The Morning Bath, Edgar Degas, 1887/90
Edgar Degas, portraitEdgar DegasFrench, 1834–1917

The Morning Bath

1887/90 · Pastel on off-white laid paper mounted on board

Can I see it?

Not on view at present

Where is “The Morning Bath” now? Collection: Art Institute of Chicago, Chicago. Not on view at present. Checked September 29, 2026.

Art Institute of Chicago

Chicago, United States

It belongs to the collection, but is not on display at present.

Checked
In this state since
Source
The museum

About the work

Later in his career Edgar Degas began using pastel more frequently and created some two hundred pastel drawings of bathers, including this example, which shows a woman stepping into a tub. The soft and crumbly consistency of this medium allowed him to both blend colors and apply more assertive marks that remain distinct. Here, the combination of these effects is evident in his handling of the various fabrics throughout. The woman is shown mid-step, her left leg already inside the tub and her right arm clutching the curtain to maintain her balance. Disheveled bedsheets and rumpled pillow sit between the viewer and the woman, adding a voyeuristic feel to this view of a private morning ritual.

Art Institute of ChicagoCC BY 4.0

Details

What it shows

In the catalog

Sources

In the life of Edgar Degas

The whole life
  1. 1886

    The eighth exhibition: pastel nudes, and the end of the group

    At the last Impressionist exhibition Degas showed a suite of pastel nudes, which drew more critical writing than anything else in his lifetime, mostly laudatory. The group broke up, partly through rancour over the inclusion of non-Impressionists such as Forain and Raffaëlli.

  2. after 1886

    Into the shadows: he stops exhibiting

    After 1886 Degas stopped exhibiting and sold his pictures at high prices through a narrow circle of agents. By the end of the decade he had in effect fulfilled his wish to be “famous and unknown”, withdrawing among close friends.

  3. late 1880s

    A passion for photography

    Degas photographed his friends, often by lamplight, as in the double portrait of Renoir and Mallarmé. Photographs of dancers and nudes served as references for his drawings and paintings.

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On the same theme · Century of Progress

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