Waiting for a Bite, Winslow Homer, 1874
Winslow Homer, portraitWinslow HomerAmerican, 1836–1910

Waiting for a Bite

1874 · Print · 23 × 34.9 cm

May one see it?

Not receiving at present

Minneapolis Institute of Art

Minneapolis, United States

It belongs to the collection, but is not on display at present.

Checked
In this state since
Source
The museum

Particulars

Accession number
P.82.40.246

In the catalog

Sources

Meanwhile, in the life of Winslow Homer

The whole life
  1. summer 1873

    Summer in Gloucester: watercolour begins

    In the summer of 1873 in Gloucester Homer began painting in watercolour regularly, naturally and confidently from the start; critics were puzzled at first (“A child with an ink bottle could not have done worse”), but the watercolours sold more readily and considerably improved his finances. From then on he seldom travelled without paper, brushes and water-based paints.

  2. 1875

    Gives up illustration for painting

    In 1875 Homer, after nearly twenty years as an illustrator, quit commercial illustration and vowed to live on his paintings and watercolours alone. Despite his excellent critical reputation, his finances remained precarious.

  3. 1876

    The Centennial Exposition in Philadelphia

    “Snap the Whip” and “Breezing Up” were shown at the Centennial Exposition; the New York Tribune wrote that it could not remember a picture in any exhibition that could be named alongside “Breezing Up”. Henry James confessed that he detested Homer's subjects of the time, yet “to reward his audacity, he has incontestably succeeded”.

  4. c. 1876

    Visits to Virginia

    Around 1876 Homer visited Petersburg, Virginia (apparently to see what had become of the lives of former slaves), and painted rural African American life, the most unaffected views of it at the time, such as “Dressing for the Carnival” (1877).

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