
Jacques CallotFrench, 1592–1635May one see it?
Cleveland, United States
It belongs to the collection, but is not on display at present.
Jacques Callot, a masterful draftsman, spent the greater part of his life at the ducal courts of Tuscany and Lorraine, where he produced prints to record festivals and theatrical performances. He also executed religious subjects and scenes reflecting many aspects of daily life including war, pervasive in 17th-century Europe. When returning to France from Italy, Callot probably saw bands of rootless men, women, and children-a common sight-which became the subject of The Bohemians. He conceived of these four prints as a long frieze; the lines in each of the sheets extend into the sheet that follows. The first two scenes depict a procession of scrawny horses and disheveled families in tattered, exotic clothing. The last two show these vagrants pillaging a farm and then enjoying a feast.
The inscriptions, from left to right, comment on the action: The only things these poor fortune-telling beggars carry with them are things yet to come. Are these not fine messengers, straying through foreign lands? You who take pleasure in their words, watch out for your blancs, testons and pitolles (coins). When all is said and done, they find that their fate is to have come from Egypt to this feast.
The Cleveland Museum of Art
1611–1621 · Workplace
Florence
1614–1621
At the court of Cosimo II de’ Medici
Under Parigi’s direction Callot works at the court of the Grand Duke of Tuscany Cosimo II de’ Medici in the Uffizi, designing festivals and theatrical performances — later these give him themes for his series of grotesque prints; during his Florentine years he becomes an independent master and often works for the Medici.
1621
Returns to Nancy after the death of Cosimo II
After the death of Grand Duke Cosimo II de’ Medici, Callot responds to Duke Charles IV of Lorraine’s wish to see him at his court and returns to Lorraine, where he is received with flattering honours; staying in Nancy, he sends his prints all over Europe, and Rembrandt becomes a keen collector of them.
1621–1635 · Workplace
Nancy