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  3. Rearing Stallion
Rearing Stallion, Alexander Calder, c. 1928
Alexander Calder, portraitAlexander CalderAmerican, 1898–1976

Rearing Stallion

c. 1928 · Sculpture

May one see it?

Yes, receiving visitors

National Gallery of Art

Washington, D.C., United States

Room606 · East Building, Tower

On public display.

Checked
3 days ago
In this state since
Aug 19, 2026
Source
The museum
On the mapMuseum page

Particulars

c. 1928
18981976
Accession number
1996.120.22

What it shows

MammalHorseStallion

In the catalog

SculptureWoodModernism20th centuryAmerican

Sources

  • National Gallery of Art
  • Image: National Gallery of Art — © the artist or rights holder

Meanwhile, in the life of Alexander Calder

The whole life
  1. July 1926

    To Paris as a crew member of the cargo steamer Galileo

    In July 1926 Calder sets out for Paris as a crew member of the British cargo steamship Galileo as far as Hull, continuing by train and boat. In Paris he enrols at the Académie de la Grande Chaumière and sets up a studio at 22 rue Daguerre in Montparnasse, later moving to 7 villa Brune in the same district.

  2. 1927

    His first solo exhibition, in Paris

    Calder’s first solo exhibition takes place in 1927 at the gallery of Jacques Seligmann in Paris.

  3. 1927

    Among the Parisian avant-garde

    In 1927 Calder settles in Paris and grows close to the avant-garde, including Cocteau, Man Ray, Mondrian, Desnos and Le Corbusier; he befriends Fernand Léger, Jean Arp and Marcel Duchamp, and Joan Miró becomes a friend for life.

  4. 1929

    A show of wire sculptures at Galerie Billiet

    Calder invented wire sculpture, or “drawing in space”, and in 1929 he holds in Paris, at Galerie Billiet, his first solo show of such works; the preface to the catalogue is written by the painter Jules Pascin, a friend from the Montparnasse cafés. “Hi!”, an early example of his wire sculpture, is in the collection of the Honolulu Museum of Art.

  5. June 1929

    Meets Louisa James on a steamship

    In June 1929, travelling by boat from Paris to New York, Calder meets his future wife, Louisa James (1905–1996), a daughter of Edward Holton James and grandniece of the author Henry James and the philosopher William James. They will marry in 1931 and stay together for the rest of his life; they will have two daughters.

  6. 1930

    In Mondrian’s studio: the shock of abstraction

    A visit to Piet Mondrian’s studio in 1930, with its environment-as-installation, “shocks” Calder into fully embracing abstract art, toward which he had already been tending. He abandons the static quality of Mondrian’s Neo-Plasticism and sets himself the task of creating dynamic systems that reflect the continuous changeability of nature; another stimulus toward kinetic art was a planetarium that showed the movements of celestial bodies.

More by Alexander Calder

All works
Sow, Alexander Calder, 1928

Sow

1928 · The Museum of Modern Art

Cow, Alexander Calder, 1929

Cow

1929 · National Gallery of Art

The Acrobats, Alexander Calder, 1929

The Acrobats

1929 · National Gallery of Art

Cow, Alexander Calder, 1929

Cow

1929 · The Museum of Modern Art

Ruby-Eyed, Alexander Calder, 1936

Ruby-Eyed

1936 · National Gallery of Art

Gibraltar, Alexander Calder, 1936

Gibraltar

1936 · The Museum of Modern Art

Untitled (The McCausland Mobile), Alexander Calder, 1937

Untitled (The McCausland Mobile)

1937 · National Gallery of Art

Spider, Alexander Calder, 1939

Spider

1939 · The Museum of Modern Art

In the same room · ET-606, National Gallery of Art

Museum page
Flight of the Dragonfly in Front of the Sun, Joan Miró, 1968

Joan Miró

Flight of the Dragonfly in Front of the Sun, 1968

Model for East Building Mobile, Alexander Calder, 1972

Alexander Calder

Model for East Building Mobile, 1972

Black Camel with Blue Head and Red Tongue, Alexander Calder, 1971

Alexander Calder

Black Camel with Blue Head and Red Tongue, 1971

Crinkly Worm, Alexander Calder, 1971

Alexander Calder

Crinkly Worm, 1971

Blue Elephant with Red Ears, Alexander Calder, 1971

Alexander Calder

Blue Elephant with Red Ears, 1971

Red and Yellow Bull with Blue Head, Alexander Calder, 1971

Alexander Calder

Red and Yellow Bull with Blue Head, 1971

Red Cow with Black Head, Alexander Calder, 1971

Alexander Calder

Red Cow with Black Head, 1971

La vache, Alexander Calder, 1970

Alexander Calder

La vache, 1970

On the same theme · Mammal

All works on the theme
The Watering Place (Horses Bathing) [L'abreuvoir (chevaux au bain)], Pablo Picasso, 1906

Pablo Picasso

The Watering Place (Horses Bathing) [L'abreuvoir (chevaux au bain)], 1906

Not on view · National Gallery of Art

Sculptor and Model with a Sculpture Representing a Bull Attacking Horses (Sculpteur et son modèle avec un groupe sculpté représentant un taureau attaquant des chevaux), Pablo Picasso, 1933

Pablo Picasso

Sculptor and Model with a Sculpture Representing a Bull Attacking Horses (Sculpteur et son modèle avec un groupe sculpté représentant un taureau attaquant des chevaux), 1933

Not on view · National Gallery of Art

Man with a Dog (L'homme au chien), Pablo Picasso, 1915, reprinted c. 1947

Pablo Picasso

Man with a Dog (L'homme au chien), 1915, reprinted c. 1947

Not on view · National Gallery of Art

The Watering Place (Horses Bathing) [L'abreuvoir (chevaux au bain)], Pablo Picasso, 1906, published 1913

Pablo Picasso

The Watering Place (Horses Bathing) [L'abreuvoir (chevaux au bain)], 1906, published 1913

Not on view · National Gallery of Art

L'Ane (The Donkey), Pablo Picasso, 1941/1942

Pablo Picasso

L'Ane (The Donkey), 1941/1942

Not on view · National Gallery of Art

Sculptor at Rest III (Le repos du sculpteur III), Pablo Picasso, 1933

Pablo Picasso

Sculptor at Rest III (Le repos du sculpteur III), 1933

Not on view · National Gallery of Art

Family of Acrobats with Macaque (La famille de saltimbanques au macaque), Pablo Picasso, 1905

Pablo Picasso

Family of Acrobats with Macaque (La famille de saltimbanques au macaque), 1905

Not on view · National Gallery of Art

Pique I, Pablo Picasso, 1959

Pablo Picasso

Pique I, 1959

Not on view · National Gallery of Art