuadro

One of the last paintings Wood created before his untimely death from liver cancer, January has a decidedly nostalgic cast. According to the artist, the painting was "deeply rooted in the memories of my early childhood on an Iowa farm. . . . it is a land of plenty here which seems to rest, rather than suffer, under the cold." One sign of activity, in the form of rabbit tracks, infiltrates the otherwise dormant scene. Wood’s composition teems with abstract design, most notably through the rhythmically geometric array of snow-laden corn shocks that seem to recede infinitely into the distance.

Museo de Arte de Cleveland

Ficha

1940–41
18911942
Número de inventario
2002.2

Mientras tanto, en la vida de Grant Wood

La vida entera
  1. 1930s

    Helps Curry and Benton return to the Midwest

    John Steuart Curry and Thomas Hart Benton, who with Wood are the artists most associated with Regionalism, returned to the Midwest thanks to his encouragement; he helped them find teaching positions at colleges, Curry in Wisconsin and Benton in Missouri.

  2. 1934–1941

    A colleague, Lester Longman, tries to get Wood fired

    Wood was a closeted homosexual, and a colleague at the university, Lester Longman, made an unsuccessful attempt to have him fired on explicit moral grounds and for his advocacy of regionalism. The university administration dismissed the allegations.

  3. 1934–1941

    Mentor to students, among them Elizabeth Catlett

    At the university Wood supervised mural-painting projects, mentored students including Elizabeth Catlett, produced works of his own and became a key part of the university’s cultural community.

  4. 1935–1938

    Marriage to Sara Sherman Maxon

    From 1935 to 1938 Wood was married to Sara Sherman Maxon; friends considered the marriage a mistake for him.

  5. 1940

    Hired to depict the filming of “The Long Voyage Home”

    In 1940 Wood and eight other prominent American artists were hired to document and interpret dramatic scenes and characters during the production of “The Long Voyage Home”, a film adaptation of Eugene O’Neill’s plays.

Más obras de Grant Wood

Todas las obras

En la misma sala · 226B American Modern, Museo de Arte de Cleveland

Página del museo
  • 12 de febrero de 1942

    Died

  • Grant Wood, retratoGrant WoodEstados Unidos, 1891–1942

    ¿Se puede contemplar?

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    Museo de Arte de Cleveland

    Cleveland, Estados Unidos

    Sala226B American Modern

    Expuesta al público. Quién lo avala figura más abajo.

    Comprobado
    hace 9 días
    En este estado desde
    19 ago 2026
    Fuente
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    En el mapaPágina del museo

    En el catálogo

    PinturaÓleoPintura estadounidenseModernismoSiglo XXAmérica

    Fuentes

    • Museo de Arte de Cleveland
    • Imagen: Wikimedia Commons — Public domain
    American Gothic, Grant Wood, 1930

    American Gothic

    1930 · Instituto de Arte de Chicago

    The Midnight Ride of Paul Revere, Grant Wood, 1931

    The Midnight Ride of Paul Revere

    1931 · Museo Metropolitano de Arte

    In the Spring, Grant Wood, 1939

    In the Spring

    1939 · MoMA

    The Birthplace of Herbert Hoover, West Branch, Iowa, Grant Wood, 1931

    The Birthplace of Herbert Hoover, West Branch, Iowa

    1931 · No expuesta · Instituto de Artes de Mineápolis

    Shriners' Quartet, Grant Wood, 1933

    Shriners' Quartet

    1933 · No expuesta · MoMA

    Honorary Degree, Grant Wood, 1937

    Honorary Degree

    1937 · No expuesta · MoMA

    New Road, Grant Wood, 1939

    New Road

    1939 · No expuesta · Galería Nacional de Arte

    Haying, Grant Wood, 1939

    Haying

    1939 · No expuesta · Galería Nacional de Arte

    Fulton and Nostrand, Jacob Lawrence, 1958

    Jacob Lawrence

    Fulton and Nostrand, 1958

    White and Steel Polars, Theodore Roszak, 1945

    Theodore Roszak

    White and Steel Polars, 1945

    Gray and Gold, John Rogers Cox, 1942

    John Rogers Cox

    Gray and Gold, 1942

    Gamin, Augusta Savage, c. 1929

    Augusta Savage

    Gamin, c. 1929

    Blue Bay, Milton Avery, 1960

    Milton Avery

    Blue Bay, 1960

    Composition Concrete (Study for Mural), Stuart Davis, 1957–1960

    Stuart Davis

    Composition Concrete (Study for Mural), 1957–1960

    A Bird in the Room, Kay Sage, 1955

    Kay Sage

    A Bird in the Room, 1955

    Musical Chairs, Dorothea Tanning, 1951

    Dorothea Tanning

    Musical Chairs, 1951