Wandering Thoughts, John Everett Millais, c. 1855
John Everett Millais, portraitJohn Everett MillaisBritish, 1829–1896

Wandering Thoughts

c. 1855 · Painting · 35.2 × 24.9 cm

Can I see it?

Unknown

Where is “Wandering Thoughts” now? Collection: Manchester Art Gallery, Manchester. Whether it is on view today is unknown.

Manchester Art Gallery

Manchester, United Kingdom

The owner is known; whether it is on view today is not.

In this state since
Source
The museum
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Details

Accession number
1913.28

In the catalog

Sources

  • Wikidata
  • Image: Manchester Art Gallery — John Everett Millais · Public domain · Wikimedia Commons

In the life of John Everett Millais

The whole life
  1. 1853

    Elected an associate member of the Royal Academy

    In 1853 Millais was elected an associate member of the Royal Academy of Arts.

  2. summer 1853

    A summer at Glenfinlas: falling in love with Effie Ruskin

    In the summer of 1853 John Ruskin and his wife Effie invited Millais to spend the summer with them at Glenfinlas, where Millais and Effie fell in love. Effie modelled for his The Order of Release; her marriage to Ruskin, which had lasted several years, was annulled after her parents realised something was wrong and she filed for annulment, and Millais and Effie then married.

  3. 3 July 1855

    Married: Effie Gray

  4. 1855–1857

    After his marriage he changes manner: faster and dearer

    Marriage changed Millais: to support his growing family he began to paint more quickly and in greater quantity and to sell his pictures dearly, moving away from Pre-Raphaelite principles. Effie became a powerful promoter of his work, and together they secured commissions and widened their circle; he gained great popularity and a fortune (up to £30,000 a year), while William Morris and other critics accused him of selling out.

  5. 30 May 1856

    Son born: Sir Everett Millais, 2nd Baronet

  6. 1857

    Ruskin calls “Sir Isumbras” a catastrophe

    Ruskin called Sir Isumbras (1857), in which Millais had departed sharply from Pre-Raphaelite technique, not even a failure but a catastrophe.

All works

From the collection of Manchester Art Gallery

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