ART WIKI37,865 on view
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ART WIKI

Where to see art and when to visit.

Collections: Art Institute of Chicago, Cooper Hewitt, Smithsonian Design Museum, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Minneapolis Institute of Art, Musée du Louvre, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery (Smithsonian), Pushkin State Museum of Fine Arts, Rijksmuseum, Smithsonian American Art Museum, SMK — National Gallery of Denmark, State Hermitage Museum, State Russian Museum, The Cleveland Museum of Art, The Metropolitan Museum of Art, The Museum of Modern Art, Tretyakov Gallery, Victoria and Albert Museum, Whitney Museum of American Art, Yale Center for British Art, Yale University Art Gallery, State Catalogue of the Museum Fund of Russia (274 museums), Europeana (19 museums), Wikidata (44 museums), Paris Musées (12 museums), Joconde, the French Ministry of Culture's museum database (495 museums), and the Catalogo generale dei Beni Culturali of Italy's Ministry of Culture (25 museums). Images belong to their rights holders.

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Art collections

2,344,049 works from 779 museums37,865 on view now

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Fuerte cosa es! (That's Tough!), Francisco Goya, published 1863Francisco de GoyaFuerte cosa es! (That's Tough!)published 1863National Gallery of Art
Bobalicon (Simpleton), Francisco Goya, in or after 1816Francisco de GoyaBobalicon (Simpleton)in or after 1816National Gallery of Art
Pepe Illo haciendo el recorte al toro (Pepe Illo Making the Pass of the "Recorte"), Francisco Goya, in or before 1816Francisco de GoyaPepe Illo haciendo el recorte al toro (Pepe Illo Making the Pass of the "Recorte")in or before 1816National Gallery of Art
Los ensacados (The Men in Sacks), Francisco Goya, in or after 1816Francisco de GoyaLos ensacados (The Men in Sacks)in or after 1816National Gallery of Art
Tanto y mas (Even Worse), Francisco Goya, published 1863Francisco de GoyaTanto y mas (Even Worse)published 1863National Gallery of Art
Disparate claro (Clear Folly), Francisco Goya, in or after 1816Francisco de GoyaDisparate claro (Clear Folly)in or after 1816National Gallery of Art
Young Lady Wearing a Mantilla and Basquina, Francisco Goya, c. 1800/1805Francisco de GoyaYoung Lady Wearing a Mantilla and Basquinac. 1800/1805Gallery 52 · West Building, Main FloorNational Gallery of Art
Baco (Bacchus), Francisco Goya after Diego Velázquez, 1778Francisco de GoyaBaco (Bacchus)1778National Gallery of Art
Nadie nos ha visto (No One Has Seen Us), Francisco Goya, published 1799Francisco de GoyaNadie nos ha visto (No One Has Seen Us)published 1799National Gallery of Art
Baltasar Carlos, Francisco Goya after Diego Velázquez, 1778Francisco de GoyaBaltasar Carlos1778National Gallery of Art
Otra locura suya en la misma plaza (Another Madness of His in the Same Ring), Francisco Goya, in or before 1816Francisco de GoyaOtra locura suya en la misma plaza (Another Madness of His in the Same Ring)in or before 1816National Gallery of Art
Asta su abuelo (And So Was His Grandfather), Francisco Goya, published 1799Francisco de GoyaAsta su abuelo (And So Was His Grandfather)published 1799National Gallery of Art
Fiero monstruo! (Fierce Monster!), Francisco Goya, 1810/1820Francisco de GoyaFiero monstruo! (Fierce Monster!)1810/1820National Gallery of Art
Bartolomé Sureda y Miserol, Francisco Goya, c. 1803/1804Francisco de GoyaBartolomé Sureda y Miserolc. 1803/1804Gallery 52 · West Building, Main FloorNational Gallery of Art
Aesopvs (Aesop), Francisco Goya after Diego Velázquez, 1778Francisco de GoyaAesopvs (Aesop)1778National Gallery of Art
Capean otro encerrado  (They Play Another with the Cape in an Enclosure), Francisco Goya, in or before 1816Francisco de GoyaCapean otro encerrado (They Play Another with the Cape in an Enclosure)in or before 1816National Gallery of Art
Tal para qual (Two of a Kind), Francisco Goya, in or before 1799Francisco de GoyaTal para qual (Two of a Kind)in or before 1799National Gallery of Art
Origen de los arpones o banderillas (Origin of the Harpoons or Banderillas), Francisco Goya, in or before 1816Francisco de GoyaOrigen de los arpones o banderillas (Origin of the Harpoons or Banderillas)in or before 1816National Gallery of Art
Los Moros hacen otro capeo en plaza con su albornoz (The Moors Make a Different Play in the Ring Calling the Bull with Their Burnous), Francisco Goya, in or before 1816Francisco de GoyaLos Moros hacen otro capeo en plaza con su albornoz (The Moors Make a Different Play in the Ring Calling the Bull with Their Burnous)in or before 1816National Gallery of Art
El mismo vuelca un toro en la plaza de Madrid (The Same Man Throws a Bull in the Ring at Madrid), Francisco Goya, in or before 1816Francisco de GoyaEl mismo vuelca un toro en la plaza de Madrid (The Same Man Throws a Bull in the Ring at Madrid)in or before 1816National Gallery of Art
The Garroted Man, Francisco Goya, in or before 1780Francisco de GoyaThe Garroted Manin or before 1780National Gallery of Art
