Distant View of Niagara Falls, Thomas Cole, 1830
Thomas Cole, retratoThomas ColeEstados Unidos, 1801–1848

Distant View of Niagara Falls

1830 · Painting

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¿Dónde está «Distant View of Niagara Falls» hoy? Instituto de Arte de Chicago, Sala 161, Chicago. Sí, expuesta ahora. Comprobado 12 de octubre de 2026.

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Thomas Cole visited Niagara Falls in May 1829, composing this romanticized, autumnal scene the following year. Portraying the grandeur of the American landscape, the artist omitted the factories, scenic overlooks, and hotels that populated the area in the early 19th century. Cole expressed concern about the environmental impact of voracious industrialism, but at the same time his painting erased the human devastation wrought by colonialism and conquest in the region, which encompassed Attiwonderonk, Haudenosaunee, and Wenrohronon lands. The two Native American figures at center, combined with the falls, identify the setting as North America, but their diminished presence in scale and number reinforces the false idea of the “vanishing Indian” and is meant to signal impending transformation rather than acknowledge their stolen sovereignty.

Instituto de Arte de ChicagoCC BY 4.0

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Número de inventario
1946.396

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Exposiciones

  1. Expuesta · Sala 161

    Instituto de Arte de Chicago · 28 sept 2026 — hoy · Verificado

  2. Estaba expuesta · Sala 171

    Instituto de Arte de Chicago · 19 ago 2026 — 28 sept 2026 · Verificado

Fuentes

En la vida de Thomas Cole

La vida entera
  1. 1825–1848

    89 paintings at the National Academy of Design

    From the founding of the National Academy of Design in 1825 until Cole's death, 89 of his paintings were shown at its exhibitions.

  2. 1829–1832

    First journey to Europe: England and Italy

    Cole spent these years abroad, mainly in England and Italy.

  3. 1830

    “Chocorua's Curse” in a gift-book annual

    Between 1826 and 1842 five of Cole's works were engraved for the gift-book annuals The Token and Atlantic Souvenir; the critic John Neal called “Chocorua's Curse”, in the 1830 volume, 'beautifully contrived'.

  4. July 1832

    A letter to his friend Daniel Wadsworth

    Cole wrote emotionally to Daniel Wadsworth, his close friend and patron, that years apart had never dimmed his memory of their friendship.

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En la misma sala · Gallery 161, Instituto de Arte de Chicago

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