The Drunkard, Honoré-Victorin Daumier, 1834
Honoré Daumier, portraitHonoré DaumierFrench, 1808–1879

The Drunkard

1834 · Print

Can I see it?

Not on view at present

Where is “The Drunkard” now? Collection: Art Institute of Chicago, Chicago. Not on view at present. Checked September 29, 2026.

Art Institute of Chicago

Chicago, United States

It belongs to the collection, but is not on display at present.

Checked
In this state since
Source
The museum

Details

Accession number
1953.536

In the catalog

Sources

In the life of Honoré Daumier

The whole life
  1. February 1832

    Trial for Insulting the King

    In February 1832 Daumier stood trial on charges of "inciting hatred and contempt for the government and insulting the king" and was sentenced to six months in prison and a fine of 500 francs; execution of the sentence was deferred.

  2. August 1832

    Arrest and Imprisonment at Sainte-Pélagie

    In August 1832 Daumier was arrested at his parents' apartment and placed in the Sainte-Pélagie prison to serve his six-month sentence; in prison he remained defiant and continued to draw "to spite the government." His imprisonment brought him considerable fame.

  3. 14 February 1833

    Release and Move to an Artists' Phalanstery

    After his release from prison on 14 February 1833, Daumier, who had until then lived with his parents, moved into an artists' phalanstery on the Rue Saint-Denis, where his friends included Diaz, Huet, Jeanron, Decamps, and Préault.

  4. 1834

    Closure of La Caricature; Move to Le Charivari

    In 1834 La Caricature collapsed under the weight of the monarchy's prosecutions and fines; Daumier continued working for Philipon's journal Le Charivari, founded in December 1832, where he published scenes from "The Adventures of Robert Macaire" and other series.

  5. September 1835

    The "September Laws" Restricted Press Freedom

    After an assassination attempt on Louis-Philippe, the "September Laws" were enacted, imposing harsh fines and prison terms for criticizing the king; Daumier's caricatures softened and turned to satire of the bourgeoisie and everyday Parisian life.

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On view at Art Institute of Chicago

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