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National Gallery of Art
The Marquesa de Pontejos

The Marquesa de Pontejos, Francisco Goya, c. 1786

Francisco de Goya, portrait

Francisco de GoyaSpanish, 1746–1828

The Marquesa de Pontejos

c. 1786 · Painting

May one see it?

Yes, receiving visitors

National Gallery of Art

Washington, D.C., United States

Room52 · West Building, Main Floor

On public display.

Checked: 5 hours ago
In this state since: Aug 19, 2026
Source: The museum's own collection data

On the map Museum page

Particulars

c. 1786

17461828

Accession number: 1937.1.85

What it shows

Female Pontejos y Sandoval, Dona Maria

In the catalog

Baroque Spanish Portrait

Sources

National Gallery of Art: the museum's own open data · fetched 4 days ago
Image: National Gallery of Art — Museum open access

Meanwhile, in the life of Francisco de Goya

1773–1823 · Workplace
Madrid
2 December 1784
Son born: Francisco Javier Goya Bayeu
1786
Appointment as painter to the king
He was appointed painter to King Charles III with a salary; he continued producing tapestry cartoons, including the series "Spring," "Summer" and "Winter."

More by Francisco de Goya

Condesa de Altamira and Her Daughter, María Agustina, Goya, 1787–88

Condesa de Altamira and Her Daughter, María Agustina

1787–88 · The Metropolitan Museum of Art

Manuel Osorio Manrique de Zuñiga (1784–1792), Goya, 1787–88

Don Manuel Osorio de Zuniga

1787–88 · The Metropolitan Museum of Art

Self-Portrait with Dr. Arrieta, Francisco José de Goya y Lucientes, 1820

Self-Portrait with Dr. Arrieta

1820 · Minneapolis Institute of Art

Portrait of Don Ramón Satué, Francisco de Goya, 1823

Portrait of Don Ramón Satué

1823 · Rijksmuseum

María Teresa de Borbón y Vallabriga, later Condesa de Chinchón, Francisco Goya, 1783

María Teresa de Borbón y Vallabriga, later Condesa de Chinchón

1783 · National Gallery of Art

Sebastián Martínez y Pérez (1747–1800), Goya, 1792

Sebastián Martínez y Pérez (1747–1800)

1792 · The Metropolitan Museum of Art

Portrait de la comtesse del Carpio, marquise de la Solana (1757-1795), Goya y Lucientes, Francisco de, 4e quart du XVIIIe siècle (vers 1794 - 1795)

Portrait de la comtesse del Carpio, marquise de la Solana (1757-1795)

last quarter of the 18th century (c. 1794–1795) · Musée du Louvre

Portrait de Mariana Waldstein, 9e marquise de Santa Cruz ( 1763-1808), Goya y Lucientes, Francisco de, 4e quart du XVIIIe siècle (1797 - 1799)

Portrait de Mariana Waldstein, 9e marquise de Santa Cruz ( 1763-1808)

last quarter of the 18th century (1797–1799) · Musée du Louvre

Neighbors at National Gallery of Art

Madonna and Child between Saint Michael and Saint Lawrence, Gianfrancesco Enzola

Gianfrancesco Enzola

Madonna and Child between Saint Michael and Saint Lawrence

Horse Trotting, the Feet Not Touching the Ground, Edgar Degas, 1870s

Edgar Degas

Horse Trotting, the Feet Not Touching the Ground, 1870s

Pan and Syrinx, Giovanni Bernardi, mid 16th century

Giovanni Bernardi

Pan and Syrinx, mid 16th century

Scenes from the Passion of Christ: The Descent into Limbo [right panel], Andrea Vanni, 1380s

Andrea Vanni

Scenes from the Passion of Christ: The Descent into Limbo [right panel], 1380s

Saint Romedius, Ulocrino, early 16th century

Ulocrino

Saint Romedius, early 16th century

Jean-Marie Fruchard, Honoré Daumier, model c. 1832/1835, cast 1929/1930

Honoré Daumier

Jean-Marie Fruchard, model c. 1832/1835, cast 1929/1930

Marine Scene, Caradosso Foppa

Attributed to Caradosso Foppa

Marine Scene

The Continence of Scipio, Giovanni Bernardi

Giovanni Bernardi

The Continence of Scipio

The Marquesa de Pontejos — Francisco de Goya · ART WIKI