Amur The Winner, Elisabetta Sirani, mid-17th century
Elisabetta Sirani, retratoElisabetta SiraniItalia, 1638–1665

Amur The Winner

mid-17th century · Painting · 112 × 93 cm

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¿Dónde está «Amur The Winner» hoy? Colección: Museo del Hermitage, San Petersburgo. No expuesta por ahora. Comprobado 29 de agosto de 2026.

Museo del Hermitage

San Petersburgo, Rusia

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Sobre el cuadro

En palabras del museo — en ruso

Тема Амура была широко распространена в искусстве и литературе XVII века. В живописи сына богини любви традиционно изображали мальчиком почти совершенной красоты. В произведении Сирани он предстает в образе подростка, стоящего в торжественной позе на пьедестале с надписью AMOR. Его взгляд обращен к небесам, окрашенным золотым сиянием, одна рука со стрелой прижата к груди, а вторая держит лук. Название картины отсылает к строке из книги Вергилия «Буколики»: «Все побеждает Амур, и мы покоримся Амуру» (Omnia vincit amor et nos cedamus amori). Некоторые исследователи считают, что композиция может восходить к графическому произведению Гвидо Рени, работы которого изучала Элизабетта Сирани.

Museo del Hermitage

Ficha

Número de inventario
ГЭ-105

En el catálogo

Fuentes

En la vida de Elisabetta Sirani

La vida entera
  1. 8 de enero de 1638

    Born

  2. by 1654

    Takes over the family workshop

    By 1654 her father is incapacitated by gout and can no longer work, and Elisabetta takes over the running of the workshop: she becomes the family’s main breadwinner, living on teaching fees and portrait commissions. The studio thrives, helped by the progressive atmosphere of Bologna, where women artists were accepted and celebrated; her sisters Barbara and Anna Maria serve as her assistants.

  3. 28 February 1657

    First major public commission

    At nineteen she receives her first major public commission, from Daniele Granchi, prior of the Carthusian church of the Certosa di Bologna; she will go on to paint at least thirteen public altarpieces.

  4. 1660

    Opens a painting school for women

    She opens a school — the first school of painting for women in Europe outside a convent, open regardless of the women’s artistic and social connections; besides her younger sisters Barbara and Anna Maria she trains at least twelve young women, among them the wood-engraver Veronica Fontana, Caterina Pepoli, Maria Elena Panzacchi, Camelia Lanteri, Lucretia Forni, Veronica Franchi and Ginevra Cantofoli, who was portrayed as Sirani’s rival.

  5. 1665

    Sudden illness and suspicions of poisoning

    She falls suddenly ill; only days earlier the maidservant Lucia Tolomelli had asked to leave the family’s service, and suspicion of poisoning fell on her, though the charges were soon withdrawn. The likely cause is peritonitis after a ruptured ulcer, perhaps brought on by the strain of providing for the whole household.

  6. 28 de agosto de 1665

    Died

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