The Virgin and Child in Egypt, William Blake, 1810
William Blake, portraitWilliam BlakeBritish, 1757–1827

The Virgin and Child in Egypt

1810 · Tempera painting · 76.5 × 63.5 cm

Can I see it?

Yes, on view now

Where is “The Virgin and Child in Egypt” now? Victoria and Albert Museum, Paintings, Room 82, The Edwin and Susan Davies Galleries, London. Yes, on view now. Checked September 25, 2026.

Victoria and Albert Museum

London, United Kingdom

RoomPaintings, Room 82, The Edwin and Susan Davies Galleries

Closed· opens at 10:00 AM

On public display.

Checked
In this state since
Source
The museum

About the painting

This is one of four similar paintings that Blake made for his faithful patron Thomas Butts. The others depict Adam, Eve and Christ. As a group, they show the fall and redemption of mankind. Here Blake depicted the Virgin Mary and Jesus in an Egypt of the artist's imagination, under the palm tree where they are said to have sheltered. The Pyramids are in the distance, and the Nile and walls of Cairo in the background.

Victoria and Albert Museum

Details

Accession number
P.25-1953

What it shows

In the catalog

Sources

In the life of William Blake

The whole life
  1. 1780–1808

    Exhibits six times at the Royal Academy

    Despite his antagonism towards Reynolds, Blake submitted works to the Royal Academy on six occasions between 1780 and 1808.

  2. October 1803 – 1820 · Residence

    South Molton Street

  3. c. 1808

    Polemical annotations to Reynolds's “Discourses”

    Around 1808 Blake gave vigorous expression to his views on art in an extensive series of polemical annotations to Sir Joshua Reynolds's “Discourses”, denouncing the Royal Academy as a fraud and proclaiming that to generalise is to be an idiot.

  4. 1809

    An exhibition in his brother's shop: nothing sold

    Blake set up an independent exhibition in his brother's haberdashery shop at 27 Broad Street in Soho to market his version of “The Canterbury Pilgrims” along with other works. It was very poorly attended, sold none of the temperas or watercolours, and its only review, in The Examiner, was hostile.

  5. 1809

    The “Descriptive Catalogue”: an analysis of Chaucer

    For the exhibition Blake wrote his “Descriptive Catalogue” (1809), which contains what Anthony Blunt called a “brilliant analysis” of Chaucer and is regularly anthologised as a classic of Chaucer criticism; it also contains detailed explanations of his other paintings.

All works

In the same room · Paintings, Room 82, The Edwin and Susan Davies Galleries, Victoria and Albert Museum

Museum page

On the same theme · Virgin Mary

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