Käthe KollwitzGerman, 1867–1945The End (Ende)
May one see it?
Not receiving at present
Washington, D.C., United States
It belongs to the collection, but is not on display at present.
- Checked
- In this state since
- Source
- The museum
Particulars
- Accession number
- 1943.3.5307
What it shows
In the catalog
Sources
- National Gallery of Art
- Image: National Gallery of Art — Museum open access
Meanwhile, in the life of Käthe Kollwitz
The whole life1892–1896
Hauptmann’s “The Weavers” inspires a new cycle
Between the births of her sons Hans and Peter she saw Gerhart Hauptmann’s play The Weavers, about the failed revolt of the Silesian weavers in Langenbielau in 1844. It inspired her to drop a series of etchings she had planned to illustrate Émile Zola’s Germinal and to produce a cycle on the weavers instead.
1896
Birth of her son Peter
In 1896 her younger son, Peter, was born; he was killed at the front in 1914.
6 February 1896
Son born: Peter Kollwitz
1898
“The Weavers” at the Great Berlin Art Exhibition
In 1898 the cycle was shown publicly at the Great Berlin Art Exhibition and was widely acclaimed.
1898
The Kaiser refuses a gold medal to a woman
Adolph Menzel nominated her work for the gold medal of the 1898 Great Berlin Art Exhibition, but Kaiser Wilhelm II withheld his approval, saying that a medal for a woman would be going too far and that orders and medals belonged on the breasts of worthy men.
1898–1903
Teaches at the Women’s Art School
From 1898 to 1903 she taught at the Women’s Art School in Berlin.
![Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478](https://api.nga.gov/iiif/8f29e3c9-a289-4d53-abf0-31a66e9e98fa/full/!2400,2400/0/default.jpg)
![Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478](https://api.nga.gov/iiif/ff62e8d0-45c4-498f-ad36-6358de827e04/full/!2400,2400/0/default.jpg)