Ligereza y atrevimiento de Juanito Apinani en la de Madrid (The Agility and Audacityof Juanito Apinani in the Ring at Madrid), Francisco Goya, in or before 1816Francisco de GoyaLigereza y atrevimiento de Juanito Apinani en la de Madrid (The Agility and Audacityof Juanito Apinani in the Ring at Madrid)in or before 1816National Gallery of Art
Ni asi la distingue  (Even Thus He Cannot Make Her Out), Francisco Goya, in or before 1799Francisco de GoyaNi asi la distingue (Even Thus He Cannot Make Her Out)in or before 1799National Gallery of Art
Nadie se conoce (Nobody Knows Himself), Francisco Goya, 1799, printed laterFrancisco de GoyaNadie se conoce (Nobody Knows Himself)1799, printed laterNational Gallery of Art
Los ensacados (The Men in Sacks), Francisco Goya, in or after 1816Francisco de GoyaLos ensacados (The Men in Sacks)in or after 1816National Gallery of Art
The Marquesa de Pontejos, Francisco Goya, c. 1786Francisco de GoyaThe Marquesa de Pontejosc. 1786Gallery 52 · West Building, Main FloorNational Gallery of Art
Victor Guye, Francisco Goya, 1810Francisco de GoyaVictor Guye1810Gallery 52 · West Building, Main FloorNational Gallery of Art
The Jester Barbarroja, Francisco Goya after Diego Velázquez, c. 1778Francisco de GoyaThe Jester Barbarrojac. 1778National Gallery of Art
Mariano Ceballos, alias el Indio, mata el toro desde su caballo (Mariano Ceballos, Alias the Indian, Kills the Bull from His Horse), Francisco Goya, in or before 1816Francisco de GoyaMariano Ceballos, alias el Indio, mata el toro desde su caballo (Mariano Ceballos, Alias the Indian, Kills the Bull from His Horse)in or before 1816National Gallery of Art
Si es delinquente qe. muera presto (If He is Guilty, Let Him Die Quickly), Francisco Goya, c. 1810Francisco de GoyaSi es delinquente qe. muera presto (If He is Guilty, Let Him Die Quickly)c. 1810National Gallery of Art
Mascaras crueles (Cruel Masks) [recto], Francisco Goya, 1796/1797Francisco de GoyaMascaras crueles (Cruel Masks) [recto]1796/1797National Gallery of Art
Maja, Francisco Goya, 1824/1828Francisco de GoyaMaja1824/1828National Gallery of Art
El animoso moro Gazul es el primero que lanceo toros en regla (The Spirited Moor Gazul is the First to Spear Bulls According to Rules), Francisco Goya, in or before 1816Francisco de GoyaEl animoso moro Gazul es el primero que lanceo toros en regla (The Spirited Moor Gazul is the First to Spear Bulls According to Rules)in or before 1816National Gallery of Art
Quien mas rendido?  (Which of Them Is the More Overcome?), Francisco Goya, published 1799Francisco de GoyaQuien mas rendido? (Which of Them Is the More Overcome?)published 1799National Gallery of Art
Disparate de Carnabal (Carnival Folly), Francisco Goya, in or after 1816Francisco de GoyaDisparate de Carnabal (Carnival Folly)in or after 1816National Gallery of Art
Señora Sabasa Garcia, Francisco Goya, c. 1806/1811Francisco de GoyaSeñora Sabasa Garciac. 1806/1811National Gallery of Art
Un caballero espanol mata un toro despues de haber perdido el caballo (A Spanish Knight Kills the Bull after Having Lost His Horse), Francisco Goya, in or before 1816Francisco de GoyaUn caballero espanol mata un toro despues de haber perdido el caballo (A Spanish Knight Kills the Bull after Having Lost His Horse)in or before 1816National Gallery of Art
Disparate volante (Flying Folly), Francisco Goya, in or after 1816Francisco de GoyaDisparate volante (Flying Folly)in or after 1816National Gallery of Art
Valor varonil de la celebre Pajuelera en la de Zaragoza (Manly Courage of the Celebrated Pajuelera in the Ring at Saragossa), Francisco Goya, in or before 1816Francisco de GoyaValor varonil de la celebre Pajuelera en la de Zaragoza (Manly Courage of the Celebrated Pajuelera in the Ring at Saragossa)in or before 1816National Gallery of Art
Disparate ridiculo (Ridiculous Folly), Francisco Goya, in or after 1816Francisco de GoyaDisparate ridiculo (Ridiculous Folly)in or after 1816National Gallery of Art
María Teresa de Borbón y Vallabriga, later Condesa de Chinchón, Francisco Goya, 1783Francisco de GoyaMaría Teresa de Borbón y Vallabriga, later Condesa de Chinchón1783Gallery 52 · West Building, Main FloorNational Gallery of Art
La lealtad (Loyalty), Francisco Goya, in or after 1816Francisco de GoyaLa lealtad (Loyalty)in or after 1816National Gallery of Art
Old Man on a Swing, Francisco Goya, c. 1826/1828Francisco de GoyaOld Man on a Swingc. 1826/1828National Gallery of Art
No se convienen (They Do Not Agree), Francisco Goya, published 1863Francisco de GoyaNo se convienen (They Do Not Agree)published 1863National Gallery of Art
Otro modo de cazar a pie (Another Way of Hunting on Foot), Francisco Goya, in or before 1816Francisco de GoyaOtro modo de cazar a pie (Another Way of Hunting on Foot)in or before 1816National Gallery of Art
A caza de dientes (Out Hunting for Teeth), Francisco Goya, published 1799Francisco de GoyaA caza de dientes (Out Hunting for Teeth)published 1799National Gallery of Art
Yo lo vi (I Saw It), Francisco Goya, published 1863Francisco de GoyaYo lo vi (I Saw It)published 1863National Gallery of Art
El amour y la muerte (Love and Death), Francisco Goya, published 1799Francisco de GoyaEl amour y la muerte (Love and Death)published 1799National Gallery of Art
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