The Entombment, Pedro Moreto, ca. 1555
Pedro Moreto

The Entombment

ca. 1555 · Relief · 19.7 × 23.8 cm

May one see it?

Yes, receiving visitors

Victoria and Albert Museum

London, United Kingdom

RoomSculpture, Room 111, The Gilbert Bayes Gallery

On public display.

Checked
In this state since
Source
The museum

About the sculpture

Alabaster and Solnhofen stone are relatively soft materials, which can be easily carved with a knife. Marble, on the other hand, is a hard, fine-grained, crystalline stone, which has to be carved with chisels and a mallet. All can be polished with fine abrasive powders, with marble, in particular, taking a high polish. In Spain sculptors used alabaster from about 1300 onwards. The material came mainly from regional quarries.

The composition is based on an etching by the Italian artist Parmigianino (1503-1540). Italian sources were used relatively frequently in Spanish sculpture, particularly in the sixteenth and seventeenth century. This relief could have been part of a predella of a small altarpiece, or it may have been a small devotional piece in its own right.

Victoria and Albert Museum

Particulars

Accession number
A.2-1965

What it shows

In the catalog

Sources

In the same room · Sculpture, Room 111, The Gilbert Bayes Gallery, Victoria and Albert Museum

Museum page

On the same theme · Jesus Christ

All works on the theme