CanalettoItalian, 1697–1768Views
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The Cleveland Museum of Art
Cleveland, United States
It belongs to the collection, but is not on display at present.
- Checked
- In this state since
- Source
- The museum's own collection data
Particulars
- Accession number
- 1925.1239
In the catalog
Sources
- The Cleveland Museum of Art: the museum's own open data · fetched 7 days ago
- Image: The Cleveland Museum of Art — Museum open access
Meanwhile, in the life of Canaletto
The whole life1720–1746 · Workplace
Venice
1728–1735
Visentini's etchings after thirty-eight of Canaletto's views
In 1728–35 Smith arranges for thirty-eight of Canaletto's painted vedute to be reproduced in etchings by Antonio Visentini and published under the title “Urbis Venetiarum Prospectus Celebriores ex Antonii Canal”.
c. 1729 – 1735
Smith as agent: a “market of taste” for the Venetian veduta
Joseph Smith — a banker, art dealer and later British consul in Venice — creates a “market of taste” for the Venetian veduta among British aristocrats touring Italy and, as Canaletto's commercial agent from about 1729 to 1735, in effect controls the artist's work to the benefit of them both. Among the young painter's buyers is also the Prince of Liechtenstein.
