Albrecht DürerGerman, 1471–1528The Resurrection
May one see it?
Not receiving at present
The Cleveland Museum of Art
Cleveland, United States
It belongs to the collection, but is not on display at present.
Collection: National Gallery of Art, Washington, D.C.
- Checked
- In this state since
- Source
- The museum
Particulars
- Accession number
- 1943.3.3512
What it shows
In the catalog
Comings and goings
Not on view at present
The Cleveland Museum of Art · Oct 2, 2026 — now · Verified
Was not on view
National Gallery of Art · Sep 29, 2026 — Oct 2, 2026 · Verified
Was not on view
The Cleveland Museum of Art · Sep 29, 2026 — Sep 29, 2026 · Verified
Was not on view
National Gallery of Art · Sep 29, 2026 — Sep 29, 2026 · Verified
Was not on view
The Cleveland Museum of Art · Sep 28, 2026 — Sep 29, 2026 · Verified
Was not on view
National Gallery of Art · Sep 28, 2026 — Sep 28, 2026 · Verified
Was not on view
The Cleveland Museum of Art · Sep 27, 2026 — Sep 28, 2026 · Verified
Was not on view
National Gallery of Art · Sep 26, 2026 — Sep 27, 2026 · Verified
Was not on view
The Cleveland Museum of Art · Aug 19, 2026 — Sep 26, 2026 · Verified
Sources
- The Cleveland Museum of Art
- Image: National Gallery of Art — Museum open access
Meanwhile, in the life of Albrecht Dürer
The whole life1507–1528 · Workplace
Nuremberg
1511
Publishes the Great Passion and the Life of the Virgin
Dürer published two woodcut series as books, the Great Passion and the Life of the Virgin, with a second edition of the Apocalypse and the 37 woodcuts of the Little Passion. His post-Venetian woodcuts developed chiaroscuro modelling.
1512
Emperor Maximilian I becomes his chief patron
From 1512 Emperor Maximilian I was Dürer's chief patron. For him Dürer and his workshop produced the Triumphal Arch, a giant woodcut 295 × 357 cm printed from 192 blocks and modelled on the triumphal arches of ancient Rome.
3 January 1512
Nuremberg's privilege against forgeries
Nuremberg's city council granted Dürer a privilege for the sale of his prints, with penalties for anyone who forged them.
1513–1516
Three years without painting
Complaining that painting did not pay enough to justify the time compared with his prints, Dürer produced no paintings from 1513 to 1516.
1514
Death of his mother
In the year of Melencolia I and St Jerome in His Study, the artist's mother, Barbara Holper, died.
![Madonna and Child [obverse], Albrecht Dürer, c. 1496/1499](https://api.nga.gov/iiif/878db7e6-10ae-4cae-ba5d-6d6f5c413ae8/full/!2400,2400/0/default.jpg)
![Lot and His Daughters [reverse], Albrecht Dürer, c. 1496/1499](https://api.nga.gov/iiif/7565a449-f82a-414b-9bda-c93f55a51b4d/full/!2400,2400/0/default.jpg)
