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  3. Wehrlin, Facing front
Wehrlin, Facing front, Ernst Ludwig Kirchner, 1924
Ernst Ludwig Kirchner, portraitErnst Ludwig KirchnerGerman, 1880–1938

Wehrlin, Facing front

1924 · Print

May one see it?

Not receiving at present

The Cleveland Museum of Art

Cleveland, United States

It belongs to the collection, but is not on display at present.

Checked
3 days ago
In this state since
Aug 19, 2026
Source
The museum
On the mapMuseum page

Particulars

1924 · aged 44
18801938
Accession number
1956.297

In the catalog

PrintsWoodcutModernism20th centuryGermany, 20th century

Sources

  • The Cleveland Museum of Art
  • Image: The Cleveland Museum of Art — Museum open access

Meanwhile, in the life of Ernst Ludwig Kirchner

The whole life
  1. 1923

    A large exhibition in Basel

    In 1923 Kirchner organised a large exhibition of his work in Basel.

  2. 1923

    Moves to the Wildboden house

    In 1923 Kirchner moved to the Wildboden house, which looked over Frauenkirch and the Stafelalp on one side and Davos on the other; these landscapes became subjects of many of his paintings. In his diary he called the house a joy and a turning point of his life.

  3. 1923

    Illustrations for Georg Heym’s “Umbra Vitae”

    At the same time Kirchner worked on illustrations for the poet Georg Heym’s book “Umbra Vitae.”

  4. 1925

    Albert Müller and the Rot-Blau group

    In 1925 Kirchner became close friends with the painter Albert Müller and his family; the founders of the Basel group Rot-Blau (“Red-Blue”) — Hermann Scherer, Albert Müller, Paul Camenisch and Hans Schiess — visited him and worked under his guidance.

  5. 1925–1926

    Declines to found a new group

    In Berlin Kirchner met Karl Schmidt-Rottluff, who wanted him to form a new artists’ group; Kirchner politely refused.

  6. 1925–1926

    A trip to Germany: Frankfurt, Chemnitz, Berlin

    At the end of 1925 Kirchner went to Germany, visiting Frankfurt, Chemnitz, where his mother lived, and Berlin. Back in Frauenkirch he wrote to Dr. Hagemann in March 1926 that he was glad to see the old pictures by Rembrandt and Dürer again, while of the moderns hardly anything had gripped him.

More by Ernst Ludwig Kirchner

All works
Seated Girl (Fränzi Fehrmann), Ernst Ludwig Kirchner, 1910 (altered 1920)

Seated Girl (Fränzi Fehrmann)

1910 (altered 1920) · Minneapolis Institute of Art

Dance Hall Bellevue [obverse], Ernst Ludwig Kirchner, 1909/1910

Dance Hall Bellevue [obverse]

1909/1910 · National Gallery of Art

Two Girls under an Umbrella, Ernst Ludwig Kirchner, 1910

Two Girls under an Umbrella

1910 · National Gallery of Art

Dance Training, Ernst Ludwig Kirchner, 1910–11 (altered 1920)

Dance Training

1910–11 (altered 1920) · Minneapolis Institute of Art

Street, Berlin, Ernst Ludwig Kirchner, 1913

Street, Berlin

1913 · The Museum of Modern Art

Modern Bohemia, Ernst Ludwig Kirchner, 1924

Modern Bohemia

1924 · Minneapolis Institute of Art

View of Dresden: Schlossplatz, Ernst Ludwig Kirchner, 1926

View of Dresden: Schlossplatz

1926 · Minneapolis Institute of Art

Zurich, Ernst Ludwig Kirchner, 1926

Zurich

1926 · Minneapolis Institute of Art

Neighbors at The Cleveland Museum of Art

Museum page
The Red Kerchief, Claude Monet, c. 1868–73

Claude Monet

The Red Kerchief, c. 1868–73

Melencolia I, Albrecht Dürer, 1514

Albrecht Dürer

Melencolia I, 1514

The Virgin and Child with the Pear, Albrecht Dürer, 1511

Albrecht Dürer

The Virgin and Child with the Pear, 1511

The Nativity, Albrecht Dürer, probably c. 1509/1510

Albrecht Dürer

The Nativity, probably c. 1509/1510

The Virgin and Child on a Crescent with a Starry Crown, Albrecht Dürer, 1508

Albrecht Dürer

The Virgin and Child on a Crescent with a Starry Crown, 1508

The Lamentation, Albrecht Dürer, 1507

Albrecht Dürer

The Lamentation, 1507

Large Horse, Albrecht Dürer, 1505

Albrecht Dürer

Large Horse, 1505

Nemesis (The Great Fortune), Albrecht Dürer, c. 1501/1502

Albrecht Dürer

Nemesis (The Great Fortune), c. 1501/1502