Untitled (The Wood Mobile), Alexander Calder, 1943
Alexander Calder, portraitAlexander CalderAmerican, 1898–1976

Untitled (The Wood Mobile)

1943 · Sculpture

Can I see it?

Yes, on view now

Where is “Untitled (The Wood Mobile)” now? National Gallery of Art, Gallery 606 · East Building, Tower, Washington, D.C. Yes, on view now. Checked September 29, 2026.

National Gallery of Art

Washington, D.C., United States

Room606 · East Building, Tower

Closed· opens tomorrow at 10:00 AM

On public display.

Checked
In this state since
Source
The museum

Details

Accession number
1996.120.30

What it shows

In the catalog

Sources

In the life of Alexander Calder

The whole life
  1. 1939–1945

    The war years: “constellations” instead of aluminium

    During the Second World War Calder tries to join the Marines as a camoufleur but is rejected. Adapting to a scarcity of aluminium, he returns to carved wood in a new open form of sculpture called “constellations”.

  2. 1941

    A show at Pierre Matisse’s: few buyers

    At Calder’s 1941 show with Pierre Matisse, a copy of the gallery’s sales ledger shows, only a few pieces found buyers; Solomon R. Guggenheim paid just $233.34 for one work. In the late 1930s and early 1940s Calder’s works were not highly sought after and, when they sold, it was often for relatively little money.

  3. 1942

    Calder earrings at the opening of “Art of This Century”

    To the opening of her New York gallery, The Art of This Century, Peggy Guggenheim wears one Calder earring and one by Yves Tanguy, to show her equal loyalty to Surrealist and abstract art, which she displays in separate galleries. Calder had given her enormous silver mobile earrings, and she later commissioned from him a hammered-silver headboard that shimmered with dangling fish.

  4. 1943

    The retrospective at the Museum of Modern Art

    In 1943 the Museum of Modern Art hosts a Calder retrospective curated by James Johnson Sweeney and Marcel Duchamp; the show has to be extended because of the number of visitors. It is sometimes called the artist’s first retrospective.

All works

In the same room · ET-606, National Gallery of Art

Museum page

On the same theme · Non-representational

All works on the theme