George BellowsAmerican, 1882–1925The Street
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The Cleveland Museum of Art
Cleveland, United States
It belongs to the collection, but is not on display at present.
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- In this state since
- Source
- The museum
About the work
Tenement dwellers on the Lower East Side of Manhattan spent much of their time on their stoops or in the street socializing, eating, playing, or otherwise escaping their cramped living spaces. Here, the elevated train makes the crowded street feel especially claustrophobic. A woman scolds a barefoot street urchin before a curious audience in the center of the activity. In the foreground, two young women stand out in their gleaming white outfits amid the endless gray tones of the crowd. As ready-to-wear fashions became increasingly available, women of every class could go out on the town sporting the latest styles.
The Cleveland Museum of Art
Particulars
- Accession number
- 1936.547
In the catalog
Sources
- The Cleveland Museum of Art
- Image: The Cleveland Museum of Art — Museum open access
Meanwhile, in the life of George Bellows
The whole life23 April 1915
Daughter born: Jean Bellows
1916
A lithography press in his studio
He installs a lithography press in his studio and makes a significant contribution to establishing lithography as a fine art in the United States.
1918
The quarrel with Pennell: who may paint a war
The artist Joseph Pennell argues that, since Bellows did not witness the events he painted, he has no right to paint them; Bellows replies that he had not known Leonardo da Vinci “had a ticket to paint the Last Supper”.
1919
Teaches at the Art Institute of Chicago
In 1919 he teaches at the Art Institute of Chicago.
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