ART WIKI32.963 en sala
MapaColecciónArtistasMuseosExposicionesRevista
Acceder

ART WIKI

Dónde cuelga la obra maestra y cuándo le dejan pasar.

Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (6 museos), Paris Musées (12 museos) y Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos). Las imágenes pertenecen a sus titulares de derechos.

Secciones

  • Mapa
  • Búsqueda
  • Colección
  • Obras maestras
  • Expuestas ahora
  • Artistas

Más

  • Museos y galerías
  • Exposiciones
  • Revista
  • De dónde salen los datos
  • Privacidad y cookies
InicioMapaCatálogo
  1. Colección/
  2. Museo de Victoria y Alberto/
  3. Hampstead Heath, Branch Hill Pond
Hampstead Heath, Branch Hill Pond, John Constable, 1828
John Constable, retratoJohn ConstableReino Unido, 1776–1837

Hampstead Heath, Branch Hill Pond

1828 · Oil painting · 34.7 × 24.2 cm

¿Se puede contemplar?

Por ahora no recibe

Museo de Victoria y Alberto

Londres, Reino Unido

Pertenece a la colección, pero ahora mismo no está expuesta.

Comprobado
hace 12 días
En este estado desde
25 sept 2026
Fuente
El museo
En el mapaPágina del museo

Sobre el cuadro

Hampstead Heath, Branch Hill Pond is an 1828 landscape painting by the British artist John Constable. It features a view of Branch Hill. It was a favourite view of Constable, who lived nearby, and featured frequently in his work with different compositions. This version notably features a horse and buggy in the foreground. The painting was displayed at the Royal Academy Exhibition of 1828 held at Somerset House. It was acquired by the art collector John Sheepshanks who donated it to the Victoria and Albert Museum in 1857 as part of the Sheepshanks Gift. The engraver David Lucas produced an 1831 mezzotint based on the painting.

Another, different version of the landscape that was produced the same year is now in the Cleveland Museum of Art in Ohio.

Wikipedia · CC BY-SA

En palabras del museo

Constable painted several versions of this composition. It is based on an oil sketch. The finished painting may be that praised by a critic as 'A rich and varied piece of colouring…A shower has apparently just passed over, and a few flitting clouds throw their flickering lights and shades over the country'.

Museo de Victoria y Alberto

Ficha

1828 · a los 52 años
17761837
Número de inventario
FA.35[O]

Lo que muestra

PondLandscapes (representations)Branch Hill Pond

En el catálogo

PinturaÓleoPintura británicaNeoclasicismoRomanticismoSiglo XIXBritish SchoolGran Bretaña

Fuentes

  • Museo de Victoria y Alberto
  • Imagen: Museo de Victoria y Alberto — © Victoria and Albert Museum, London

Mientras tanto, en la vida de John Constable

La vida entera
  1. 1824–1828

    The family in Brighton for Maria’s health

    When Maria began to show symptoms of tuberculosis, Constable took lodgings for the family in Brighton in the hope that sea air would restore her health, dividing his time between Brighton and Charlotte Street in London. He was unsure at first that Brighton suited painting, and complained to Fisher that the beach was only Piccadilly by the sea.

  2. after 1828

    Mezzotints for “English Landscape” with David Lucas

    Maria’s father, who died shortly before her, left her £20,000, and Constable spent it disastrously on mezzotints after his landscapes for a planned publication. With the engraver David Lucas he made forty prints, one going through thirteen proof stages, but too few subscribers came forward and the venture lost money.

  3. 2 de enero de 1828

    Son born: Lionel Bicknell Constable

  4. 23 November 1828

    The death of his wife Maria

    After the birth of their seventh child the family returned to Hampstead, where Maria died of tuberculosis at the age of 41. “Hourly do I feel the loss of my departed Angel,” Constable wrote to his brother.

  5. 1828–1837

    A widower with seven children

    For the rest of his life Constable dressed in black and brought up his seven children alone; according to Leslie he was “a prey to melancholy and anxious thoughts”. Several of the children also painted, notably Lionel.

  6. February 1829

    Elected to the Royal Academy at fifty-two

    In February 1829, three months after his wife’s death, Constable was elected a member of the Royal Academy, at the age of 52.

Más obras de John Constable

Todas las obras
Stoke-by-Nayland, John Constable, ca. 1810–11

Stoke-by-Nayland

ca. 1810–11 · Museo Metropolitano de Arte

Wivenhoe Park, Essex, John Constable, 1816

Wivenhoe Park, Essex

1816 · Galería Nacional de Arte

The White Horse, John Constable, 1818-1819

The White Horse

1818-1819 · Galería Nacional de Arte

La baie de Weymouth à l'approche de l'orage, Constable, John, 1e quart du XIXe siècle (1818 - 1819)

La baie de Weymouth à l'approche de l'orage

1e quart du XIXe siècle (1818 - 1819) · Museo del Louvre

Salisbury Cathedral from Lower Marsh Close, John Constable, 1820

Salisbury Cathedral from Lower Marsh Close

1820 · Galería Nacional de Arte

Vue de Salisbury, Constable, John, 1e quart du XIXe siècle (1820)

Vue de Salisbury

1e quart du XIXe siècle (1820) · Museo del Louvre

Vallon à Helmingham [Helmingham Dell], Constable, John, 1e quart du XIXe siècle (peint à l'été 1823 (selon Beckett)) (1823)

Vallon à Helmingham [Helmingham Dell]

1e quart du XIXe siècle (peint à l'été 1823 (selon Beckett)) (1823) · Museo del Louvre

Salisbury Cathedral from the Bishop's Grounds, John Constable, ca. 1825

Salisbury Cathedral from the Bishop's Grounds

ca. 1825 · Museo Metropolitano de Arte

Bajo el mismo techo: Museo de Victoria y Alberto

Página del museo
Bird of Paradise, Hashimoto Chitaka, 2026

Hashimoto Chitaka

Bird of Paradise, 2026

Torsion 2, Taruma Shoko, 2025

Taruma Shoko

Torsion 2, 2025

Fu, Someya Satoshi, 2025

Someya Satoshi

Fu, 2025

Bow Before the Curtain Falls, 2024

Bow Before the Curtain Falls, 2024

Summer, 2024

Summer, 2024

Red Flow, Ishizuka Genta, 2024

Ishizuka Genta

Red Flow, 2024

3D replica of Michelangelo's Prisoner (4117-1854), Factum Arte, 2024

Factum Arte

3D replica of Michelangelo's Prisoner (4117-1854), 2024

Sculpture, ‘Co-Existence – the Man and the Monkey’, Zhao Lin, 2024

Zhao Lin

Sculpture, ‘Co-Existence – the Man and the Monkey’, 2024