Tête de juge, Honoré Daumier, 1850s
Honoré Daumier, portraitHonoré DaumierFrench, 1808–1879

Tête de juge

1850s · Drawing · 10.8 × 9.3 cm

Can I see it?

Not on view at present

Where is “Tête de juge” now? Collection: Victoria and Albert Museum, London. Not on view at present. Checked September 25, 2026.

Victoria and Albert Museum

London, United Kingdom

It belongs to the collection, but is not on display at present.

Checked
In this state since
Source
The museum

About the work

This drawing portraying a barrister is emblematical of the work of Honoré Daumier (1808-79). The artist was well versed in the workings of the law courts, having been condemned to a six month jail for having caricatured King Louis-Philippe in his engraving Gargantua. After his release, Daumier frequently visited the courts, where members of the legal profession provided him with a wealth of subjects for caricature.

Victoria and Albert Museum

Details

Accession number
CAI.121A

In the catalog

Sources

In the life of Honoré Daumier

The whole life
  1. 1848

    Sketch "The Republic" Among Competition Finalists

    On Courbet's advice, Daumier submitted an oil sketch, "The Republic" (now in the Musée d'Orsay), to the competition for an allegory of the new Republic; it was very well received and was among the twenty finalists, but Daumier never executed the finished painting.

  2. 1848

    Albums on the Revolution of 1848

    The Revolution of 1848 provided the material for two of Daumier's albums, "Parliamentary Idylls" and "The Representatives Represented"; he once again launched a political campaign in the pages of Le Charivari.

  3. 1849

    First Participation in the Salon

    In 1849 Daumier exhibited at the Salon for the first time, showing the painting "The Miller, His Son, and the Donkey"; from the late 1840s he devoted himself increasingly to painting.

  4. from 1853

    Summer Trips to Valmondois and Barbizon

    From about 1853 Daumier spent the summer months in Valmondois and Barbizon, where Corot, Daubigny, Millet, and Rousseau were working, deepening his friendships with the artists of the Barbizon school.

  5. 1858

    Serious Illness

    In 1858 Daumier suffered a serious illness.

  6. 1860

    Le Charivari Dropped His Caricatures

    After thirty years of continuous work, the popularity of Daumier's caricatures declined, and in 1860 Le Charivari dismissed him from its staff. Years of hardship followed, but also of free time for painting — a period of great productivity and artistic growth.

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