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  3. Why Not Sneeze Rose Sélavy?
Why Not Sneeze Rose Sélavy?, Marcel Duchamp, 1964 (replica of 1921 original)
Marcel Duchamp, portraitMarcel DuchampFrench, 1887–1968

Why Not Sneeze Rose Sélavy?

1964 (replica of 1921 original) · Sculpture

Particulars

1964 (replica of 1921 original)
18871968
Accession number
1123.1964.a-e

Meanwhile, in the life of Marcel Duchamp

The whole life
  1. 1920

    Founds the Société Anonyme

    With Katherine Dreier and Man Ray he created the Société Anonyme as an experimental exhibition context that predates the Museum of Modern Art and was the first modern art collection in the US. In the same year, 1920, he returned from Paris to the United States.

  2. 1921

    Rrose Sélavy is born

    In 1921, in a series of Man Ray’s photographs, Duchamp appeared dressed as a woman under the pseudonym Rrose Sélavy, a pun on “Éros, c’est la vie” (“Eros, such is life”); later he used the name as a byline and signed several works with it.

  3. 1923

    Back in Paris, and into chess

    Back in Paris in 1923 he was in essence no longer a practising artist: his main interest became chess, which he studied for the rest of his life to the exclusion of most other activities.

  4. 1931

    Coins the word “mobile”

    In Alexander Calder’s studio, looking at the sculptor’s kinetic works, he suggested calling them “mobiles”; Calder agreed to use the new term in his coming show, and sculptures of this kind have been called that ever since.

  5. 1938

    “Generator-Arbiter” of the International Surrealist Exhibition

    At the exhibition in Paris organised by Breton and Paul Éluard he was named “Générateur-arbitre” and showed the installation Twelve Hundred Coal Bags Suspended from the Ceiling over a Stove — literally 1,200 stuffed coal bags hanging from the ceiling of the Room of Superstition.

More by Marcel Duchamp

All works

In the same room · MoMA, Floor 4, 408, The Museum of Modern Art

Museum page
  • 1942

    The “mile of string” at First Papers of Surrealism

    Surrealists asked him to design the show in New York: he strung a three-dimensional web of twine through the rooms so that the works were almost impossible to see. By a secret arrangement with an associate’s son, a dozen children in athletic clothes turned up at the opening, kicking and passing balls and skipping rope, and told puzzled guests: “Mr. Duchamp told us we could play here”.

  • May one see it?

    Yes, receiving visitors

    The Museum of Modern Art

    New York, United States

    RoomMoMA, Floor 4, 408

    On public display.

    Checked
    8 days ago
    Source
    The museum
    On the mapMuseum page

    In the catalog

    SculptureMarbleModernism20th century

    Sources

    • The Museum of Modern Art
    • Image: The Museum of Modern Art — © the artist or rights holder
    In Advance of the Broken Arm, Marcel Duchamp, August 1964 (fourth version, after lost original of November 1915)

    In Advance of the Broken Arm

    August 1964 (fourth version, after lost original of November 1915) · The Museum of Modern Art

    Fresh Widow, Marcel Duchamp, original 1920, fabricated 1964

    Fresh Widow

    original 1920, fabricated 1964 · National Gallery of Art

    Pocket Chess Set, Marcel Duchamp, 1944

    Pocket Chess Set

    1944 · Art Institute of Chicago

    Man Seated by a Window, Marcel Duchamp, 1907

    Man Seated by a Window

    1907 · Not on view · The Museum of Modern Art

    Portrait of Yvonne Duchamp, Marcel Duchamp, 1907 or 1909

    Portrait of Yvonne Duchamp

    1907 or 1909 · Not on view · The Museum of Modern Art

    Landscape, Marcel Duchamp, 1908

    Landscape

    1908 · Not on view · The Museum of Modern Art

    Conversation, Marcel Duchamp, 1909

    Conversation

    1909 · Not on view · The Museum of Modern Art

    Sundays, Marcel Duchamp, 1909

    Sundays

    1909 · Not on view · The Museum of Modern Art

    Shooting Painting American Embassy, Niki de Saint Phalle, 1961

    Niki de Saint Phalle

    Shooting Painting American Embassy, 1961

    Green Violin (Grüne Geige), Joseph Beuys, Henning Christiansen, 1974

    Joseph Beuys

    Green Violin (Grüne Geige), 1974

    Eurasia Siberian Symphony 1963, Joseph Beuys, 1966

    Joseph Beuys

    Eurasia Siberian Symphony 1963, 1966

    Untitled, Cy Twombly, New York 1955 (some cloth added in Philadelphia in 1975)

    Cy Twombly

    Untitled, New York 1955 (some cloth added in Philadelphia in 1975)

    Canyon, Robert Rauschenberg, 1959

    Robert Rauschenberg

    Canyon, 1959

    Flag, Jasper Johns, 1954-55  (dated on reverse 1954)

    Jasper Johns

    Flag, 1954-55 (dated on reverse 1954)

    Picture with Light Center (Bild mit heller Mitte), Kurt Schwitters, 1919

    Kurt Schwitters

    Picture with Light Center (Bild mit heller Mitte), 1919

    Pastry Case, I, Claes Oldenburg, 1961-62

    Claes Oldenburg

    Pastry Case, I, 1961-62